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Topic: Institute for Advanced Theatre Training

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	American Repertory Theatre - Wikipedia, the free encyclopedia
		The American Repertory Theatre (or A.R.T.) is housed in the Loeb Drama Center at Harvard University in Cambridge, Massachusetts.
		In 1987, the A.R.T. founded the Institute for Advanced Theatre Training, a five semester professional training program which includes a three month period working and training at the Moscow Art Theatre School in Russia.
		For a time, the Institute included a director-training program, which is currently defunct.
	en.wikipedia.org /wiki/American_Repertory_Theatre (229 words)

	CRLT Theatre Program Staff
		Jeffrey Steiger is the Director of the CRLT Theatre Program at the University of Michigan and has been working in theatre and with interactive theatre techniques for over fifteen years.
		Jeffrey has used theatre to work with middle school, high school, and college level students, as well as professors, instructors, and administrators within and outside of the university community.
		She brought the Theatre Program to CRLT in 2000 and has made it a regular part of faculty professional development activities, thereby institutionalizing it at the University of Michigan.
	www.crlt.umich.edu /theatre/aboutplayers/staff.htm (445 words)

	Department of Theatre - The Moscow Art Theatre School (Site not responding. Last check: 2007-10-31)
		The Moscow Art Theatre, a repertory theatre company, was founded in 1898 by Konstantin Stanislavsky and Vladimir Nemirovitch-Dantchenko.
		Rebelling against the highly stylized theatre of the 19th Century, the founders set out to create instead a true ensemble theatre based on a realistic method of acting and production.
		The MXAT School is the training ground for the exploration and development of the famed teaching, ethical and production principles of the "Stanislavsky System." Traditionally, specially trained senior members of the MXAT Company teach at the School.
	www.theatre.wayne.edu /mxat.php (822 words)

	Suffolk University: Theatre Department - Faculty (Site not responding. Last check: 2007-10-31)
		I have served as Artistic Director of Theatre X in Milwaukee and Artistic Associate of the Organic Theatre in Chicago and as Interim Artistic Director of the Drama League of New York's Director's Project.
		I am a graduate of the American Repertory Theatre's Institute for Advanced Theatre Training and the Directors Project of the Drama League of New York.
		Katz was General Manager for Anna Deveare Smith’s Institute on the Arts and Civic Dialogue at Harvard University, and Associate Producer for the International Festival of Arts and Ideas in New Haven, Connecticut.
	www.cas.suffolk.edu /theatre/faculty.html (1333 words)

	Freehold Theatre - Faculty
		Throughout her training, emphasis was put toward applying the Technique to the skills required by performers.
		She holds a BA in Theatre from the University of Pennsylvania and an MFA in Acting from the University of Washington.
		She began her training as a nine-year old at the American Academy of Dramatic Arts in New York City, graduated from the High School of Performing Arts, and toured Europe and the U.S. during the 1970s with the New York City Street theatre and the Performance Group.
	www.freeholdtheatre.org /faculty (4238 words)

	JANOS SZASZ / Curriculum Vitae (Site not responding. Last check: 2007-10-31)
		(2001-2003) Director of the Institute for Advanced Theatre Training at Harvard, Cambridge, MA.
		Faculty member of the Institute for Advanced Theatre Training at Harvard, Cambridge, MA.
		From the age of 18 he spent 4 years at the Hungarian National Theatre in Budapest as a props man. After this, he graduated from the Budapest State Film and Theatre Academy as a theatre and film dramaturg and writer, after which he also attended the film direction course.
	homepage.mac.com /janosszasz/Personal2.html (289 words)

	programs, june 4 (Site not responding. Last check: 2007-10-31)
		The dramaturgy/criticism program is designed to train dramaturgs for the complete range of professional theatre and to train critics who may perform dramaturgical functions with theatres but who also will be capable of writing intelligent and provocative criticism for newspapers and journals.
		The purpose of the degree is to prepare students for scholarly or research activity, whether associated with an academic institution or a professional theatre.
		It is for the student ready to deepen his or her understanding of the scope and content of world theatre and drama, from classic to contemporary, from East to West, as well as to enrich his or her skills in artistic areas.
	www.ups.edu /professionalorgs/dramaturgy/programs.htm (5339 words)

