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Topic: Ignacio Berroa


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In the News (Sun 20 Dec 09)

  
  E.J.N. - IGNACIO BERROA, drums
Highly respected among his peers, Ignacio's musicianship and versatility have enabled him to build a successful career by gaining the recognition of some of the most important artists in the business.
Ignacio Berroa was born in Havana, Cuba on July 8, 1953.
After moving to New York in 1980 Ignacio met and had the privilege of working with musicians of the stature of Mario Bauza, among others.
www.ejn.it /mus/berroa.htm   (566 words)

  
 Caribbean Net News: Cuban drummer Ignacio Berroa fuses Latin roots and jazz passion
When Ignacio Berroa was touring with Dizzy Gillespie's band in the 1980s, his Cuban accent would prompt people to ask, "Are you the percussionist?" "No," he'd reply.
Havana-born Berroa was raised in a culture of congas, bongos and timbales.
Berroa was brought to the great trumpeter's attention by Mario Bauza, who helped launch an early Latin-jazz movement with Gillespie in the 1940s.
www.caribbeannetnews.com /cgi-script/csArticles/articles/000020/002007.htm   (763 words)

  
 LP: Players Roster: Ignacio Berroa
Jazz legend Dizzy Gillespie once said: "Ignacio Berroa is the only Latin drummer in the history of American music who intimately knows both his native Afro-Cuban music as well as jazz." Gillespie should have known: Berroa was his drummer for 12 years.
Berroa was born in Havana, Cuba, where his father was a well-known violinist.
Berroa has recorded and played with an impressive list of other jazz greats, including: Wynton Marsalis, Milt Jackson, Lionel Hampton, Freddie Hubbard, Clark Terry, Jackie McLean, Ron Carter, Randy Brecker, Jaco Pastorius, and Tito Puente ("Ignacio's the only drummer I know," says Puente, "who plays Afro-Cuban rhythms on a trap set!").
www.lpmusic.com /Pros_That_Play_LP/Players_Roster/berroa.html   (338 words)

  
 Yamaha Corporation of America - Ignacio Berroa   (Site not responding. Last check: 2007-10-31)
Ignacio Berroa is one of the greatest drummers of our times.
Born in Havana Cuba on July 8,1953, Ignacio grew up in a musical family beginning his musical career by training to become a classical violinist following his father footsteps, before turning his sights to drumming.
Ignacio was also part of all the important bands Gillespie formed during that decade including his quartet, Dizzy Gillespie's 70th Anniversary Big Band, The Dizzy Gillespie All-Star Big Band and the Grammy Award – winning United Nations Orchestra.
www.yamaha.com /Artists/ArtistDetail/0,,CNTID=31414&CTID=551076&CNTYP=ARTIST,00.html   (378 words)

  
 Ignacio Berroa | Codes   (Site not responding. Last check: 2007-10-31)
Ignacio Berroa spreads contemporary Latin jazz before him everywhere he goes.
Berroa and his rhythm mates hold down the group’s foundation while two superb saxophonists and two creative pianists stretch the limits of their range.
Personnel: Ignacio Berroa: drums; Felipe Lamoglia: alto saxophone, soprano saxophone, tenor saxophone; David Sánchez: tenor saxophone; Gonzalo Rubalcaba: synthesizers, acoustic piano; Ed Simon: acoustic piano; John Patitucci: acoustic bass; Armando Gola: acoustic bass, electric bass; Philbert Armenteros: vocals, percussion; Santiago Nani, Jorge Iglesias: percussion; Giovanni Hildalgo: congas.
www.allaboutjazz.com /php/article.php?id=21707   (417 words)

  
 UNT Percussion Home Page   (Site not responding. Last check: 2007-10-31)
Ignacio was born in Cuba and moved to New York in 1980 where he met the late Bebop master Dizzy Gillespie.
Ignacio’s video "Mastering The Art of Afro-Cuban Drumming" under Warner Bros Publications was deemed by Downbeat magazine as the best instructional video of the year.
Ignacio joined the UNT Percussion faculty in 2001 as an interim instructor while Ed Soph was on sabbatical.
www.music.unt.edu /percussion   (963 words)

