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	Irina Dvorovenko (Site not responding. Last check: 2007-10-24)
		Born in Kiev, Ukraine, Irina Dvorovenko began her ballet training at the age of 10 at the Kiev Ballet School.
		Dvorovenko joined American Ballet Theatre in August 1996 and was promoted to Soloist in 1997 and Principal Dancer in August 2000.
		Dvorovenko is married to ABT Principal Dancer Maxim Belotserkovsky.
	www.galadesetoiles.com /bios/dvorovenko.html (154 words)

	Gerhard Rieder Promotions, Künstler und Veranstaltungsmanagement Ges.M.B.H.- Wien
		A principal dancer with American Ballet Theatre, Irina Dvorovenko was born in Kiev, Ukraine, and began her ballet training at the Kiev Ballet School at the age of ten.
		Dvorovenko was made a soloist in 1997 and was appointed principal dancer in 2000, following a stunning season which won her widespread critical and popular acclaim.
		Dvorovenko brings a radiant beauty and serene elegance to all of her performances, and as one of American Ballet Theatre's most lyrical dancers, she is renowned for both her musicality and dazzling technique.
	www.riederprom.at /englisch/kuenstler/irina_dworowenko.html (500 words)

	- Dvorovenko and Beloserkovsky's Giselle, June 14 matinee, 200
		Dvorovenko burst from her cottage door with high-voltage enthusiasm, acceding to Beloserkovksy's daisy-plucking shenanigans with glee.
		Although she nailed Giselle's hopping ballonnés (Dvorovenko is the sort of dancer who likes to Nail Things), the rest of her "Spessitseva" solo was unfortunate, as she began with a big stabbing penchée on pointe that she bobbled a bit, and her pirouette combinations to the knee were abrupt and perfunctory.
		In her debut, this seemed to me the epitome of Dvorovenko's memorably misguided artistic decisions, but yesterday it was one of the few moments of her portrayal which rang true, delivered with all the brio so oddly lacking in the rest of her performance.
	www.ballet.co.uk /dcforum/happening/5694.html (1212 words)

	DATELINE NEW YORK: Ukrainian headline-makers at the Met (07/06/03)
		The American Ballet Theater's 2003 spring season at the renowned Metropolitan Opera House was graced by the performances of four dancers born in Ukraine: Irina Dvorovenko, her husband Maxim Belotserkovsky, and her mother Olga Dvorovenko, all of whom hail from Kyiv, and Vladimir Malakhov, a native of Kryvyi Rih in eastern Ukraine.
		Dvorovenko in the dual role of Odette, the Swan Queen, and Odile, the sorcerer's daughter who disguises herself as Odette, and Mr.
		Dvorovenko, saying she "offered a mimed solo in the second act that was clear, sincere storytelling." In the adagio act, she and Mr.
	www.ukrweekly.com /Archive/2003/270321.shtml (1573 words)

	Dvorovenko
		I don't remember who Giselle or Albrecht were that night, but I won't soon forget Dvorovenko's icy ferocity and stage-spanning leaps -- hers was a Myrtha not to be trifled with, a vortex of anger and vengefulness rather than a magisterial Queen.
		It's usually not a compliment to say of a dancer that she's herself first, and her roles second, yet Dvorovenko's smart enough to employ the formidable sense of self which she projects in a manner that augments both her own onstage persona and the choreography she's performing.
		Like Van Hamel, another noteworthy Myrtha of years past, Dvorovenko seems currently to be ABT's Matinee Queen, and her stately progress through ABT's ranks is a clear indication that, these days, being an exquisitely trained Russian (rather, Ukrainian) is no longer a guarantee of a speedy entrance into American companies upper ranks.
	www.balletalert.com /dancers/DTW00/Dvorovenko.html (409 words)

	Irina Dvorovenko Info: Irina Dvorovenko
		She began her ballet training at the age of 10 at the Kiev Ballet School.
		Ballet Archive :: Irina Dvorovenko, dancer - A cross-referenced database of ballet history.
		A principal dancer with American Ballet Theatre, Irina Dvorovenko was born in Kiev, Ukraine, and began they offered a showcase for Irina Dvorovenko, who had a breakthrough season...
	www.pages4u.co.uk /res_Irina+Dvorovenko_0.php (306 words)

