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Topic: Ionian mode

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	Ionian Mode - Search Results - MSN Encarta
		Ionian Mode, in music, a mode that is equivalent to the major scale.
		Mode (music), in music, term that varies in meaning from a scale to a scale-based formula for constructing melodies.
		Mode (mathematics), the number in a given set of numbers that appears most frequently.
	encarta.msn.com /Ionian_Mode.html (193 words)

	The Ionian Mode - The Major Scale
		The Ionian Mode is the first of 7 positions of the major scale.
		For each of the modes, the pattern diagram will be all the way to the end, but the tab will have you play the mode from the initial note to the same note 2 octaves up.
		Since the Ionian Mode is the Major Scale, you will be playing the following pattern with the first note starting at the 6th string 3rd fret G. Be sure you understand how to read these diagrams.
	www.sixstringsensei.com /lessons/major_scale/ionian_mode.html (343 words)

	Ionian mode - Wikipedia, the free encyclopedia
		He added Ionian as the name of the new eleventh mode: the relative natural mode in C with the perfect fifth as its dominant, reciting note or tenor.
		The twelfth mode was the plagal version of the Ionian mode, called Hypionian (under Ionian), based on the same relative scale, but with the major third as its tenor, and having a melodic range from a perfect fourth below the tonic, to a perfect fifth above it.
		The Ionian mode of Glarean is effectively the same as the ancient Greek Lydian mode and the modern major mode.
	en.wikipedia.org /wiki/Ionian_mode (339 words)

	Musical mode
		A mode indicated a primary pitch or final and the organization of pitches in relation to the final, and suggested range, melodic formulas associated with different modes, location and importance of cadences, and affect (ie, emotional affect).
		Lydian is identical to Ionian, except that the 4th note in the scale is raised one half-step.
		Mixolydian is identical to Ionian, exception that the 7th note in the scale is lowered one half-step.
	www.mp3.fm /Musical_mode.htm (1870 words)

	Modes, Keys, and Tunings
		The mode of a piece is determined by the notes of that piece as laid out in the linear form called a scale.
		When you tune to a mode (rather than capoing), the bass string is always in the Mixolydian mode and the middle string is in the Ionian modes because the tonic of the key is on the open string and at the third fret respectively.
		An advantage of using the capo method of changing modes is that you can tune the three strings so their modes are compatible and then put the capo on for different compatible modes.
	www.bearmeadow.com /smi/modes.htm (2789 words)

	What are the Seven Modes of Music?
		In the Ionian mode, the intervals are divided into a very familiar pattern of whole and half steps.
		This is a popular mode among jazz musicians who enjoy using a mixture of major and minor chord progression in inventive ways.
		It exists because all seven notes of the Ionian scale could form modes in a mathematical sense, but the relationship between intervals in the Locrian mode is simply not that interesting musically.
	www.wisegeek.com /what-are-the-seven-modes-of-music.htm (803 words)

	archives
		The mode based on the second degree of a major scale is called the "Dorian" and it is a minor mode.
		The mode based on the third degree of a major scale is called the "Phrygian" and it is a minor mode.
		The mode based on the fifth degree of a major scale is called the "Mixolydian" and it is a dominant or seventh mode.
	www.daddydoodle.com /mode.htm (1014 words)

	Modes in Traditional and Early Music
		The Ionian, in fact, was termed the "lascivious mode." One of the composers who was particularly fond of using the flatted B in this manner was Abbess Hildegard of Bingen.
		In plagal modes (which are the modes a fourth below the authentic modes), the tenor is a third below the tenor of the corresponding authentic mode.
		The first basic scale given is with the B omitted, the second with the F. The Hexatonic mode which would be ambiguous between the Locrian and Lydian is impossible due to the omission of the keynote.
	clem.mscd.edu /~yarrowp/MODEXh.html (907 words)

	Learn Guitar Modes
		These modes are no more "harmonic" than the melodic modes are "melodic." The names came from the period of general practice, when the melodic and harmonic scales were used.
		For example, the the Ionian mode is a major mode with a major 7th arpeggio.
		This mode is used for the "one" chord (roman numeral I) of the key.
	www.modesforguitar.com /index.html (1684 words)

	dansm's guitar scale lessons: the ionian mode (Site not responding. Last check: 2007-10-13)
		the ionian mode is the mode based on the first note of the major scale.
		to play this scale as the g ionian mode, play the box with the first note at the third fret.
		since this is the first mode of the major scale, this is also the major scale, played from root to root.
	scenicnewengland.net /guitar/scales/major/ionian.htm (92 words)

