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Topic: Identification of Emily Dickinson poems

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List of Emily Dickinson poems

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	Emily Dickinson - Wikipedia, the free encyclopedia
		Dickinson was born in Amherst in western Massachusetts to a prominent family.
		William Austin Dickinson ( 1829 â“ 1895), usually known by his middle name, was her older brother, later married her friend Susan Gilbert in 1856 and made his home next door to the house in which Emily lived most of her life.
		After a possible short-lived romance with Emily Fowler circa 1850, some conjecture that the first major love interest of Dickinson's life was Susan Gilbert, a schoolteacher whom Dickinson fell in love with in 1851 and to whom she wrote numerous love letters.
	en.wikipedia.org /wiki/Emily_Dickinson (2918 words)

	Emily Dickinson biography .ms (Site not responding. Last check: 2007-10-20)
		Emily Dickinson ( December 10, 1830 - May 15, 1886), nineteenth century United States poet was born in Amherst, Massachusetts to a prominent family known for support of the local educational institutions.
		Emily's grandfather, Samuel Fowler Dickinson, was one of the founders of Amherst College, and her father served as lawyer and treasurer for the institution.
		Dickinson lived most of her life in the house in which she was born, made a few trips to visit relatives in Boston, Cambridge, and Connecticut.
	emily-dickinson.biography.ms (458 words)

	LectureEmilyDickinson
		Emily remained close to her aunt; and her cousins, the Norcross sisters, were the recipients of some of Emily's most intimate letters, even very late in her life.
		Emily, in spite of the affection she always felt for Sue, was on Austin's side in everything which was typical of the Dickinson family.
		Emily's voracious love-hunger was never satisfied, and she interpreted this failure as a cruel rejection and grew up in repressed bitterness toward her mother; resented being female; rebelled against traditional roles of the female; hence the theme of death, anxiety, suffering, deep sense of alienation.
	jade.ccccd.edu /Andrade/WorldLitII2333/LectureEmilyDickinson.html (4058 words)

	The Emily Dickinson Journal Volume III.1 1996 (Site not responding. Last check: 2007-10-20)
		Dickinson's multi-faceted and explicitly articulated awareness of processes of comparison and the relatively high rate of similes in her corpus suggest that the use of similes is a crucial aspect of her poetics that has been overlooked.
		Dickinson however, undermines the notion of the body as perishable container of the soul by inverting the traditional relation between its two components: in her simile, "house" is not the discardable container but the imperishable contained, the "Soul" itself.
		On the poem's surface, however, this inevitable defeat is camouflaged by the use of empirical sentence molds and of a highly eccentric formal connector ("Lest I sh'd be old fashioned") that distracts the reader's attention from the fact of there being a simile at the poem's end at all.
	english.utb.edu /drodrigues/amlit/zisser.htm (6973 words)

	Johnson Discussion
		The first "literary scholar" and "textual critic" to edit Dickinson, Johnson published all the "seventeen hundred seventy-five poems, together with the variants, that she is known to have written" (my emphasis, xii), forty-one of which were not previously published.
		He says of Dickinson's poems, "The text is always in one of three stages of composition: a fair copy, a semifinal draft, or a worksheet draft" ( xxxiii).
		In other words, Johnson seems unable to consider the fact that Emily may have finally intended her poems to be perpetually "unfinished." He acknowledges conscious experimentation on the part of Dickinson, but resists the notion of a dynamic poem in which variant words or lines may be chosen by the reader.
	www.emilydickinson.org /classroom/spring99/edition/johnson/j-dis.htm (3618 words)

	The Emily Dickinson Journal Volume III.1 1996 (Site not responding. Last check: 2007-10-20)
		Dickinson's relationship to the biblical context of her heritage is as sure as Herbert's, but at the same time obscured, most prominently by the separate assaults transcendentalism and Higher Criticism dealt to Protestant typology.
		Dickinson casts her speaker in a role with multiple implications, ultimately springing her free from the tradition of biblical story by exposing the speaker's "countertext" finally as the central text of the poem.
		Dickinson's reinvention of Bible stories is in part the subject of Cynthia Griff in Wolff's biography of Dickinson, in which she describes the poet's struggle with God, paradigmatically the Old Testament story of Jacob's wrestling with God disguised as an angel, a story fundamental to the Calvinist conversion narratives in New England.
	www.colorado.edu /EDIS/journal/articles/III.1.Scholl.html (5426 words)

