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| | The Face of War - New York Times |
 | | Between 1945 and the fall of Saigon in 1975, journalists paid dearly for the privilege of working in Indochina; some 300 were killed, of whom at least 135 were photographers. |
 | | But more important, ''Requiem'' is the first photo collection published in the West to include a generous sampling of photographs taken by North Vietnamese and Vietcong combat photographers (of whom 72 were killed), along with their counterparts from nearly a dozen countries, including the United States, Cambodia, France and South Vietnam. |
 | | For example, Vietcong cameramen in some cases created panoramic battlefield photographs by assembling composite images in their stifling underground darkrooms: a remarkable achievement when one recalls that the Cu Chi tunnel fortress, where some of the photographers worked, was right under the noses and bombs of Saigon's defenders. |
| query.nytimes.com /gst/fullpage.html?res=9C06EFD9133EF931A35752C1A961958260 (686 words) |
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