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| | The Death of Marat - Jacques-Louis David |
 | | From the outset, David was in active sympathy with the Revolution, and =his majestic historical paintings (especially the Oath of the Horatii, Death of Socrates, and Brutus's Sons) were universally hailed as artistic demands for political action. |
 | | David, Marat's colleague in the Convention, had visited him only the day before the murder, and he recalled the setting of the room vividlly, the tub, the sheet, the green rug, the wooden packing case, and above all, the pen of the journalist. |
 | | David's position was unchallenged as the painter of the Revolution, and he sought in his three paintings of `martyrs of the Revolution', to apply to these modern men the same universal tragedy to be found in his beloved antiquity. |
| www.bc.edu /bc_org/avp/cas/his/CoreArt/art/neocl_dav_marat.html (850 words) |
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