
	Where results make sense

Topic: Identity (music)

Related Topics

gender identity

identity element

trigonometric identities

sexual identity

identity matrix

Christian Identity

secret identities

identity theft

Dissociative identity disorder

gender identity disorder

identity function

Subscriber Identity Module

In the News (Sat 28 Nov 09)

Northern Trust

Marvin Harrison

Peter Chernin

Gary Locke

Match Play

Penelope Cruz

Mickey Rourke

AR Rahman

Danny Boyle

Hugh Jackman

	Musical Identities
		Taken together, this cover and this title seem to imply several interesting things: that the notion of musical identity is related primarily to playing or performing; that musical identity is relevant primarily to the young; that it´s somehow, or primarily, associated with ‘pop´ phenomena; and that there are many musical identities.
		Musical Identities seems to compartmentalize musical identity: this identity and that identity.
		The psychological forces of their identity formation were so strong, and they had such loyalty to their musician identity.
	www.siue.edu /MUSIC/ACTPAPERS/v3/Lee04.htm (2175 words)

	VOICES 1(2)-Forrest: Addressing Issues of Ethnicity and Identity...
		Music, song and dance heralded the different stages and phases of the religious and agricultural calendars, the seasons, and related rituals and ceremonies; described the experiences, and especially the hardships, of work and war; and fulfilled an important role in the celebrations, and daily life and routine of the family (Warner, 1990; Yurchenco, 1989).
		Music therapy is increasingly being found to be an effective intervention in addressing the principles of palliative care, and there is a growing body of literature exploring the use of music therapy to address the diverse and evolving needs of patients who have a terminal illness.
		Music that is culturally significant or meaningful to the patient may trigger memories of other times, people and places, potentially allowing patients to explore and resolve past conflicts, and to reconfirm their identity as a member of their family, social circle, and wider cultural and ethnic heritage in preparation for death.
	www.voices.no /mainissues/Voices1(2)Forrest.html (6366 words)

	Music At Work CMS 2003 Outline
		Music as an essential part of the identity of the independent labels is retrospectively constructed as it emerged from the analysis of the empirical data.
		In the case of the independent labels it could be said that identity is constituted in the music that people refer to to make sense of the label, their work and their lifes, as the label, their work and their lifes are intertwined in such a way that they become inseperable.
		Music is their lifes making working with and producing music part of their lifes (in music).
	www.massey.ac.nz /~cprichar/music_at_work/darmer.htm (1440 words)

	Music and identity among European youth. Music as communication (Site not responding. Last check: 2007-11-01)
		Music is one of the oldest forms of human communication, a human universal to be found in all cultures at all times, it is in many ways the most global aspect of the "global village".
		Rock music has been found to be particularly important for those adolescents who in some way reject the culture of their class background, providing them with a marker of social distance from the parent culture and its expectations.
		Studies have shown that, while children's music is popular up to the age of six, by the age of four up to 60% are also already interested in pop; and by the age of seven, 40% have pictures of music artists on the walls of their room.
	www.icce.rug.nl /%7Esoundscapes/DATABASES/MIE/Part2_chapter03.html (5852 words)

	Identity Music Group, Inc. \| PRIVACY STATEMENT
		Identity Music Group may change, edit, or remove any user material or conversations that are illegal, indecent, obscene or offensive, or that violates Identity Music Group's policies in any way.
		Furthermore, Identity Music Group is free to use, without any compensation to you, any concepts, ideas, know-how or techniques contained in any communication you send to the Site for any purpose whatsoever, including but not limited to developing, manufacturing and marketing products using such information.
		Identity Music Group reserves the right, at its own expense, to assume the exclusive defense and control of any matter otherwise subject to indemnification by you and you shall not in any event settle any matter without the written consent of Identity Music Group.
	www.identitymusicgroup.com /privacy.htm (1425 words)

	Digital music and subculture (Site not responding. Last check: 2007-11-01)
		It is very difficult to distinguish between music that is widely popular because a large audience appreciates it, and music that is popular because audiences have very few choices due to the flooding of radio and TV airwaves by a small number of successful artists.
		Music audience communities are conventionally considered under the rubric of "mass," "subculture" or "genre." Genres and subcultures are negotiated by participants through talk, actions, clothing, and other behaviours.
		As Scott argues, music becomes influential in production spheres through "a circle of auditors that is gradually widened" (outward, that is, from band to producer to record label to promoter to local audience to radio to distributor to TV channel to mass audience, with numerous intermediaries, negotiating trust and meaning, betwixt) [49].
	www.firstmonday.org /issues/issue9_2/ebare (6081 words)

