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 | | For Kant the sublime "is to be found in an object even devoid of form, so far as it immediately involves, or else by its presence provokes, a representation of %limitlessness%, yet with a super-added thought of its totality" (90). |
 | | The deadpan summation of this passage is the sentence "Raymo, Wayne and Frank had never been to Dallas and they wondered what this creep could mean" (382), but the sentence is perfectly apposite to the operation of the historical sublime in the novel. |
 | | Since the three men are carnal manifestations of the larger ineffable, they are properly unaware of the greater force, the "subject not object" in Weinstein's coinage, which directs their actions. |
| www.iath.virginia.edu /pmc/text-only/issue.194/bernstei.194 (4609 words) |
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