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| | Guardian | Heaven on earth |
 | | At the Coliseum, an Edwardian play on Titus's first century Roman amphitheatre, Wagner's powerful polyphony will rise from the depths of the orchestra pit, up through plush red stalls, cantilevered balconies and the gods, all the way to the Walhalla-like ceiling of this gigantic and lavish domed auditorium. |
 | | The decoration - all marble, gold leaf, imperial motifs and colours, luminous terracotta, chariots, cherubs, swags, friezes, lions, mosaics, wreaths, slaves and spears - is a perfect handmaiden for Wagner's theatrical bombast. |
 | | Edwin Sachs, the architectural critic, was famously unkind, writing in his 1896 volume Modern Opera Houses and Theatres: "There is no doubt that [Matcham's] plans have a certain individuality and his schemes generally serve the utilitarian purpose of the occupiers in a satisfactory manner. |
| www.guardian.co.uk /print/0,3858,4849471-110432,00.html (1186 words) |
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