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| | Guardian | Ingrid Thulin |
 | | It was not at all surprising when, in 1965, she directed and starred in a good short called Devotion and, in 1978, made her feature film debut with the often impressive One And One, in tandem with Erland Josephson and Sven Nykvist, regulars, with Bergman, as actor and cinematographer respectively. |
 | | Thulin was born in Soll- eftea, a small town and winter sports centre on the Alven river in central Sweden, and first worked with Bergman, then artistic director of the Malmo municipal theatre, after she had studied ballet and trained at the Royal dramatic theatre in Stockholm in the late 1940s. |
 | | But, unlike Garbo and Ingrid Bergman, Thulin was never quite mysterious enough to cut it in Hollywood as a fascinating European star, nor could she persuade many to think of her as seriously engaged in the ambitions of becoming a Hollywood player. |
| www.guardian.co.uk /print/0,3858,4833195-103684,00.html (883 words) |
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