	Ballet Dance Magazine Review: American Ballet Theatre's Romeo & Juliet
		Dvorovenko’s first scene, with her nurse and then with her parents and Paris, was marvelous.
		I didn’t want to miss a single one of Dvorovenko’s slowly turning, endlessly mobile enveloppes, but I also couldn’t stand to miss the look on Beloserkovsky’s face when he first glimpses her.
		Their duet in the empty ballroom was laudable not only for its lyricism, but also the readability and logic of every move, whether dramatic or balletic.
	www.ballet-dance.com /200407/articles/abt-romeo-20040630.html (833 words)

	IRINA DVOROVENKOA & MAXIM BELOTSERKOVSKYA
		Dvorovenko’s Odette was hypnotic.” “To see Irina Dvorovenko and Maxim Belotserkovsky step into the leading roles of Swan Lake was to see two outstanding dancers outdo themselves and enhance a 19th century classic with a splendid and mature performance.” “It is up to the principals to bring depth to the plot through their dancing.
		Dvorovenko’s dynamism defined her spirited heroine; every arrow-sharp jeté added to the brio of her comic acting.” (Kisselgoff, The New York Times.) Jennifer Dunning, reviewing Etudes in The New York Times, noted that “Ms.
		Dvorovenko also excels in contemporary choreography and has danced leading roles in Twyla Tharp’s Push Comes to Shove and The Brahams-Haydn Variations, Brüch Violin Concerto, Transcendental Etudes, The Wall, Maguar Suite, Jazzmania, Don’t Bring Lu-Lu, and Pas des Déesses.
	www.sparklenet.com /balletspartanburg/Seasons/2003/index2.htm (857 words)

	DATELINE NEW YORK: Ukrainian dancers - they're absolutely tops (06/03/01)
		Belotserkovsky and his wife, Irina Dvorovenko, whose artistic fire is coupled with grand jeté leaps that seem to cut through the air like javelins." In another paragraph, Mr.
		Dvorovenko has a lyrical side, and greater fluidity in Act II will give her the depth she seeks in 'Giselle.' Mr.
		Dvorovenko in this timeless tale of love and redemption, choreographed by Kevin McKenzie after Petipa and Ivanov and set to a score by Tchaikovsky.
	www.ukrweekly.com /Archive/2001/220125.shtml (2262 words)

	Articles by Caroline Tiger, Author and Journalist
		You’re hired: When Irina needed a partner, she thought of Maxim, who was one of the best dancers in the group.
		After graduation, Irina asked Maxim to be her partner on a tour with the Bolshoi Theatre.
		It took weeks for him to build up his strength, but Irina was patient—she knew he was worth waiting for.
	www.carolinetiger.com /articles/articles_truepartners.htm (875 words)

	Raymonda - Kate Mattingly (Site not responding. Last check: 2007-10-24)
		As Raymonda, Irina Dvorovenko, whom I usually find a bit brittle, took my breath way during her dream, when she performed a glistening solo with quiet control and floating balances.
		Dvorovenko has a fantastic grand jeté when her front leg flies higher than her waist, and this ballet gave her plenty of chances to display it.
		When she placed one hand to the nape of her neck and the other hand at her waist, arching her back to the audience, her épaulement was gorgeous.
	www.danceviewtimes.com /dvny/reviews/2004/spring/abt6.htm (1075 words)

	Raymonda@The Met 2004 - Ballet Talk
		Dvorovenko also strikes me as the kind of dancer who moves excellenty from pose to pose, but the flow between them isn't quite so interesting, or when the need for speed is there in the choreography presents itself, she falters slightly.
		Most of the ballet (at least on Friday) was a very refined, straightforward classicism; then comes the Grand Pas, with its Hungarian-flavored steps and a bit of attitude thrown in for good measure.
		It just seemed to me that she luxuriates in extended poses, like a huge arabesque, or a grand stance smiling big and brightly at the audience.
	ballettalk.invisionzone.com /?showtopic=16875 (2226 words)