	Traditional Music in Bavaria: Regional Identity, History, and Culture (Site not responding. Last check: 2007-11-01)
		Today in Bavaria, what is understood to be "traditional folk music" no longer has much in common with the popular music-making practices that prevailed among large segments of the population until the beginning of the 20th century.
		Folk music cultivation was long excluded as a field of study for music and song research because, as "simply folklorism," it did not seem worthy of special attention.
		Music composed and performed in Bavarian Swabia is strongly marked by its various denominational roots.
	www.uni-bamberg.de /~ba2fm3/wom992.htm (1617 words)

	Digital music and subculture (Site not responding. Last check: 2007-11-01)
		It is very difficult to distinguish between music that is widely popular because a large audience appreciates it, and music that is popular because audiences have very few choices due to the flooding of radio and TV airwaves by a small number of successful artists.
		While musical subcultures are generally best left alone for youth to determine themselves (seeing that this is likely an important part of the pleasure of pop music), administrative authority has limited application, except to introduce new things into the community.
		As Scott argues, music becomes influential in production spheres through "a circle of auditors that is gradually widened" (outward, that is, from band to producer to record label to promoter to local audience to radio to distributor to TV channel to mass audience, with numerous intermediaries, negotiating trust and meaning, betwixt) [49].
	firstmonday.org /issues/issue9_2/ebare/index.html (6081 words)

	Guardian Unlimited \| Special reports \| Can music bring hope to a war zone?
		Their idea was that the act of making music - which, by its nature, demands harmony and unity of purpose - could be combined with the practical benefit of young players from Israel and Arab countries simply living side by side each summer, learning a little about each other.
		With music, she says, "We are not only resisting occupation but trying to educate a young generation to stand up to the challenges of being a nation." For her and her colleagues, the struggle to forge a cultural life will go on long after the West-Eastern Divan Orchestra has left.
		Ramzi Aburedwan is a violist, born in Bethlehem in 1979.
	www.guardian.co.uk /israel/Story/0,2763,1555066,00.html (2051 words)

	Amazon.co.uk: Music: Mistaken Identity (Site not responding. Last check: 2007-11-01)
		Hooklines and melodies are mostly present and correct – particularly in standout "Mistaken Identity", which sees Delta echoing both Alanis Morissette and the ghostly spectre of Kate Bush (a frightening, if enjoyable, combination) and the jolly "Sanctuary." "The Analyst" is lyrically dense and "Almost Here", her duet with Brian McFadden is revealing.
		Each track on the album, bar one, was written by Delta herself during a year in which she was suffering from cancer, probably at her piano in the loneliness of her room, or scribbled in a notepad during nights in which she couldn't sleep.
		From the acrimonious wonder of the song 'Mistaken Identity,' to the heartfelt and touching 'Out of the Blue,' to the catchy, sparkling'A Little Too Late,' each song on this album is like a sparkling gem which makes you want to dance and cry.
	www.amazon.co.uk /exec/obidos/ASIN/B00069MQBG (1237 words)

	Music and adolescent identity (Site not responding. Last check: 2007-11-01)
		This paper reports four studies which investigated the function of musical preference as an identifying 'badge' by which adolescents express their own self-concepts and make judgements of others.
		It demonstrated a positive relationship between adolescents' musical preference, self-concept, self-esteem, and normative expectations of the 'typical' fans of musical styles.
		In conjunction, these studies provide empirical support for the notion that musical preference acts as a 'badge of identity' during adolescence which predicts several other aspects of lifestyle and attitude.
	www.le.ac.uk /psychology/acn5/badge.html (181 words)