	Ajay Naidu Biography :: Hollywood.com (Site not responding. Last check: 2007-10-31)
		The son of Indian immigrants, he was born and raised in the Chicago area.
		After appearances in local theater, he spent two years at the Institute for Advanced Theatre Training run by the American Repertory Theatre (ART) at Harvard.
		Attended the Institute for Advanced Theatre Training in Cambridge, MA
	www.hollywood.com /celebs/fulldetail/id/192141 (265 words)

	BU \| CFA \| School of Theatre \| Summer Theatre Institute \| Index
		The Boston University Summer Theatre Institute is a five-week program for serious and mature high school students.
		It is designed for those who wish to test their interests and abilities in a professional training environment.
		Even those who have later chosen careers in other fields have had their lives significantly enhanced by the joy of artistic achievement in the professional training environment of the College of Fine Arts.
	www.bu.edu /cfa/theatre/sti (104 words)

	Loeb Drama Center Data Sheet
		The theatre is also equipped with headset and monitor systems for backstage, including some wireless headsets, and with an infra-red re-inforcement system for the hard of hearing.
		This theatre is a plain fl box, 36' X 45' with a balcony around three sides, and a grid supporting movable panels approximately 16' high.
		The main rehearsal room is the 36' X 45', "marley" covered, wooden floored "Dance Studio" in the basement beneath the Experimental Theatre; regrettably the two are not sound isolated.
	www.fas.harvard.edu /~loebinfo/loebinfo/loebdata.html (1412 words)

	Staff - MA Young Playwrights Program
		She is the 2001 recipient of the "Theatre Hero" Award from StageSource in Boston and is the author of the Actors' Theatre of Lousiville's Heideman Award-winning and much-anthologized play Haiku.
		A 20 year professional theatre educator, Clark was nominated in 1991 as a “Distinguished Teacher in the Arts” by the National Foundation for Advancement in the Arts for encouraging and supporting students with exceptional artistic achievement.
		He also served as Director of Education for the Honolulu Theatre for Youth and was the Director of Theatre at the Perry-Mansfield School of the Arts in Steamboat Springs, Colorado.
	www.bu.edu /bpt/youngplaywrights/staff.html (714 words)

	Harvard Gazette: NewsMakers
		Institute for Advanced Theatre Training names new director
		The American Repertory Theatre (A.R.T.) has announced that Hungarian theater and film director János Szász has been appointed director of the A.R.T Institute for Advanced Theatre Training at Harvard.
		Michael Gerber '01 has won this year's Norman Podhoretz Prize in Jewish Studies for his essay "The Problem of Mystery and Commandment: Leo Baeck's Intellectual Project in the Age of the Wiemar Republic." The award is given to the Harvard student who submits the best essay, article, or short stosry on a Jewish theme.
	www.news.harvard.edu /gazette/2001/06.14/05-newsmakers.html (125 words)

	Penn Theatre Arts in an article in Back Stage
		Even after the concept of theatre as a legitimate subject for teaching was more widely accepted, most schools taught it as a part of the English department, creating a separate major only in the second half of this century.
		Creative Ways to Add Skills Training to a B.A. Over the course of four years, it's likely that even a student who embraces the liberal arts philosophy, if he or she is highly motivated towards a professional career, will want more in the way of training than school offers.
		The same thing applies to theatre studentsthey still have to be able to keep their academic work up to par.
	www.english.upenn.edu /~cmazer/backstag.html (4216 words)

	Overview of Fitzmaurice Voicework
		Fitzmaurice Voicework is a comprehensive approach to voice training that can include, as needed, work on breathing, resonance, speech, dialects, impromptu speaking, text, singing, and voice with movement.
		Fitzmaurice Voicework is taught at Yale School of Drama, Harvard University/American Repertory Theatre's Institute for Advanced Theatre Training, the University of California-Irvine, in studios for New York University's undergraduate drama program, and numerous other institutions and theatres in the United States and abroad.
		Our techniques have benefited actors in theatre, film, and television; singers; teachers of voice, singing, and acting; directors; TV announcers and hosts; lawyers, clergy, professors, politicians, business executives; medical professionals, speech pathologists, therapists, healers; movement specialists, and dancers.
	www.fitzmauricevoice.com /about.htm (781 words)

