| | Jehovah's Witness Iconography |
 | | There is a significant tension in Witness discourse between the Watchtower Society representation of itself as a global culture or international organization that has transcended the divisive particularities of race, ethnicity, nationality, language, etc., and the Society's desire to encompass and accommodate various expressions of cultural diversity and local particularities. |
 | | Witness literature and iconography indicates that uniformity and univocality within the Society exists not only at the level of explicit belief and formal practice, but that this homogenizing dynamic extends even to uniformity of dress and grooming, as well as a conspicuous tendency toward lexical univocality at least among American English-speaking Witnesses. |
 | | That emphasis on uniformity and univocality stands in provocative contrast with the Society's selective celebration of cultural and ethnic diversity in, for example, its contemporary iconographic representations of life in paradise and in the routine inclusion in Society publications of photographs taken at Witness assemblies and conventions around the world. |
| www.unc.edu /~elliott/icon.html (2060 words) |