	Beginner's Guide to Modal Harmony
		They are called the Ionian, Mixolydian, Dorian and Aeolian modes and correspond to the scales you'd get if you played only the white notes of a piano, starting on C, G, D and A respectively.
		The Rights of Man is in the Aeolian mode of E and, with a C natural instead of a C# as its sixth, has a single sharp as its key signature.
		The four additional modes were produced by starting each of the Ambrosian modes a fourth lower, so that the keynote appeared in the middle of the scale.
	www.standingstones.com /modeharm.html (2096 words)

	The Ionian Mode
		[ Ionian ] [ Aeolian ] [ Dorian ] [ Phrygian ] [ Lydian ] [ Mixolydian ] [ Locrian ]
		Because modes are characterised by its interval structure, you can start on any note and progress with the same intervals to produce an Ionian mode in that 'key'.
		You can see that using the Ionian Mode intervals, which we said gave us the modern major scale, the Ionian Mode starting on 'D' is identical to the modern key of D Major.
	www.banjolin.co.uk /modes/ionian_mode.htm (179 words)

	Ionic - Wikipedia, the free encyclopedia
		Ionian Islands, seven Greek islands which lie on the eastern coast of the Ionian Sea.
		Ionian Sea, an arm of the Mediterranean Sea, between Greece and Southern Italy.
		Ionian Revolt, a revolt by Greek Ionians against the Persian Empire in western Anatolia preceding the Greco-Persian Wars.
	en.wikipedia.org /wiki/Ionian (226 words)

	Cyberfret.com: Theory for Guitar: Modes 101
		Each mode has a note within the scale that makes it different from the other modes in its category (major or minor) This is called the characteristic note.
		You are going to compare the major modes to the major scale, and the minor modes to the natural minor scale.
		Therefore what makes the Aeolian mode different from a song that might be written in a minor key is that it will only use the notes and chords build from the mode.
	www.cyberfret.com /theory/modes/101/page7.php (316 words)

	Modes Part II - Deriving Modes From the Parent Major Scale
		Modes are a hold-over from Ancient Greek musical theory, and, although they are not used very often in classical music, their use in rock, jazz and blues music is indispensable.
		The only thing that distinguishes one from the next is the fact that you are using a different note within the parent scale as the root.
		Now, once you are comfortable with the pattern and the sound of the mode, start improvising short melodic phrases using the mode.
	www.zentao.com /guitar/modes/modes-2.html (586 words)

	High Country Guitar Intro to the Modes
		In sum, the modes are created when you play the notes of a major scale, but starting at different points within the scale, and over a different bass note (or "root" note).
		The modes of B phrygian, C lydian, D mixolydian, E aeolian F# locrian are all derived from G major (ionian) too, so you can "think" in those modes as well.
		For the record, modes can also be derived from the melodic minor and harmonic minor scales in the same way these modes were derived from the major scale.
	www.highcountryguitar.com /modes_intro.htm (2575 words)

	Some Basics of Modal Harmony - Harmonies (Site not responding. Last check: 2007-10-13)
		For the 2nd mode, E Dorian, the sequence of triads is:
		This sequence of triads never varies for the Dorian mode, and differs from the harmonized D Ionian mode only in that it begins on the 2nd note of the Ionian mode (E), and the D major triad which was the "I" chord in Ionian, becomes "VII" in Dorian.
		This sequence of Major, minor, and diminished triads never varies for the Mixolydian mode, and differs from the Ionian and Dorian modes in that it begins on the 5th note of the Ionian mode, and the A Major chord, which was the "V" chord in Ionioan mode is the "I" chord in Mixolydian mode.
	www.celticmusic.com /magazine/9_16_97/modes3.html (427 words)

	Modes With Mode Dictionary \| Lessons @ Ultimate-Guitar.Com
		Modes are not put together with steps, but by altering the major scale.
		Ionian- Ionian mode is just the name for the major scale.
		Each entry has the name of the mode, the notes that are found in it, and the TAB for it.
	www.ultimate-guitar.com /lessons/scales/modes_with_mode_dictionary.html (2634 words)

