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| | The New Yorker : critics : music (Site not responding. Last check: 2007-11-03) |
 | | Some of the most compelling film music of the past year appeared not on the big screen but on the small one. |
 | | Music, in these cases, doesn’t show the image as a lie; instead, it is itself the lie we tell ourselves in order to survive. |
 | | Pudovkin was one of the directors who had argued for freethinking musical narratives in film, and it was fitting that Schnittke, the master surrealist of late-twentieth-century music, should have subverted Pudovkin’s story of the education of a Bolshevik hero with all manner of brooding ostinatos, kitschy digressions, and anarchic pileups of tunes. |
| www.newyorker.com /critics/music/articles/050627crmu_music (1396 words) |
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