	Pointe Magazine (Site not responding. Last check: 2007-10-24)
		Pointe’s May/June cover couple, American Ballet Theatre principals Maxim Belotserkovsky and Irina Dvorovenko, joined us on Sunday, June 3, 2001 at Barnes and Noble’s East 86th Street location to sign magazines and discuss their experiences in the ballet world.
		Irina’s description of the difficulties in portraying the heroine, Tatiana, especially the dramatic last scene in which Onegin, who had rejected her 10 years earlier but now returns to declare his love despite her happy marriage, was striking.
		After a lively discussion, the audience lined up to have Max and Irina sign their copies of the May/June issue of Pointe—one fan even brought along a copy of the new Movado advertisement featuring Irina, which she was pleased to autograph.
	www.pointemagazine.com /articles/exclusives/barnes_noble.shtml (414 words)

	Pointe Magazine (Site not responding. Last check: 2007-10-24)
		Photographing American Ballet Theatre’s elegant husband and wife pair, Irina Dvorovenko and Maxim Belotserkovsky, for the May/June cover of Pointe was more than a treat.
		Except for Irina and Max’s occasional laugh and the "oohs" of approval from the Pointe staff, the studio was suspended in silence.
		The story of Irina Dvorovenko and Maxim Belotserkovsky is almost a fairytale, complete with a prince, a beautiful princess, a long journey, true love and even a cat.
	www.pointemagazine.com /backissues/june01/junecoverextra.shtml (428 words)

	PlaybillArts: News: ABT Dancer Irina Dvorovenko Takes Maternity Leave (Site not responding. Last check: 2007-10-24)
		Irina Dvorovenko, a principal dancer with the American Ballet Theatre, will begin maternity leave now that she has finished her scheduled fall performances at City Center, ABT announced.
		Born and trained in the Ukraine, Dvorovenko joined ABT in 1996; she has been a principal dancer since 2000.
		In this season’s repertory, she danced in Kevin McKenzie’s pas de deux from Act II of Swan Lake.
	www.playbillarts.com /news/article/655.html (355 words)

	Irina loves Maxim … and other real-life pas de deux - Irina Dvorovenko and Maxim Belotserkovsky - Interview Dance ...
		Seven years after leaving Kiev, Irina Dvorovenko and Maxim Belotserkovsky are rising stars of American Ballet Theatre.
		Irina, 27, and Maxim, 29, met as children studying at the Kiev Ballet School in Ukraine.
		She went on to dance with the Ballet Theater of Kiev, and he with the National Opera of Bulgaria and then the Kiev company.
	www.findarticles.com /p/articles/mi_m1083/is_2_75/ai_70368612 (332 words)

	- Apollo, Gong, The Green Table, ABT, Oct 25
		Indeed, it was classic Dvorovenko: larger than life, bursting with energy and crammed with brilliantly realized details which were almost entirely wrong.
		Elsewhere, Dvorovenko struck an unforgettable pose in her tricky solo, powering through the double pirouettes into arabesque, and pointing with a flick of her index finger with the incontrovertible authority of an East Side scioness selecting just the right diamond collar for her adorable little Fifi.
		Towards the end of a performance of Symphony in C a few years ago (Dvorovenko led the first movement), her husband, Maxim Beloserkosky, spun her through a pirouette, finishing, I think, in an attitude to the front.
	www.ballet.co.uk /dcforum/happening/5304.html (2280 words)

	Balanchine Program @ The Met 2004 - Ballet Talk
		Tchaikovsky Pas de Deux: Irina Dvorovenko was spectacular in this role, a marked difference from her pretty but cold Raymonda on Friday.
		PdeD was everything it should be in the hands (feet?) of Irina Dvorovenko and Maxim Beloserkovsky: both bravura and elegant at the same time.
		Whoever coached her did a top-notch job because all the little nuances that can make this pas so special were there last night: the right tilt of the head, the looks to and at her partner, the precision of her dancing.
	ballettalk.invisionzone.com /?showtopic=16952&st=0 (3705 words)

	ABT Romeo and Juliet - Mary Cargill (Site not responding. Last check: 2007-10-24)
		Dvorovenko filled the theater in a hugely scaled, bluntly direct reading of Kenneth MacMillan’s version of Shakespeare’s tragedy.
		In Juliet’s first scenes, Dvorovenko is an excited tomboy; in the final act, a passionate movie star.
		Both photos, Irina Dvorovenko and Maxim Beloserkovsky as Romeo and Juliet.
	www.danceviewtimes.com /2004/summer/01/abtrj2.htm (733 words)

