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| | "Colour Disrobed Itself From the Body": The Racialized Aesthetics of Liberation in Michael Ondaatje's In the Skin of a ... |
 | | The connections among skin, colour, nationality, language, and ethnicity receive their most overt, and ultimately self-reflexive, articulation in the scene depicting tannery workers stepping out of vats of red, ochre, and green dye, having "leapt into different colours as if into different countries" (130). |
 | | Although many of the work scenes in In the Skin of a Lion respond to Marcuse's call for emancipation of and through sensuousness, the text is honest about the distortion of sensory experience within the institution of alienated labour. |
 | | In the Skin of a Lion works to transform the consciousness of its readers not only by revising history-which, it insists, can no longer be told from the totalizing point of view of the ruling class-but by revolutionizing representations of labour via the aesthetic. |
| www.redorbit.com /news/health/800532/colour_disrobed_itself_from_the_body_the_racialized_aesthetics_of/index.html?source=r_health (5649 words) |
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