	New venues bring new excitement to ART, Watertown arts center - The Boston Globe
		The American Repertory Theatre announced initial programming for its second stage space at Zero Arrow Street and special partnerships with several organizations, as part of launching not just a theater but a new relationship with the community.
		The Zero Arrow Theatre, near Massachusetts Avenue in Harvard Square, will occupy the ground floor of the new four-story building, built by philanthropist Gregory C. Carr.
		The 30,000-foot center for the visual, literary, and performing arts is expected to open in spring 2005 and will be named after Charles Mosesian, who donated $1 million to the center.
	www.boston.com /ae/theater_arts/articles/2004/11/10/new_venues_bring_new_excitement_to_art_watertown_arts_center (585 words)

	Goodman - Goodman
		Her adaptation of Carson McCullers' The Heart is a Lonely Hunter recently premiered at the Alliance Theatre in Atlanta, in conjunction with The Acting Company of New York.
		She has served as an artistic associate at La Jolla Playhouse and is currently artistic associate at Intiman Theatre through a TCG New Generations Grant.
		Whoriskey is a graduate of NYU-Tisch School of the Arts and ART's Institute for Advanced Theatre Training.
	www.goodmantheatre.org /Artists/Collaborators.aspx?detect=yes (1235 words)

	Antioch University Seattle \| Continuing Education - Certificates - Ensemble Training Intensive for Actors - Instructors
		At Freehold, she directed the award-winning investigation of “The Seagull,” “An Altered Life,” “The Three Sisters,” “The Tempest,” and for the Engaged Theatre Tour, “Veronika Falling.” She directed “Common Threads: A Journey Home,” which was created and performed by inmates at the Washington Correction Center for Women.
		She has taught at NYU Tisch School of the Arts and the University of Washington and is presently on the faculty of Cornish College of the Arts.
		She has appeared locally on several Seattle stages, and at the American Repertory Theatre in Cambridge, Mass., where she appeared in “How I Learned to Drive” with Debra Winger and in the world premiere of Mac Wellman's “Hypatia.” Kate is a graduate of the American Repertory Theatre Institute for Advanced Theatre Training at Harvard University.
	www.antiochsea.edu /ce/certificates-etia-instructors.html (751 words)

	instructors
		He serves on the boards of the Honolulu Theatre for Youth (vice-president) and the Lizard Loft (President) and is the producer and co-founder of the Hawaii Summer Shakespeare Festival.
		Currently completing a professional theatre training program in Norway in the spring of 2006, she attended United Stuntmen’s Stunt School in Seattle in 2001 and has been working as a freelance actor, stage combat performer and Stuntwoman since then.
		Prior to engagement in the Asian Theatre graduate program, she was an adjunct professor at the University of Alaska Anchorage where she taught Combat for the Stage, Cardio-Kickboxing and Weight Training classes.
	www.duelingarts.com /instructors.html (2627 words)

	Hippodrome State Theatre: Anton in Show Business: Cast
		She is also a recent graduate of the American Repertory Theatre Institute for Advanced Theatre Training.
		She is a co-founder of H.I.T.T. (Hippodrome Improvisational Teen Theatre) for which she and her colleagues won the Margaret Sanger Award and has been recognized by Florida International Volunteer Association (FAVA/CA) for her work with the HITT program in the Caribbean.
		She was selected as one of 50 men and women of “notable achievement” who made contributions in North Central Florida in the past 100 years by the Gainesville Sun in 2000 and as The Woman of the Arts by the Gateway Council in 2001.
	thehipp.org /proof_cast.html (1548 words)

	Article \| The Shakespeare Theatre Company
		A graduate of New York University 's Experimental Theatre Wing, Whoriskey received her masters from American Repertory Theatre's Institute for Advanced Theatre Training.
		KPMG is also a proud sponsor of The Shakespeare Theatre's community outreach programs, including the annual Shakespeare Free For All at Carter Baron Amphitheatre.
		Partnering with The Shakespeare Theatre is one way that Comcast of the District continues to support the rich tradition of the arts in Washington, D.C., and is an example of Comcast's commitment to the communities it serves.
	www.shakespearetheatre.org /news/detail.aspx?id=13 (2162 words)

