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| | What is Impedance? |
 | | As the length of a cable becomes closer to a large fraction of the electrical wavelength of the signal it carries, the cable can resonate at that wavelength or a closely related wavelength, and an impedance mismatch can result in portions of the signal being lost. |
 | | How much of the signal is lost in this way is highly dependent upon frequency and the length of the cable, and this can wreak havoc, because a complex video signal is not just a single frequency, but a whole range of frequencies spread across a large bandwidth. |
 | | The best defense against the problem is, of course, a cable of the right impedance: for digital video or SPDIF digital audio, this means a 75 ohm cable like Belden 1694A or Canare L-5CFB; for AES/EBU balanced digital audio, this means a 110 ohm cable like Belden 1800F. |
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