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Topic: Ichikawa


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In the News (Mon 4 Jun 12)

  
  Kon Ichikawa
Using landscape as a metaphor for the isolation and suffering of the soul, Kon Ichikawa contrasts the chaotic, harsh realities of war with the tranquil expanse of nature: the mountain fortress attack; the discovery of a body leaning against a tree in the jungle; the mass burial of soldiers along the shoreline.
Kon Ichikawa depicts a harrowing portrait of dehumanization and barbarism in Fires on the Plain.
Ichikawa's recurrent fragmentation of images reflect the voyeuristic relationship between spectator and performer: obscured, extended fight scenes witnessed from rooftops, seamless visual transitions between theatrical dramatization and off-stage, real-life events, framing of actors through doorways or other visual occlusions that seem to underscore the intrusive, keyhole perspective of the audience.
www.filmref.com /directors/dirpages/ichikawa.html   (2379 words)

  
 Kon Ichikawa
Ichikawa's sceptical attitude to his country's traditions and institutions ties in with another recurrent theme of his work: his interest in the young, and in the gulfs between the generations.
Ichikawa himself remarked that he “did not think the Golden Pavilion so great or beautiful a structure,” and argued that “the presence of this great structure does not secure the well-being of human beings around it, or make them happy” (5).
In the hands of Ichikawa, such conservatism seems a little incongruous; his best films, despite the tighter restrictions on filmmakers at the period of their production, were willing to deal with most aspects of life, and are as unembarrassed by sex as they are unexcited by violence.
www.sensesofcinema.com /contents/directors/04/ichikawa.html   (2816 words)

  
  Ichikawa, Chiba - Wikipedia, the free encyclopedia
Ichikawa (市川市 Ichikawa-shi) is a city located in Chiba, Japan.
As of 2003, the city has an estimated population of 462,249 and the density of 8,044.71 persons per km².
The chief of the ground staff of the Japan Ground Self-Defense Force is located in Ichikawa.
en.wikipedia.org /wiki/Ichikawa   (113 words)

  
 MTV.com - Movies - Kon Ichikawa   (Site not responding. Last check: 2007-10-26)
Kon Ichikawa is considered one of the masters of the immediate postwar generation of Japanese filmmakers -- a generation often overshadowed by the titanic presence of Akira Kurosawa.
Although Ichikawa shared the existential humanism of such postwar contemporaries as Keisuke Kinoshita and Akira Kurosawa, he rarely slouched into the sentimentalism that sometimes marred the work of his counterparts.
In 1965, Ichikawa released Tokyo Olympiad, a gorgeous portrait of the human spirit.
www.mtv.com /movies/person/84211/bio.jhtml   (776 words)

  
 Film Comment: Glass houses - director Kon Ichikawa - Statistical Data Included   (Site not responding. Last check: 2007-10-26)
In Ichikawa's apprenticeship period, starting with his now-lost debut, the unreleased puppet animation A Girl at Dojo Temple (45), and ending with his last film prior to The Heart, Ghost Story of Youth (55), there are a handful of remarkably good films, and the same holds true for the post--I Am a Cat period.
Ichikawa's work forms a single entity that is full of life, intelligent and open-minded, yet riven with doubt, idiosyncrasy, and contradiction.
Ichikawa's distinctly distant treatment forestalls that -- in this case not necessarily to the work's advantage, as it reduces the film to a simplistic War Is Bad statement.
www.findarticles.com /p/articles/mi_m1069/is_4_37/ai_83116280   (1267 words)

  
 BBC - BBC Four Cinema - Kon Ichikawa Profile
Many of Ichikawa's 75 films are adapted from classic Japanese novels and at 86 he continues to make movies.
The cloud of Hiroshima barely lifted, Ichikawa's cinematic response was one of absurdism and chaos on a world gone mad.
As in many of Ichikawa's films, the spirit of alienation is viewed as both a preferable and necessary reaction to the horrors of society.
www.bbc.co.uk /bbcfour/cinema/features/kon-ichikawa.shtml   (551 words)

  
 Profile of Japan Filmmaker Kon Ichikawa MFA Boston Film Series, 8/01
Amazingly, Kon Ichikawa, the subject of an August retrospective screening series at the Boston MFA, is no longer generally regarded as a major force in his own native Japanese film community.
Ichikawa is seen in Japan as being reluctant to throw in the directorial towel to allow younger filmmakers more attention.
Ichikawa's most revered work is probably "Harp of Burma" (1956), a transcendent story of war's many victims.
www.newenglandfilm.com /news/archives/01august/ichikawa.htm   (638 words)