	University of Manitoba: Centre for Ukrainian Canadian Studies (CUCS) (Site not responding. Last check: 2007-11-01)
		Lysenko's view of music as a vehicle for the promotion of a populist agenda permeated his writings and activities, for he perceived traditional music first and foremost as a socio-cultural phenomenon.
		Lysenko viewed Ukrainian traditional music as a device for sustaining ethnic identity and preserving the true history of the country by oral means, bypassing official interference and interpretation.
		Through his influence as folklorist, composer, and activist, he buttressed the notion that music must be perceived as a compelling form of attention-getting; a means of commanding public spaces, and a potent tool for the narration and re-narration of history.
	www.umanitoba.ca /centres/ukrainian_canadian/dissertations/filenko.html (389 words)

	Christian Identity Music
		Please do COME BACK, Erik is working on more Christian music.
		Experimental Electronic Music Instrumental, some vocal with guitar and electronic background.
		Experimental Electronic Music, some with guitar and vocal.
	erik2300.tripod.com /identity.christian.music.html (377 words)

	Euler's four-square identity - Music Voyager Travel Guides : Information Portal (Site not responding. Last check: 2007-11-01)
		In mathematics, Euler's four-square identity says that the product of two numbers, each of which being a sum of four squares, is itself a sum of four squares.
		If the as and bs are real numbers, a more elegant proof is available: the identity expresses the fact that the absolute value of the product of two quaternions is equal to the product of their absolute values.
		The identity was used by Lagrange to prove his four square theorem[?].
	www.musicvoyager.com /info/eu/Euler%27s_four-square_identity.html (236 words)

	Grapefruit: Intercont Music - Corporate identity (Site not responding. Last check: 2007-11-01)
		Intercont Music is one of the first Romanian record labels, as well as sole importer and distributor for a series of world-class record labels, such as Naxos, Galaxy Music, and Weton-Wesgram.
		Intercont Music did not display a consistent corporate identity because it used a number of varieties of its logo in the various printed advertising materials.
		The core element of the new identity, that is the logo designed by Grapefruit, is based on an older version of the company logo, the 'IM' monogram.
	www.grapefruit.ro /clients/intercont_music/identity/en (182 words)

	Music and Identity
		In fact it is possible to say that the music that these so called artists produce is secondary to their status in the minds of the consumer driven public.
		In the same way Godspeed are aware and fearful of their representation by the music industry and the way in which critics change what has been said to satisfy their own concepts.
		These emotions and others all exist in the mainstream music industry because of the scale of major record labels, which are run like machines, because of their lust for money and not content.
	www.spacehijackers.co.uk /html/ideas/writing/music.html (1261 words)

	WORK - identity \| Music Works
		Music Works does audio tracks to make commercials, films, advertisements, and corporate videos.
		By abstracting the concept of audio and its usage in the commercial arena, Music Works could stick out from their competition within the same field.
		Because they wanted their clients to think of their audio like the best tool to use for the job, I designed an identity system based on brightly colored images of nuts, bolts, wrenches, and hammers.
	www.michaeltitusparkes.com /design/work/identity/musicwo.html (156 words)

	www.myspace.com/identitydnb
		Identity is a collective of producers spread out over Puerto Rico, Brazil and USA each bringing their own talents and fresh sounds to drum&bass.
		In a lot of respects the Identity sound is truly a yearning for the merging of the dance floor vibe so prevalent in current drum&bass and a twisted mix of techno styles.
		Identity NMPOP @ Disciples of the Unreal EP - OhmResistance (21KOHM) (2006).
	myspace.com /identitydnb (627 words)

	Dictionary of Meaning www.mauspfeil.net
		First, the disambig at Identity is completely mistaken that "identity" is a musical term coined or exclusively used by George Perle.
		Secondly, I hardly think we need stub articles for terms which are nearly if not identical to the meanings of the mathematical terms from which they were borrowed.
		There you find a list of all editors and the possibility to edit the original text of the article Identity (music).
	www.mauspfeil.net /Identity_%28music%29.html (243 words)

	ClemensOnline.com >> About Writing >> Articles >> Canadian Identity in Music
		Sadly enough, this ongoing grasp for a definitive identity appears to be manifesting itself in Canada ’s music, or at least the acts that American and international labels choose to hype outside the confines of our borders.
		Certainly not musical innovation – Nickelback walks the tired footsteps of Pearl Jam, and Avril is a pretty image constructed to cash-in on decimated punk culture accompanied by some catchy pop tunes.
		Canadian identity was an important topic for me during the year this was written (I even took a whole class on it!) so this was my attempt to force this concept into the realm of Entertainment so I could cram it in my section.
	www.clemensonline.com /writing/articles/canadianmusic.htm (593 words)