	ABT: Dancers
		She also danced the pas de deux Le Corsaire and Diana and Acteon.
		Dvorovenko is married to ABT Principal Dancer Maxim Beloserkovsky.
		Dvorovenko's performances at American Ballet Theatre are sponsored by Dr. and Mrs.
	www.abt.org /dancers/detail.asp?Dancer_ID=21 (117 words)

	Orlando City Ballet - Nutcracker 2005
		Irina Dvorovenko and Maxim Beloserkovsky - principal dancers with American Ballet Theater
		Irina Dvorovenko and Maxim Belosterkovsky are principal dancers with American Ballet Theater, New York.
		Irina Dvorovenko will perform the role of Sugar Plum Fairy and Maxim Belosterkovsky will dance the role of the Prince in this special performance.
	www.orlandocityballet.org /nutcrackerg2005.shtml (175 words)

	dance.net - Which style do you prefer??? (3599985) - Read article: Ballet, Jazz, Modern, Hip Hop, Tap, Irish, Disco, ...
		Irina Dvorovenko is really stylish, too, check out that evening wear!
		i like Irina Dvorovenko she is so stylish.
		Not only is she one of my favorite dancers, but I absolutely LOVE Irina's style the best!
	www.dance.net /read.html?postid=3599985&page=1 (813 words)

	Couture Fashion Shows a Resounding Success in New York City,actor John Leguizamo, ballet stars Irina Dvorovenko, Maxim ...
		Couture Fashion Shows a Resounding Success in New York City,actor John Leguizamo, ballet stars Irina Dvorovenko, Maxim Belotserkovski, Maxim Belotserkovski, Viacheslav Pavlovsky, Katherine Pavlovsky; Sergey Lavrov, Russia’s Ambassador to the United Nations his daughter Katya Lavrov,
		actor John Leguizamo, ballet stars Irina Dvorovenko, Maxim Belotserkovski, Maxim Belotserkovski, Viacheslav Pavlovsky, Katherine Pavlovsky; Sergey Lavrov, Russia’s Ambassador to the United Nations his daughter Katya Lavrov,Samusev Alexandre, President of Set Holdings; Somers and Jonathan Farkas; Kimberly Rockefeller; Amanda Hearst, Gillian Hearst and Lydia Hearst, Helen Yarmak, Renee Fleming
		Special runway models included actor John Leguizamo and ballet stars Irina Dvorovenko and Maxim Belotserkovski.
	www.usafashionshows.com /press/september03shows.htm (884 words)

	Hamptons Online - Guide to the Hamptons and East End of Long Island
		The Stylish Set perused the store, checking out items like a $35,000 chinchilla blanket, a leather and steel backgammon set and a $14,000 fox lined sleeping bag that would keep even the chilliest snow bunny warm.
		Irina Dvorovenko, Host Alexandre Gertsman, Anait Kiladze, Dir-
		He congratulated Thomas Krens, Director of the Solomon R. Guggenheim Foundation, Lisa Dennison, Director of the New York’s Guggenheim Museum, ABT’s Prima Ballerinia Irina Dvorovenko and Helen Yarmak Fashion House U.S. Representative Anait Kiladze, who spoke to the crowd.
	www.hamptons.com /detail.ihtml?id=690&apid=1215&sid=6&cid=41&hm=1&iv=0 (732 words)

	The Ukrainian Culture Vulture - at BRAMA (Site not responding. Last check: 2007-10-24)
		MAXIM BELOTSERKOVSKY as Prince Siegfried and IRINA DVOROVENKO as Odette/Odile in Petipa/Ivanov’s Swan Lake (American Ballet Theatre):
		"Possibly the best pairing…was a confident and powerful Irina Dvorovenko, partnered by her real-life husband, the equally confident and powerful Maxim Belotserkovsky.
		IRINA DVOROVENKO as Katherina in John Cranko’s The Taming of the Shrew (American Ballet Theatre):
	ucv.brama.com /0009/0009_07.html (266 words)