  
 Drummerworld: Ignacio Berroa
"Ignacio Berroa's book is destined to become a classic".
Author of the highly successful "Groovin in Clave", renowned Cuban Drummer Ignacio Berroa's latest book with CD expands on the concepts introduced in the earlier book.The object this time is to integrate aspects of Jazz-Style drumming with the Afro-Cuban inflected rock and funk rhythms that were explored in Groovin’ in Clave.
By combining elements from both books, the player will be able to move freely among several styles of music – Jazz, Rock, Funk and Latin – adding an exciting depth and variety to the playing by letting the musical styles be both separate and fused, depending on the musical situation and the drummer’s own inspiration.
www.drummerworld.com /drummers/Ignacio_Berroa.html   (712 words)

  
 E.J.N. - GONZALO RUBALCABA TRIO
Berroa replaced Rubalcaba's original drummer who couldn't make the gig due to visa problems.
"Ignacio is a very strong musician," Rubalcaba says, "because as everybody knows in the business, he's the only drummers capable of switching back from swing to Afro-Cuban, from samba to bossa nova, or any other rhythm flawlessly.
One time I was in San Francisco and my bassist Brian Bromberg couldn't make it and Ignacio had met Jeff Chambers who had worked with him on Dizzy Gillespie's last gigs and Ignacio recommended him… (He) has an incredible ability to digest Latin and Cuban music.
www.ejn.it /musicians/gonzalo.htm   (967 words)

  
 Tri-College Percussion Ensemble (Moorhead, Minnesota)
Ignacio soon realized that he wanted to be a jazz drummer and at age 11, he took his first drum lessons to pursue that dream.
In less than a year, the late jazz master Dizzy Gillespie chose Ignacio to be his drummer, a relationship that lasted until Dizzy's death a decade later.
From 1991 to 1994, Ignacio was an adjunct faculty instructor at Florida International University.
www.cord.edu /dept/music/ensemble/tripercev.html   (969 words)

  
 Blue Note Records
But, remarkably, Berroa had yet to record his own project as a leader.
Co-produced by Berroa, Rubalcaba, and Ricardo (Eddy) Martinez, the eight-track album is a distinctive jazz-meets-Latin project that seamlessly weaves the intrinsically stylistic “codes” of both genres of music — as opposed to a swingin’ affair merely ornamented with Afro-Cuban rhythms or a Latin date with occasional infusion of the jazz lilt.
The result is a CD where the swing and blues of jazz mesh organically with the Afro-Cuban clave and congas to create a rare hybrid of scintillating tempos and romantic melodies.
www.bluenote.com /detail.asp?SelectionID=10526   (154 words)

  
 CD Review of Gonzalo Rubalcaba - Supernova on Blue Note @ jazzreview.com
While Rubalcaba’s music involves elements of jazz--and while Berroa wants to make clear that he’s a jazz drummer and not a Latin percussionist--Rubalcaba is steeped from beginning to end in the tradition of Cuban music in its many forms.
Berroa’s involvement in the tune changes its character entirely after Rubalcaba emotionally performs the melody as a danzón with gradual modulations and an exquisite touch.
Once a whistle is blown, Berroa transforms the texture to one of a rumba, allowing Rubalcaba to inject humor and minimal accenting in appreciation of the sweep of his grandfather’s vision.
www.jazzreview.com /cdreview.cfm?ID=2616   (496 words)

  
 Gonzalo Rubalcaba Trio
The lead piece in this second set allowed Ignacio Berroa to ignite the clave beat, with tiny taps on the metal sides of his drum.
Ignacio often makes the tiniest part of his drums sound like full metal instruments.
Ignacio and Gonzalo switched leads, using whistles, a wild keyboard, a sensational Salsa, and then melted all these rhythms into a brand new tone, a contemporary fusion of Salsa and Jazz.
www.exploredance.com /birdland10103.html   (391 words)

  
 Borders - Store Inventory - Title Detail - Nocturne
Haden's intention is to explore the bolero, a distinctive Latin dance rhythm that Ignacio Berroa accents with a soft, subtle snare drum roll, played with brushes, beginning on the "and" of the first beat of the bar and ending on the second.
The only problem is that Berroa's bolero figure anchors nearly every track -- perhaps what one should expect from a bolero album, but there's no getting around the fact that the music sounds pretty much the same throughout.
(To be fair, Berroa isn't solely to blame for the sameness.) Most of the songs, save for two originals by Haden and one by Rubalcaba, are Cuban and Mexican standards, and they're beauties.
www.bordersstores.com /search/title_detail.jsp?id=52215074   (342 words)