	IDENTITY
		Identity were drawn together by their unique take on music.
		Identity have created a unique blend of music that covers so many different genres and the melodies are unrivalled in the current music scene.
		Identity have currently played gigs in the major venues in Aberdeen, Scotland such as Cafe Drummonds,Dr. Drakes, Kef, Billy Bundys, Dr. Drakes, The Malt Mill, and Fury Murrys in Glasgow and Downtown USA in Inverness.
	music.mp3lizard.com /identity (248 words)

	Identity: Music by Alan Silvestri: Film Music on the Web CD Reviews May 2003 (Site not responding. Last check: 2007-11-01)
		Identity: Music by Alan Silvestri: Film Music on the Web CD Reviews May 2003
		The Hollywood Studio Orchestra of some 75 personnel is subordinated through much of the 32 minutes of this album to the sort of synth ghostly screechings and clangings that has become the stock in trade of so many modern crime/ supernatural thrillers.
		Occasionally they are some novel effects combined with orchestral material to produce music, for example, that one associated more, years ago, with marauding Indians of Hollywood westerns.
	www.theclassicalsite.com /film/2003/May03/identity.html (213 words)

	identity theory \| listening booth
		identity theory is a regularly published, web-based magazine of literature and culture edited by matt borondy.
		Music validates you, and it also leads you to other people like you.
		The music section is edited by Ross Simonini.
	www.identitytheory.com /audio (810 words)

	Amazon.com: Mistaken Identity: Music: Delta Goodrem (Site not responding. Last check: 2007-11-01)
		And her follow-up, "Mistaken Identity" is every bit the equal to her freshman entry into the music world.
		Her writing, as her music stylings, have grown with the two years since her first release and yet she still remains very true to what brought her to the dance, or the piano in this case.
		Mistaken Identity = This is about Delta not coming to peace with the changes her cancer brought.
	www.amazon.com /Mistaken-Identity-Delta-Goodrem/dp/B0006IF92U (2593 words)

	Amazon.co.uk: Music: The Bourne Identity [SOUNDTRACK] (Site not responding. Last check: 2007-11-01)
		The theme of the main character in the film is omnipresent through most of the music but that's not quite enough to tie it all together for me. Treadstone Assassins (rightly highlighted in the earlier review as the stand-out track) is a case in point.
		It's a shame that they couldn't secure the rights to Moby's 'Extreme Ways' which is the closing title track in Supremacy as well as Identity and fits very well with the film and the soundtrack.
		It seems to have a unique blend of techno beats, while also catering for a bit of classical instrumental music mixed in with a drum beat.
	www.amazon.co.uk /exec/obidos/ASIN/B000067OVA (399 words)

	modern china music studies
		Music of the Billion: An Introduction to Chinese Musical Culture.
		Music, Identity and Persuasion: Ethnic Minority Music in Xinjiang, China.
		Musical Creativity in Twentieth-Century China: Abing, His Music, and Its Changing Meanings.
	mclc.osu.edu /rc/MUSIC.htm (2545 words)

	Music and Identity
		They played some Ska, some punk, but most of the music seemed to be selected from a genre that included the darkest, most depressed, angry music I had ever heard.
		The question: "what is music" is one that was asked by the earliest artists and thinkers, by 20th century composers like John Cage who stretched our assumptions of music by writing outside the bounds of tradition, and it is the question implicit in the parent's impassioned "What is this garbage?!"
		I listen to some music that is a stretch for me because I want to be able to understand myself as the kind of person who listens to experimental music, who supports underground musicians.
	www.uucpa.org /sermons/sermon010422.html (1685 words)

	Learn more about Musician in the online encyclopedia. (Site not responding. Last check: 2007-11-01)
		Although many would surely debate that birds are musicians, their ability to produce variations on the characteristic song of their species is a subject for more research.
		The freestyle-chatter of even common birds, although lacking the complexity of methods employed by human-beings, must be looked at in terms of the origins of music.
		Sheila Whiteley, Music, Identity & Sexuality, London: Routledge 2000\n
	www.onlineencyclopedia.org /m/mu/musician.html (342 words)

Try your search on: Qwika (all wikis)