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| | The Just Intonation Primer |
 | | Just Intonation can give rise to new styles and forms of music which, although truly innovative, are, unlike those created by the proponents of the various "avant-garde-isms" of this century, comprehensible to the ear of the listener as well as to the intellects of the composer and analyst. |
 | | Unfortunately, the proposals of Helmholtz and the other intonational reformers of the nineteenth century appear to have had no detectable effect on contemporary musical practice, although Helmholtz's work, in particular, was to have a significant influence on musicians of subsequent generations. |
 | | Whereas in previous centuries the goal of most intonational theorists was to find the ideal or most practical tuning for a culturally predominant scale, such as a major, minor, or chromatic scale, the approach of twentieth century composers and theorists working with Just Intonation, as exemplified by Partch, has been quite different. |
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