	The Emily Dickinson Journal Volume III.1 1996 (Site not responding. Last check: 2007-10-20)
		The opening line of that poem echoes her description of the sound of translation: "Not such a stanza splits the silence." Again, the dissonance between the music of the natural world and the social world prompts Dickinson to imagine a language rich with images that are truer to experience.
		Dickinson often tends to view any submission of thought to God or man as an act that restricts the individual, that results in spiritual impoverishment not fulfillment (even if there is great virtue in that poverty and sin in seeking self-actualization).
		Dickinson's despair seems a result of the belief, perhaps the knowledge, that as a woman in Amherst society it is her destiny to be sacrificed, if not to marriage, then to one of the few ways of life (all stifling to a woman of genius) available to spinsters.
	www.colorado.edu /EDIS/journal/articles/III.1.Hosman.html (5787 words)

	Johnson Poems
		Emily Dickinson was born to her talent but she felt no dedication to her art until she was about twenty-eight years old, in 1858.
		The poem sent to Sue in 1853, "On this wondrous sea" (no. 4), is duplicated in a packet of 1858, Perhaps 1858 was the year of Emily Dickinson's assurance of her destiny.
		Emily Dickinson's preoccupation with the subject of fame is a striking characteristic of the poems written between 1862 and 1865, the years of full creativeness.
	www.emilydickinson.org /classroom/spring99/edition/johnson/j-poems.htm (11124 words)

	Emily Dickinson's Mystic Poetry
		The similarities to Dickinson’s insights despite the fact that she had direct access to Eastern wisdom is testimony to the universality of the experience of self realisation.
		According to Dickinson the moments of At–One–ment with Nature/Self happen “when the wind is within” (Thoreau wrote of ” ecstasies begotten of the breezes”) For the yogi or realised soul the sensation of this cool energy becomes his means of being sensitive to manifestations of Truth–Beauty–Love (Keats’ tripartite Unity).
		Virtually unknown in her lifetime(only ten of her poems were published) Dickinson now ranks with Walt Whiteman as one of the two great visionary names in 19th century American poetry, and has had an enormous impact on modern poetry generally.
	www.sol.com.au /kor/13_01.htm (1330 words)

	Emily Dickinson: Pagan Sphinx, Gary Sloan
		When Emily Dickinson (1830-1886) died, she was virtually unknown to the public.
		Her poems are staple cargo in junior high, high school, and college literature courses.
		Since the poem was written in the 1860s, it can't be dismissed as a spasm of pious juvenilia.
	www.ffrf.org /fttoday/2001/aug01/sloan.html (2738 words)

	Emily Dickinson: Pagan Sphinx
		Dickinson’s enigmatic nature shrouds her evolution from Christian manquÃ© to pagan.
		Intermittently in her 1,775 poems and approximately 1,100 extant letters (many poems were incorporated into the letters), she struck poses and adopted personas.
		Dickinson never joined the family church because she couldn’t testify to any visitation of the Holy Spirit, the ticket for membership.
	www.liberator.net /articles/SloanGary/Dickinson.html (1686 words)

	Search Essays Essays
		Summary: A biography of Emily Dickinson, who wrote her poems in seclusion and which were not published until after her death.
		Summary: Provides a brief biography of poet Emily Dickinson and analyzes three of her poems: "Because I Could Not Stop for Death", "There's a Certain Slant of Light", and "I felt a Funeral in My Brain." Explores the common theme of isolation and details its influence on the poems.
		Summary: Although Emily Dickinson was a recluse for a large portion of her life, she was very intelligent and wrote about many places she had never visited.
	www.bookrags.com /essays?op=search&string=emily+dickinson&phrase=true (779 words)