  
 Fashion Victim: Jun Ichikawa's "Tony Takitani"
It's not for lack of attempt on Ichikawa's part at overcoming the narrative's essential flimsiness and questionable ascribing of the more serious consequences of pathological behavior to female characters, always Murakami's Achilles' heel (but certainly an aspect that might not register as such without prior knowledge of his works).
Ichikawa's inventive formal strategy -- his camera only moves left to right and his tracking shots are broken by invisible edits that mark breaks in narrative time -- is softly radical; so lulling that you'll hardly notice you're watching a rather rigorous aesthetic experiment.
Jun Ichikawa's lonely "Tony Takitani" drifts across the screen in a scroll, enveloping you in an emotional and visual crawlspace of browns and grays.
www.indiewire.com /movies/movies_050726takitani.html   (1375 words)

  
 Guardian Unlimited Film | Features | The work of Kon Ichikawa
Ironic, perverse, sentimental and melodramatic as he could be, and quite capable of making commercial potboilers, Ichikawa shot at least half a dozen films in the 1950s and early 1960s that deserve the accolade of classics, and his brilliant craftsmanship alone had a huge influence on those who came after him.
But Ichikawa's irony shines through the obvious sentiment of the British and Japanese soldiers singing Home Sweet Home together, since the soldier had only survived by stealing the robes of the monk who had rescued him.
Ichikawa wanted to express the "poetic essence" of the subject, and no one has done it better in a film about sport.
film.guardian.co.uk /edinburgh2002/story/0,12275,769987,00.html   (1277 words)

  
 MoMA | Press | Releases | 2001 | KON ICHIKAWA
Ichikawa, the last surviving member of the great quartet of Japanese directors, may be less known to Westerners than Akira Kurosawa, Kenji Mizoguchi, and Yasujiro Ozu, but his formal and thematic experiments are no less daring or influential.
Ichikawa's probing camera reveals human nature as both poignantly fallible and vainly self-serving, and his film ends on an even more devastatingly comical note than the Tanizaki novel on which it was based.
Ichikawa captures the novel's dry, haughty tone and its surface whimsy and underlying nastiness, pricking the pretensions and mannerisms of the Meiji nouveau riche with their puffed-up intellectual snobbery and faddish infatuation with Occidental culture.
www.moma.org /about_moma/press/2001/Ichikawa_08_03_01.html   (3918 words)

  
 Department of Pharmacology & Molecular Sciences   (Site not responding. Last check: 2007-10-26)
Ichikawa, Y., Igarashi, Y., Ichikawa, M. and Suhara, Y. 1-N-iminosugars: Potent and selective inhibitors of §-glycosidases, J.
Hollis, T., Ichikawa, Y., and Ellenberger, T. DNA bending and a flip-out mechanism for base excision by the helix-hairpin-helix DNA glycosylase, Escherichia coli AlkA, EMBO J 19:758-766, 2000.
Ichikawa, M., Woods, A.S., Mo, H., Goldstein, I.J., and Ichikawa, Y.
www.hopkinsmedicine.org /pharmacology/pages/faculty/ichikawa.html   (328 words)

  
 Ichikawa Japanese Cuisine in beautiful Port Townsend, WA
Ichikawa Japanese Cuisine in beautiful Port Townsend, WA The Olympic Peninsula's
Conveniently located downtown in beautiful Port Townsend, across the street from the Ferry Dock, Ichikawa has created the very best Sushi, Traditional Japanese and Pan-Asian Cuisine since July 2000.
Also new to Port Townsend is Ichikawa's Tatami Room, offering single-table seating for eight or more in a world of its own - perfect for business meetings or family gatherings!
www.ichikawa-pt.com   (158 words)

  
 Ichikawa and Ensemble
Master Chikujo Ichikawa plays the Tsugaru Shamisen and is the only one left who knows the Art of the Bosama and the folklore of Tsugaru from 1603 to 1988.
At an early age, Chikujou Ichikawa was taken in charge by a "Bosama" (a blind musician) from Tsugaru (Aomori Prefecture) in Northern Japan.
Takahashi Chikusan and Ichikawa Chikujou became Narita Unchiku’s right arm and were essential in the spreading and the preservation of the traditions of Tsugaru.
www.centerforworldmusic.org /concerts/tsubio.html   (643 words)

  
 VH1.com : Movies : Person : Kon Ichikawa : Biography
Kon Ichikawa is considered one of the masters of the immediate postwar generation of Japanese filmmakers -- a generation often overshadowed by the titanic presence of
Ichikawa's first feature-length film was Musume Dojoji (1946), a ghost story told through puppetry.
Many of Ichikawa's films were reworked from other sources.
www.vh1.com /movies/person/84211/bio.jhtml   (762 words)