	The Cripple of Inishmaan (Site not responding. Last check: 2007-10-31)
		A co-founder and continuing member of Atlantic Theatre Company in New York, Zigler moved to the Boston area three years ago to join the artistic staff of the American Repertory Theatre as literary director of ART's New Stages program and associate director of the troupe's Institute for Advanced Theatre Training.
		Two springs ago, he directed the ART world premiere and the subsequent Broadway production of Mamet's The Old Neighborhood, and it is in his capacity as stage director that I'm speaking to him in his script-strewn office at the Loeb Drama Center.
		The Cripple of Inishmaan is at the American Repertory Theatre through June 13.
	www.bostonphoenix.com /archive/theater/99/05/13/THE_CRIPPLE_OF_INISHMAAN.html (844 words)

	- CMP Books (Site not responding. Last check: 2007-10-31)
		An engineer by training, he has developed many computer systems in railway control and other industrial applications and a wide range of software tools for embedded systems.
		It is in their development of mission-critical applications for financial institutions, where legacy UNIX systems are wedded to Windows NT workstations, that they have honed their skills in inter-platform communications.
		A traditionally trained graphic designer with over 10 years of experience in software design, John began his career teaching digital imaging, video, and new media courses at Eastman Kodak's The Center for Creative Imaging in 1992.
	www.cmpbooks.com /all_authors.html (9597 words)

	The O'Neill Moscow Art Theatre Semester
		Russia's foremost biographer of Stanislavsky and a leading Russian Theater writer, scholar and critic, Dr. Smeliansky is the Associate Artistic Director of the Moscow Art Theatre and the Head of the Moscow Art Theatre School.
		His unique system of training, which combines Meyerhold's Biomechanics and Stanislavsky's Method, has become an essential part of theatre training programs throughout the world.
		Professor, Moscow Art Theatre School, his class focuses on technique aimed at awakening the actor's imagination, emotional memory and stage awareness.
	nti.conncoll.edu /mats0301.htm (430 words)

	MFA Programs in Theatre Arts (Site not responding. Last check: 2007-10-31)
		Each year, the University/Resident Theatre Association sponsors auditions and interviews for those seeking admission to MFA programs in acting, directing, design, stage management, technology and administration.
		Note that you must be nominated by a professor or theatre professional who knows your work; the UO Theatre Arts faculty approves a list of nominations every fall quarter.
		The U/RTA members include UC Irvine, the California Institute of the Arts, the University of Washington, and the universities of Arizona, Cincinnati, Connecticut,
	theatre.uoregon.edu /MFA.html (315 words)

	All About Jewish Theatre - From Russia with love - Jewish Director Kama Ginkas for the first time in USA
		It is the only not-for-profit theatre in the country that maintains a resident acting company and an international training conservatory, and that operates in association with a major university.
		The theatre has garnered many of the nation's most distinguished awards, including a Pulitzer Prize, a Tony Award, and a Jujamcyn Award.
		The theatre's artistic staff teaches undergraduate classes in acting, directing, dramatic literature, design, and playwriting at Harvard, and in 1987 the A.R.T. founded the Institute for Advanced Theatre Training.
	www.jewish-theatre.com /visitor/article_display.aspx?articleID=215&pagenumber=3 (705 words)

	Ken Jones: ZoomInfo Business People Information
		He has also studied playwriting at the Institute for Advanced Theatre Training at Harvard Universit` as well as Shakespearean studies at the University of Warwick, England.
		Jones is the Artistic Director for Cincinnati's Downtown Theatre Classics, a professional theatre at the Aronoff Center for the Performing Arts.
		As an associate professor of theatre at Northern, Mr.
	www.zoominfo.com /people/jones_ken_95572432.aspx (359 words)

	PlayMakers Repertory Company MFA
		Bonnie Raphael (Teacher of Voice and Speech, coach for PlayMakers Repertory Company) has taught and coached at the Institute for Advanced Theatre Training at Harvard, the National Theatre Conservatory in Denver, Northwestern University, the University of Virginia and elsewhere.
		She has a PhD in theatre with minor concentrations in voice pathology, psychology and dramatic literature and has been trained by Arthur Lessac, Kristin Linklater, and members of the Roy Hart Theatre.
		The Paul Green Theatre, featuring a festival stage space designed by Desmond Heeley and seating about 500 people, is home for the PlayMakers Repertory Company, an Equity/LORT theatre, and the principal training ground for students in the Professional Actor Training Program.
	www.unc.edu /depts/drama/mfa/patp/professional.html (761 words)

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