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| | The Harvard Crimson :: Arts :: Coughing Bears: Fracturing the Narrative and Other Misadventures |
 | | Their second album, Irresistible Bliss, released in 1996, lost some of the momentum of Ruby Vroom (primarily because of the large number of bitter love ballads), although Soul Coughing found themselves a few steps closer to fame due mostly to the success of the upbeat, radio-friendly tune, "Super Bon Bon." |
 | | From the opening of the album, it is clear that the beats will be the most prominent and experimental aspect of the album. |
 | | Soul Coughing finally take full advantage of overdubbing techniques they hesitantly used on their two previous albums to push their music into a realm where electronica, funk, distorted double-voiced lyrics, whistles, duck quacks, heavy bass, strings, weird speakers, guitars and classical piano merge into a miraculous synthesis of noise, beats and poetry. |
| www.thecrimson.com /article.aspx?ref=132474 (1029 words) |
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