  
 Sangamo BioSciences Announces the Appointment of David Ichikawa as Senior Vice President, Business Development
Ichikawa will have responsibility for all licensing and business development activities for the company and will report to Edward Lanphier, Sangamo's president and chief executive officer.
Ichikawa was most recently Chief Business Officer for Sagres Discovery, where he was responsible for corporate strategy and business development activities.
Ichikawa earned his M.B.A. degree from the University of California at Berkeley and a B.S. degree from the University of California at Davis.
www.prnewswire.com /cgi-bin/stories.pl?ACCT=109&STORY=/www/story/01-04-2005/0002766902&EDATE=   (953 words)

  
 Full Alert Film Review: Jun Ichikawa
Japan's leading director of TV commercials, with a slew of industry honors to his credit, Jun Ichikawa has, since his 1987 feature debut BU*SU, embarked on a parallel career as a maker of movies that recall, in their intimate scale, understated humanism, elegant compositions and deliberate pace, the work of Yasujiro Ozu.
A long-time admirer of the director of Tokyo Monogatari and other masterpieces, Ichikawa underlined this comparison with Tokyo Kyodai, a 1995 film that was a conscious Ozu homage, right down to its simple but evocative title.
While self-deprecatingly applying this label to himself, Ichikawa has long chafed under it -- one doesn't become the king of the CM in Japan by fading away into the woodwork.
wlt4.home.mindspring.com /fafr/articles/ichikawa.htm   (3053 words)

  
 Midnight Eye review: An Actor's Revenge (1962, Kon ICHIKAWA)
The story has it that Ichikawa was assigned this project by Daiei as a punishment for the studio's lack of satisfaction with his previous three productions, Conflagration (Enjo, 1958), Bonchi (1960) and The Outcast (Hakai, 1962).
Sensibly Ichikawa, using a script adapted from the original by his wife and constant collaborator up until the mid-60s, Natto Wada (pen name for Yumiko Ichikawa), doesn't even try.
It is the painterly way in which Ichikawa handles the dimensions of the widescreen Cinemascope format that will no doubt form the most lingering impression on most viewers.
www.midnighteye.com /reviews/anactrev.shtml   (706 words)

  
 Ichikawa Family --  Encyclopædia Britannica
The most famous names are Danjuro, Ebizo, Danzo, and Ebijuro, and, according to kabuki convention, these names were assumed by a natural or adopted son of the Ichikawa family when his skill entitled him to inherit the mantle of a famous ancestor.
More results on "Ichikawa Family" when you join.
The city is composed of the three towns of Ichikawa, Yawata, and Nakayama, which were salt-producing post towns on the Chiba Highway (Chiba-kaido) during the Tokugawa period (1603–1867).
www.britannica.com /eb/article-9041982?tocId=9041982   (661 words)

  
 Ichikawa, A.   (Site not responding. Last check: 2007-10-26)
Ichikawa, A. For the most recent entries see the Petri Nets Newsletter.
Ichikawa, A.; Yokoyama, K. Kurogi, S. Control of Event-Driven Systems-Reachability and Control of Conflict-Free Petri Nets.
Ichikawa, A.; Hiroushi, K. Necessary and Sufficient Condition for a Class of Reachability in Petri Nets.
www.informatik.uni-hamburg.de /TGI/pnbib/i/ichikawa_a.html   (181 words)

  
 World Cinema: Directors -- Kon Ichikawa
Especially notable are his two powerful antiwar films, The Burmese Harp (1956), in which a soldier experiences a Buddhist spiritual awakening and becomes obsessed with the need to bury the war dead, and Fires on the Plain (1959), which depicts the horrors of war in graphic, chilling terms, showing cannibalism among defeated Japanese soldiers.
Ichikawa is a highly proficient film craftsman with a keen eye for visual texture.
He is ameticulous technician who labours long and carefully on every scene in advance of production.
www.geocities.com /Paris/Metro/9384/directors/ichikawa.htm   (161 words)

  
 University Wire: UCLA presents exhibition of Ichikawa's largely controversial work@ HighBeam Research   (Site not responding. Last check: 2007-10-26)
UCLA presents exhibition of Ichikawa's largely controversial work
They will screen Kon Ichikawa's breakthrough and humanistic anti-war film "Harp Of Burma" as part of a four-week, 18-film exhibition of Ichikawa's work at Melnitz beginning last Saturday.
Eighty-six-year-old Ichikawa has often been ranked with eminent Kurosawa...
www.highbeam.com /library/doc0.asp?DOCID=1P1:48368322&refid=ip_encyclopedia_hf   (213 words)

