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| | The Renaissance Society at the University of Chicago: Darren Almond, |
 | | Almond (Intercity 125) is not simply a portrait of Almond as a train but Almond as an institution, Almond as the whole of the bureaucratic machinations that constitute British Rail, from its tracks, to its satellite offices, to its central headquarters. |
 | | Set to the beat of techno music, Schwebebahn's slow, grainy quality is a dreamy memory of cinema's infancy where some of its earliest footage was in fact of trains, footage announcing it as the artform that had conquered both time and space. |
 | | If Almond (Intercity 125) is an index linguistically subsuming the person of Darren James Almond, then in this case it references Traction, a full-blown portrait of the artist not as a young man but in his preconceived state - a portrait of his roots. |
| www.renaissancesociety.org /site/Exhibitions/Essay.40.0.0.0.0.html (4428 words) |
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