	Search results for "blonde hair" :: American Poems (Site not responding. Last check: 2007-10-20)
		When all the women in the transport had their heads shaved four workmen with brooms made of birch twigs swept up and gathered up the hair Behind clean glass the stiff hair lies of those suffocated in gas chambers there are pins and side...
		Dinner, consisting of three parts gin and one part lime juice cordial, was a prelude to her hair.
		There are, she said, poems that can be written...
	www.americanpoems.com /search/blonde_hair (1486 words)

	Glossary of Literary Terms
		These short poems formulated from the light verse species, which concentrated on the tone of voice and the attitude of the lyric or narrative speaker toward the subject.
		The art of narrative poetry is difficult in that it requires the author to possess the skills of a writer of fiction, the ability to draw characters and settings briefly, to engage attention, and to shape a plot, while calling for all the skills of a poet besides.
		In this poem, the lass did not literally glisten like gold, but by comparing the lass to the gold the author emphasizes her beauty, radiance and purity, all things associated with gold.
	www.uncp.edu /home/canada/work/allam/general/glossary.htm (9862 words)

	Search results for "foot print" :: American Poems (Site not responding. Last check: 2007-10-20)
		An altered look about the hills -- A Tyrian light the village fills -- A wider sunrise in the morn -- A deeper twilight on the lawn -- A print of a vermillion foot -- A purple finger on the slope -- A flippant fly upon the pane -- A spider at his...
		There's a patch of old snow in a corner That I should have guessed Was a blow-away paper the rain Had brought to rest.
		As we are so wonderfully done with each other We can walk into our separate sleep on floors of music where the milkwhite cloak of childhood lies oh my love, my golden lark, my soft long doll Your lips have splashed my dull house with print of...
	www.americanpoems.com /search/foot_print (1464 words)

	Women's History Guide
		This on-going program involves the identification of the first fl women students, staff, and faculty at Virginia Tech and the collection of their oral history narratives.
		The interviews focus on the entry experience of the individual into the Virginia Tech community and the intervewees' perceptions of the climate and attitudes within the university community particularly as pertains to race and gender.
		Correspondence, clippings, poems, and notes assembled by Beverly Carper Powley for a biographical article on Turner, together with drafts and the published version of the article.
	spec.lib.vt.edu /women/wmnunidx.htm (10593 words)

	Harvard University Press/Reference Subject Index (Site not responding. Last check: 2007-10-20)
		In detailed commentaries on Shakespeare's 154 sonnets, Vendler reveals previously unperceived imaginative and stylistic features of the poems, pointing out not only new levels of import in particular lines, but also the ways in which the four parts of each sonnet work together to enact emotion and create dynamic effect.
		Jack Stillinger provides helpful explanatory notes to the poems which give dates of composition, identify quotations and allusions, gloss names and words not included in the ordinary desk dictionary, and refer the reader to the best critical interpretations of the poems.
		LORRAINE E. In poems, stories, memoirs, and essays, dozens of African-American women writers--some famous, many just discovered--give us a sense of a distinct inner voice and an engagement with their larger double culture.
	www.hup.harvard.edu /subjectindex/reference.html (4386 words)

	Walt Whitman
		Leaves of Grass also includes a group of poems entitled 'Calamus', which has been taken as reflection of the poet's homosexuality, although according to Whitman they celebrated the 'beautiful and sane affection of man for man'.
		Leaves of Grass was first presented as a group of 12 poems, and followed by five revised and three reissued editions during the author's lifetime.
		The poems were written to be spoken, but they have great variety in rhythm and tonal volume.
	www.kirjasto.sci.fi /wwhitman.htm (1409 words)

	The Americanist
		ARMSTRONG, John] THE ART OF PRESERVING HEALTH: A POEM London Printed for A. Millar, H. Woodfall, I Whiston and B. White,...
		THE TRIUMPHS OF TEMPER; A Poem in 6 Cantos...
		A Poem Delivered Before the Phi Beta Kappa Society of Yale College, August 14, 1850 Boston Ticknor, Reed and Fields 1850
	www.polybiblio.com /americanist (10743 words)

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