	A Circle of Modes
		If we use the 6 1/2 fret (and not the 6 fret), our mode of origin is now ionian (with no capo): capo I = dorian, capo II = phrygian.
		If we use the 6 1/2 fret (and not the 6 fret) we are in the key of D major (otherwise known as D ionian).
		If we put the capo on the first fret, we'll see that our mode has changed from ionian to dorian and our key center has changed from D to E. So, our new "key" (for all intents and purposes) is E dorian.
	members.tripod.com /smib/mode2.htm (348 words)

	bmusic - Modes, Chapter 5
		The modes we studied in Chapter 4 were Pure Modes, meaning they were derived wholly from the notes within the Major scale.
		Altered Modes, by comparison, are based on these same Pure modes but have undergone either changes to, or omissions of, some of the notes within those modes.
		The first examples we’ll look at are modes that are altered by omitting certain notes of the pure mode from which they are derivatives.
	www.bmusic.com.au /links/lessons/theory/modes5.html (1731 words)

	Ionian Mode
		This pattern of intervals: T-T-S-T-T-T-S is the characteristic of the Ionian mode, and forms the modern C major scale.
		Because the mode is characterised by its interval structure, you can start on any note and progress with the same intervals to produce an Ionian mode in that 'key'.
		Using the Ionian Mode intervals produces the notes for the modern key of D Major.
	www.banjolin.supanet.com /ionian_mode.htm (130 words)

	Lesson 6
		In order to understand what makes each mode different from one another, here is a list of the all of the modes with the root as C. A parallel mode just refers to a different mode with the same root.
		The Locrian mode does not have a major or minor chord as the 1st chord, therefore it is not used in most modal contexts.
		Here are the relative modes of C major with the tonic chord, and the characteristic chords of that mode.
	home.san.rr.com /jahome/bass/lesson6.htm (2554 words)

	Guitar Modes - Understanding Modes And How To Apply Them
		The Ionian mode has somewhat of a "happy" tone or quality, while the Aeolian mode has somewhat of "sad" tone or quality.
		To really hear the mood or "color" that distinguishes this guitar mode from the other guitar modes, is best understood if you play it against the chords that work for that mode.
		Below is tab of the C Ionian mode starting on the root note C, at the 8th fret, 6th string of the guitar, using a 3 note per string pattern as well as an audio example.
	www.guitar-lessons-central.com /guitar-modes.html (564 words)

	july 5, 2001- The major scale (ionian mode)
		In the key of C, it would be the notes C-D-E-F-G-A-B-C. The major scale belongs to a modal family of scales that includes the major scale (ionian mode) and 6 other scales/modes.
		note: the ionian* mode is also known as the major scale, and the aeolian mode is also known as the minor scale.
		Modes are usually shown in the key of C, where you have the modes defined as :
	members.aol.com /snglstringtheory/archive/july5.html (1838 words)

	Ionian Mode - Major Scale Guitar Lessons
		Most people already know a mode and they don't even know it, but if you have ever been taught or have heard the "do, re, mi, fa, so, la, ti, do" scale that they teach in most grade schools, then you have a head start.
		We can find the major scale (ionian mode) simply by using all of the "major intervals".
		This means that for whatever key we are in, if we use the root, major 2nd, major 3rd, perfect 4th, perfect 5th, major 6th, major 7th and then root again, we will get the ionian mode (the major scale).
	www.theorylessons.com /ionian.html (539 words)

	The Ancient Musical Modes: What Were They?
		The church modes of medieval and early modern music supposely derive from modes named by the ancient Greeks and described by their writers.
		When Plato said the Dorian mode sounds sincere, and Aristotle said that it avoids extremes, they perhaps meant that there are no 1 1/2-step intervals, and/or that the upper tetrachord matches the lower tetrachord and/or that the tonic would usually fall on one of the middle strings.
		The Dorian mode settles the mind and is gravest and manliest and "avoids extremes".
	www.pathguy.com /modes.htm (2837 words)

	Modes and the Dulcimer (Site not responding. Last check: 2007-10-13)
		A mode then, is simply an arrangement of whole and half steps in such a way as to end up at the octave after seven steps.
		Here is a table showing the names of the heptatonic church modes, their traditional associated tunings for the key of D, and the starting fret for the scale.
		I've already touched on this, when I mentioned that you can play either the mixolydian or ionian modes in the key of D while tuned to DAd, by using the 6 fret for the mixolydian, and the 6+ fret for the ionian.
	www.sksmithmusic.com /virtual_classroom/modes.html (1754 words)

	JAZZ LESSONS : Jazz Theory 8 - CHORD / SCALE combinations for Improvisation by Michael Furstner (Site not responding. Last check: 2007-10-13)
		Modes are scales using the same notes as the parent (major) scale but with a different choice of tonic note.
		The D Dorian and G Mixolydian modes are both derived from the C major scale.
		The Dorian mode, Mixolydian mode and major scale are the bread and butter of all Jazz Improvisers.
	www.jazclass.aust.com /rotate/jt8.htm (1427 words)

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