  
 Codes - CD Reviews - Music - Entertainment - smh.com.au
Drummer Ignacio Berroa has finally married the "codes" of jazz and Cuban music.
Drummer Ignacio Berroa has the intensity of one whose musical enthusiasms were repressed by the state.
With players such as pianist Gonzalo Rubalcaba and bassist John Patitucci, you would expect lots of technique and rhythmic intricacy - particularly as fusion seems to be one of Berroa's jazz influences.
www.smh.com.au /news/cd-reviews/codes/2006/08/14/1155407707029.html   (242 words)

  
 A Drummer's Tricky Funk and a Trumpeter's Left Turn - New York Times
Berroa left Cuba for the United States in 1980, finding work with Dizzy Gillespie, Tito Puente and many others.
Berroa stand out among other Cuban drummers is how deeply he has also mastered the looser feel of American jazz drumming.
He proves it with his playing on "Realidad y Fantasia," a remarkable type of generous ballad-swing, made with brushes, that may be a dying art.
www.nytimes.com /2006/06/04/arts/music/04play.html?ex=1307073600&en=6e77600ef4f84454&ei=5088&partner=rssnyt&emc=rss   (1018 words)

  
 Amazon.com: Codes: Music: Ignacio Berroa   (Site not responding. Last check: 2007-10-31)
Berroa turns Chick Corea's "Matrix" and Wayne Shorter's "Pinocchio" into complex, clave-coded Latin jazz labyrinths.
Berroa's composition "Joao Su Merced" swings with Yoruba cadences and chants, and his Cubanized renditions of the Brazilian ensemble Azymuth's "Partido Alto" and Antonio Carlos Jobim's ballad "Inutil Paissagem (Useless Landscapes)" make this a pan-American affair.
For those expecting Berroa to make his own syncopated statement as a leader, this stunning CD was well worth the wait.
www.amazon.com /Codes-Ignacio-Berroa/dp/B000F9RM9S   (382 words)

  
 NEW WAY OF GROOVING
Author of the highly successful Groovin' in Clave, renowned Cuban Drummer Ignacio Berroa's latest book with CD expands on the concepts introduced in the earlier book.
The object this time is to integrate aspects of Jazz-Style drumming with the Afro-Cuban inflected rock and funk rhythms that were explored in Groovin' in Clave.
The CD is designed to demonstrate the various grooves in the book and includes play-along songs that give the player chances to use the grooves in.
www.drumplace.com /ST074.html   (132 words)

  
 Codes by Ignacio Berroa CD
The renowned Cuban jazz drummer Ignacio Berroa's debut album as a bandleader is a percolating fusion of African rhythms, neo bop passages, and Berroa's own trademark technically brilliant yet intuitive playing.
Berroa's supple, supportive accompaniment is an education in jazz drumming, though school was never like this.
JazzTimes (p.124) - "Berroa shows that he is equally adept at straight eight-note swing and Afro-Cuban clave, often seamlessly blending both vernaculars into one organic whole."
www.cduniverse.com /search/xx/music/pid/7068489/a/Codes.htm   (258 words)

  
 Jazz News :: Ignacio Berroa Releases 'Codes'
Drummer Ignacio Berroa is a great sideman, who worked with Dizzy Gillespie, McCoy Tyner, Chick Corea, Freddie Hubbard, Jackie McLean, and Charlie Haden, as well as such Latin-Jazz masters as Mario Bauza, Tito Puente, Gonzalo Rubalcaba, Danilo Perez and Brazilians Chico Buarque, Ivan Lins, Joao Bosco, Gal Gosta, and Lenny Andrade.
But only now Berroa releases his own project as a leader.
Co-produced by Berroa, Rubalcaba, and Ricardo (Eddy) Martinez, the eight-track album is a distinctive jazz-meets-Latin project that seamlessly weaves the intrinsically stylistic 'codes' of both genres of music - as opposed to a swingin' affair merely ornamented with Afro-Cuban rhythms or a Latin date with occasional infusion of the jazz lilt.
home.nestor.minsk.by /jazz/news/2006/06/0503.html   (153 words)

  
 Ignacio Berroa Releases New Album 'Codes' On Blue Note Records @ Top40-Charts.com - 40 Top 20 & Top 40 Music Charts ...
Ignacio Berroa Releases New Album 'Codes' On Blue Note Records @ Top40-Charts.com - 40 Top 20 & Top 40 Music Charts from 25 Countries
Ignacio Berroa Releases New Album 'Codes' On Blue Note Records
That will change with the release of his exceptional debut, Codes, on Blue Note Records.
top40-charts.com /news.php?nid=23945   (277 words)

