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Topic: Intertitle

	Silent Film Sources Monthly News
		The Spanish intertitle print from which we worked is available at the Library of Congress in Washington for anyone who needs to see that original.
		I should point out that quite often I did not have the opportunity to screen a film in advance of playing it, and that is when the art of "instant composition" came to the fore: improvising musical material as the scenes unfolded on the screen.
		I learned to read the intertitles about twice as fast as any of the audience so that I could reflect the mood of the dialogue while the title was still on the screen.
	www.cinemaweb.com /silentfilm/98_2_mon.htm (11709 words)

	The High Sign: Simone
		For a film about technology, Simone shows surprisingly little interest in how things actually work.
		After he inherits the Simone program, Viktor?s learning process is condensed into a single intertitle: ?Nine months later.?
		Makes ya think, doesn't it?) Since we never see him struggling to master the technology, Viktor?s success seems to us like a foregone conclusion.
	www.thehighsign.net /archives/review/simone.html (884 words)

	Scope: An Online Journal of Film Studies (Site not responding. Last check: 2007-08-10)
		Racism is fundamental to the film in terms of both form and content (e.g.
		As "obvious" (Sorlin, 1980: 30; Staiger, 1992: 152) as the racism of Birth is though, there may yet be value in reconsidering D.W. Griffith's denials of racist intent, both in the film itself (via intertitle at the beginning of Part Two) and in the public debate which followed the picture's release (e.g.
		In Robinson's analysis of The Birth of a Nation, the historical importance of the film stems from its collusion with the interests behind the economic and political transformation of America into a global power at the beginnings of the twentieth century.
	www.nottingham.ac.uk /film/journal/articles/american-civil-religion.htm (8558 words)

	NCRLC \| Culture Club February 2005 (Site not responding. Last check: 2007-08-10)
		With the introduction of talking films at the end of the 1920s, film producers worldwide were faced with the problem of having to market their products internationally.
		Silent films had an international character and intertitle cards were easy to replace in other languages.
		Talking films, in which a story was transported not only visually but also through dialogue, created language barriers that had to be broken down.
	www.nclrc.org /profdev/cultureclub0502.html (8732 words)

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