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| | Bright Lights Film Journal | Innocence |
 | | Her first feature, it demonstrates a near-perfect integration of story, theme, mood, composition, colour, lighting, camera-placement and -movement, and sound: simply, Innocence is one of the best films of recent years. |
 | | There’s a sense that she is provocatively using images that have become almost taboo (young girls naked down to their underpants at play in the water) to stress that these are images of innocence but for what we as adults (and, in particular, as male adults) read into them. |
 | | As with the earlier scene at the theatre, Bianca demonstrates choice and control, although this whole narrative obviously has a conservative, even politically regressive aspect to it, in its accepting depiction of an inevitable process of the socialisation of young women. |
| www.brightlightsfilm.com /53/innocence.htm (1370 words) |
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