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| | TWAS 70: Walker Brothers, Ian McNabb, Julian Dawson |
 | | Instead of trying to reproduce the Icicle Works' percussive exuberance, McNabb opted to begin his solo career with a renewed emphasis on careful songcraft and uncluttered arrangements. |
 | | Crazy Horse weren't around to help on McNabb's new album, Merseybeast, but his new backing duo The Afterlife, with Russell Milton on bass and Daniel Strittmatter on drums, appear undaunted by the potential for comparison, and the ensuing record is, if anything, even more expansive, redemptive, warm and open-hearted than Head Like a Rock. |
 | | McNabb understands the power that rock and roll, used for good, can have, and takes his responsibility to so use it seriously, but at the same time playing this music is too much glorious fun for the burden of potential to ever become wearying. |
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