	15 Minutes Magazine - Society
		This year, the chefs came from Brittany, and everything was combined with the glorious salty, spicy, taste of the sea.
		Glorious ABT dancers, Irina Dvorovenko and Maxim Beloserkovsky, wowed the crowd, especially when told that Irina is now four months pregnant and dancing at the top of her game.
		Amongst the assembled glitterati were former First Sister-in-Law Sharon Bush, looking lovely and well prepared for her coming life ahead, on the arm of billionaire tycoon Gerald Tsai, the new Miss America Deidre Downs, plus Denise and Larry Wohl.
	www.15minutesmagazine.com /archives/Issue_63/society.htm (555 words)

	ABT: Inside ABT: News
		The program will also include the pas de deux from Paquita, performed by Irina Dvorovenko and Maxim Beloserkovsky, and excerpts from Kirk Peterson’s The Howling Cat, with Paloma Herrera and Jose Manuel Carreño.
		The Friday, October 21 performance will include the Company Premiere of Kurt Jooss’ The Green Table (A Dance of Death in Eight Scenes), featuring David Hallberg in the role of Death, and the Revival Premiere of George Balanchine’s Apollo, led by Jose Manuel Carreño, Julie Kent, Stella Abrera and Irina Dvorovenko.
		Other debuts for the week include Veronika Part, Melanie Hamrick and Michele Wiles in Apollo on Thursday, October 27, and Irina Dvorovenko, Melanie Hamrick and Veronika Part in Les Sylphides on Friday, October 28.
	www.abt.org /insideabt/news_display.asp?News_ID=133 (851 words)

	www.ballerinagallery.com - ballet pictures
		Yuan Yuan Tan, Irina Golub, Sorella Englund, Margot Lander, Noëlla Pontois, Mette Bødtcher, Lisa Pavane, Nicole Rhodes, Susan Jaffe, Maria Kowroski, Lucia Lacarra, Heather Watts, Lycette Darsonval,
		Olga Lepeshinskaya, Kaleria Fedicheva, Zenaida Yanowsky, Dinna Bjørn, Eva Kloborg, Anne Marie Vessel, Monica Perego, Irina Kolesnikova, Sue Jin Kang, Martine van Hamel, Gabriella Komleva, Ninel Kurgapkina, Rosella Hightower, Marianna Ryzhkina, Paloma Herrera, Egle Spokaite, Maria Allash, Ekaterina Shipulina, Diana Cuni, Tina Højlund, Amy Watson, Galina Stepanenko, Gillian Murphy, Roberta Marquez, Alicia Amatriain
		Bridget Breiner, Anastasia Yatsenko, Nadja Saidakova, Nina Vyroubova, Nina Kaptsova, Liane Daydé, Laura Hormigón, Izabela Sokolowska, Yao Wei, Susanne Grinder, Letizia Giuliani, Ambra Vallo, Mara Galeazzi, Evelyn Hart, Asta Bazeviciúte, Fanny Gaïda, Nathalie Krassovska, Patricia Barker, Rowena Jackson, Olga Lepeshinskaya, Kaleria Fedicheva, Zenaida Yanowsky, Dinna Bjørn, Eva Kloborg, Anne Marie Vessel, Monica Perego, Irina Kolesnikova,
	www.convergentus.se /ballet (3231 words)

	PlaybillArts: News: American Ballet Theatre and New York City Ballet Dancers to Appear at Booksigning
		Dancers from American Ballet Theatre and the New York City Ballet will appear at discussion and signing of Round About the Ballet a new book with profiles of members of the two companies, on January 27.
		ABT's Irina Dvorovenko, Maxim Beloserkovsky, and Marcelo Gomes and NYCB's Jenifer Ringer, Benjamin Millepied, and Jennie Somogyi, all of whom are featured in the book, are currently scheduled to appear with photographer Roy Round, writer Joseph Carman, and publisher William Cubberley at the Barnes & Noble store in Manhattan's Lincoln Square at 7 p.m.
		Round About the Ballet is a coffee-table book with photographs of and interviews with 15 NYCB and ABT principals, including Angel Corella, Albert Evans, Nikolaj Hubbe, Julie Kent, Maria Kowroski, Vladimir Malakhov, Gillian Murphy, Ethan Stiefel, and Wendy Whelan.
	www.playbillarts.com /news/article/1187.html (323 words)

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