  
 Tokyo Olympiad DVD | dir.: Kon Ichikawa | cast:
A spectacle of magnificent proportions, Kon Ichikawa’s Tokyo Olympiad ranks among the greatest documents of sport ever committed to film, examining the beauty and rich drama on display at the 1964 Summer Games in Tokyo.
Utilizing glorious widescreen cinematography, Ichikawa examines the beauty and rich drama on display at the 1964 Summer Games in Tokyo, creating a catalogue of extraordinary observations that range from the expansive to the intimate.
The glory, despair, passion, and suffering of Olympic competition are rendered with lyricism and technical mastery, culminating in an inspiring testament to the beauty of the human body and the strength of the human spirit.
www.hkflix.com /xq/asp/filmID.535573/qx/details.htm   (301 words)

  
 Kyodo World News Service: Ichikawa races to victory in Sapporo Marathon@ HighBeam Research   (Site not responding. Last check: 2007-10-26)
Kyodo World News Service: Ichikawa races to victory in Sapporo Marathon@ HighBeam Research
SAPPORO, Aug. 27 (Kyodo) -- Japan's Mayumi Ichikawa broke away from compatriot Rie Matsuoka at the 27-kilometer stage Sunday to win the women's Sapporo Marathon, while Mexican Dionicio Ceron won the men's race in steamy conditions in Hokkaido.
Ichikawa, not selected for the Japanese team for next month's Sydney Olympics, crossed the finish line in 2 hours, 32 minutes, 30 seconds for a winning margin of nearly three minutes...
www.highbeam.com /library/doc0.asp?DOCID=1P1:31259008&refid=ip_encyclopedia_hf   (193 words)

  
 CMA Special Exhibitions : Ichikawa Ebizo IV as Takemura Sadanoshin
In June 1794 at the Kawarazaki Theater, this Kabuki actor portrayed a father who commits suicide after being disgraced by his daughter who had a child out of wedlock.
A member of the famous Ichikawa acting family, Ebizo IV is recognized here by his family crest--three nested boxes--visible on his robes.
It was the Ichikawa family crest for over 300 years.
www.clemusart.com /exhibcef/visions/html/4398015.html   (117 words)

  
 Kon Ichikawa (Cinematheque Ontario Monographs) - BOOKS
Fittingly, Kon Ichikawa, Cinematheque Ontario's new monograph on the director (edited by James Quandt), is as fascinating not only for its revelations on the director himself but also the cultural climate in which they existed--it shows how Ichikawa imposed himself on various sources and how they imprinted on him in return.
There are also plenty of interviews and essays about and by Ichikawa himself, and he proves to be genial and self-deprecating.
Kon Ichikawa begins with an interview on the director's early life, and QandAs pepper the book, culminating in a recent "mid-career" conversation that covers filmmaking practice, the vagaries of studio casting, the menace of "Shibuya girls," and how much Ichikawa likes David Fincher's Seven.
www.filmfreakcentral.net /moviebooks/konichikawa.htm   (817 words)

  
 Laura E. Ichikawa, MS
Ichikawa is a biostatistician and collaborates with investigators in a variety of areas including women's health and breast cancer research.
Her biostatistical experience is mainly in repeated measures analysis with longitudinal studies but also has experience with randomized clinical trials and case-control studies.
The association between depot medroxyprogesterone acetate contraception and bone mineral density in adolescent women.
www.centerforhealthstudies.org /ctrstaff/ichikawa.html   (330 words)

  
 [No title]
Ichikawa: If the well level doesn't come back up, we can't test-run the plant.
Ichikawa: I don't like how we have to come directly.
Ichikawa: They didn't attack me either, during the meeting!
www.mangascreener.com /stephen/nasu/nasuch18.txt   (845 words)

  
 -- SCOTT'S CITY -- Scott Ichikawa --   (Site not responding. Last check: 2007-10-26)
Scott Ichikawa Creative Scott’s City Graphic Design Portfolio Freelance Go Explore Design Seattle
-- WELCOME TO SCOTT ICHIKAWA'S GRAPHIC DESIGN PORTFOLIO --
Web Site Designed and Created by Scott S. Ichikawa
www.scottscity.com   (39 words)

  
 Open Directory - Arts: Movies: Filmmaking: Directing: Directors: I: Ichikawa, Kon   (Site not responding. Last check: 2007-10-26)
Ichikawa - Biography, interview, and an article on his works.
Kon Ichikawa - Stills and analysis of some of his major films.
The Quality of Mercy - A look at the vast and varied output of Japanese director Kon Ichikawa.
dmoz.org /Arts/Movies/Filmmaking/Directing/Directors/I/Ichikawa,_Kon   (116 words)

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