  
 Jazz | All About Jazz   (Site not responding. Last check: 2007-10-31)
Charlie Haden - bass; Gonzalo Rubalcaba - piano, arranger; Ignacio Berroa - drums; David Sanchez - tenor saxophone; Federico Britos Ruiz - violin.
Charlie Haden's latest project: Cuban love songs with a jazz feel, but light and melodic--not as repetitive as most "Latin Jazz." Haden appeared in the role of sponsor and ensemble bassist with pianist Gonzalo Rubalcaba assuming the lead.
That they did not drag was largely due to Ignacio Berroa's masterly brushes on snares.
www.allaboutjazz.com /articles/lajz0901.htm   (1907 words)

  
 Ignacio Berroa, Mastering The Art Of Afro-Cuban Drumming
Ignacio Berroa, Mastering The Art Of Afro-Cuban Drumming
Cuban-born Berroa is a master of the art of Afro-Cuban drumming.
Folkloric rhythms (bembe, rumba, cascara, bombo, abakwa) as well as dance rhythms (salsa, cha cha cha, danzón, son montuno) are covered and feature full band implementation with Giovanni Hidalgo, Danilo Perez, David Sanchez, John Benitez plus a demonstration of songo rhythms by the master Changuito!
www.descarga.com /cgi-bin/db/13828.30?BVUxEZ3h;;159   (96 words)

  
 Carillon   (Site not responding. Last check: 2007-10-31)
Cuban born Latin/jazz drummer Ignacio Berroa dropped by the CU College of Music for a special Friday afternoon jazz session March 6.
Berroa met with students and demonstrated the art of playing on a Latin drum set.
He also held a clinic with the CU Afro-Cuban/Latin Jazz Ensemble.
www.colorado.edu /Carillon/volume5/stories/7-jazz.html   (48 words)

  
 Ignacio Berroa
Jazz Legend Dizzy Gillespie best defined Ignacio as:
Ignacio Berroa was born in Havana Cuba on July 8,1953.
As an educator he first made his mark by becoming an Adjunct Faculty Instructor at Florida International University from 1991 to 1994.
dizzygillespie.org /artistpages/berroaframe.htm   (422 words)

  
 Amazon.co.uk Welcome: Ignacio   (Site not responding. Last check: 2007-10-31)
Codes by Ignacio Berroa (Audio CD - 2006)
Ignacio Lopez Tarso y Sus Corridos by Ignacio Lopez Tarso (Audio CD - 2003)
Serie de Oro: Grandes Exitos by Ignacio Copani (Audio CD - 2003)
www.amazon.co.uk /s?ie=UTF8&keywords=Ignacio&search-type=ss&page=1   (170 words)

  
 VH1.com : Ignacio Berroa : Artist Main
Best known for his work with Dizzy Gillespie, Afro-Cuban and jazz drummer Ignacio Berroa was born in Havana, Cuba, in 1953.
Though he originally studied classical violin, after he heard Nat King Cole and Glenn Miller he knew that he wanted to take a...
Check out Ignacio Berroa's movie page to watch trailers, see photos, find out about upcoming film projects and more!
www.vh1.com /artists/az/berroa__ignacio/artist.jhtml   (150 words)

  
 CD Review of Charlie Haden - Land of the Sun on Verve @ jazzreview.com
With a mostly Cuban crew — including Young Lion Gonzalo Rubalcaba on piano and sax stud David Sanchez — Haden gave us 11 lush, languorous boleros, kind of the Cuban version of the tango.
This past year, Haden and Rubalcaba returned to the studio (along with Lovano and percussionist Ignacio Berroa, also from Nocturne) for a follow-up, Land of the Sun, which focuses on works by Mexican bandleader-composer José Sabre Marroquin.
Where Nocturne was lusty — wet, even — Land of the Sun is a much more arid affair.
www.jazzreview.com /cdreview.cfm?ID=8357   (393 words)

  
 Bosphorus   (Site not responding. Last check: 2007-10-31)
Designed by Grammy award winning drummer Ignacio Berroa, this series adds a touch of salsa to our palate of sounds.
Jazz legend Dizzy Gillepsie best defined Ignacio as "...the only Latin drummer in the world, in the history of American Music, that knows both worlds; his native Afro-Cuban as well as Jazz...".
An 18" crash and 14" hats complete his setup.
www.bosphoruscymbals.com /versa.htm   (124 words)

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