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	can - comments- jaki liebezeit
		in fact jaki has sometimes a very dry sense of humour and so I suggested to him several times that we both should become a couple like pat and patachon, laurel and hardin or abbot and costello.
		having some spare time experimenting around with jaki liebezeit was always a great pleasure.
		one of the greatest experiences was working with jaki in order to practice for hopefully upcoming tv shows.
	www.czukay.de /can/comments/index2.html (505 words)

	YouTube - Sophia - Datenverarbeiter vs. Jaki Liebezeit
		YouTube - Sophia - Datenverarbeiter vs. Jaki Liebezeit
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		Sessions by Werner Kiera aka Datenverarbeiter and Jaki Liebezeit.
	www.youtube.com /watch?v=9zBWu8ryQ8o (192 words)

	Browse by Artist: FRIEDMAN & JAKI LIEBEZEIT FEAT. DAVID SYLVIAN, BURNT
		A vinyl mini LP-only release from avant-jazz duo Burnt Friedman and Jaki Liebezeit, their second collaborative effort since Secret Rhythms (NON 009CD) came out on Nonplace in 2002.
		Friedman & Liebezeit have been playing live all over the world, improving their notoriously uncommon grooves and elaborating odd ones.
		Liebezeit, a master of the pause and the stop, is famous for the cyclical and liberating beat he produced as the drummer in the legendary Krautrock outfit Can from 1969 to 1978.
	www.forcedexposure.com /artists/friedman.and.jaki.liebezeit.feat.david.sylvian.burnt.html (204 words)

	NationMaster - Encyclopedia: Can (band)
		Jaki Liebezeit is a drummer probably best known as a founding member of Can.
		Until the End of the World (German: Bis ans Ende der Welt) is a 1991 film by the German-born film director Wim Wenders; the screenplay was written by Wenders and Peter Carey, from a story by Wenders and Solveig Dommartin.
		In 1999 the four founding members of Can - Holger Czukay, Michael Karoli, Jaki Liebezeit, Irmin Schmidt - performed live in the same show, but separately as "Can-Solo-Projects," playing with their current solo projects.
	www.nationmaster.com /encyclopedia/Can-%28band%29 (4188 words)

	Jaki Liebezeit - Wikipedia, the free encyclopedia
		Jaki Liebezeit (born 1939) is a drummer probably best known as a founding member of Can.
		One critic suggests that he is "one of the few drummers to convincingly meld the funky and the cerebral" [1].
		Liebezeit is best known for his exceptional 'metronome' style of playing; other members of Can have suggested that he sounds as though he is "half man, half machine".
	en.wikipedia.org /wiki/Jaki_Liebezeit (256 words)

	Jaki Liebezeit (Site not responding. Last check: )
		Jaki Liebezeits rhythmische Auffassung hat sich im Laufe von Jahrzehnten als wegweisend erwiesen: "Du mußt monoton spielen, also immer wieder das gleiche, den gleichen rhythmischen Zyklus wiederholen, wiederholen, wiederholen.
		Stefan Krachten und ich haben beschlossen, Jaki Liebezeit einfach anzurufen und ihn zu fragen, ob er nicht Lust hätte, in unseren Proberaum zu kommen.
		Jaki Liebezeit hat eine ganz klare Vorstellung von rhythmischer Zusammenarbeit, überhaupt musikalischer Zusammenarbeit: Wir haben uns erst einmal alle total zurückgestellt wie Schüler, und er hat uns vorgemacht, wie man trommelt, wie man Musik macht.
	www.nightwater.de /jl-druck.htm (409 words)

	Can
		Of course, this doesn't stop Jaki from having his own special spotlight, either; all the while holding together the groove of the whole, he gets in some terrific polyrhythmic passages starting around the 5:00 mark and going on for a couple of minutes, proving that he could be even more than the world's best metronome.
		This reduction in Jaki's and Damo's roles doesn't really lead to a corresponding increase in the importance of any of the other band members individually, though (maybe Schmidt could be said to be boosted, though his presence is as much in atmosphere as in anything else).
		Jaki isn't his former beast self, and he's got some electronic augmentation, but heck, he had some of that in the 70's, and he doesn't sound like a hack, so he's fine.
	www.johnmcferrinmusicreviews.org /can.htm (8329 words)

	Jaki Liebezeit: Artist Update: Modern Drummer Magazine 11/24/2006
		On the '60s/'70s cusp, Jaki and his cohorts in the German ensemble Can conducted sonic experiments that reverberate today in about a dozen corners of the underground.
		Liebezeit's hypnotic drum patterns played against the grain of the era's chopsmeisters.
		As far as Liebezeit's opening trapset epitaph, he offers, "The drumkit was developed for jazz, which it was fantastic for.
	www.moderndrummer.com /updatefull/200001390 (441 words)

	Club Off Chaos - The Change Of The Century
		Schlagzeuger Jaki Liebezeit begann seine musikalische Karriere 1961 in Barcelona bei Chet Baker, zurück in Köln gehörte er zwischen 1963 und 1967 zum Manfred Schoof Quintett, bevor er 1968 Gründungsmitglied von CAN wurde.
		In 1995, Dirk Herweg, Boris Polonski and Jaki Liebezeit formed Club Off Chaos with the intention of entering new musical territory with modified equipment calling it new electronic musiv based on synthesizers and drums.
		Jaki Liebezeit's history may be most widely known and appreciated.
	www.fuenfundvierzig.com /catalog/45115.htm (676 words)

	Jaki Liebezeit @ 10 days off - News - FWF (Site not responding. Last check: )
		Ages ago Liebezeit was part of Can, a band working in the side-scene of today’s music but responsible for a lot of innovation.
		Liebezeit, a master of the pause and the stop, has trimmed back his drums: the pedals have gone, pure drumskin remains.
		In Liebezeit, rhythm and melody are connected inseparably.
	www.futureworldfunk.be /spip.php?article538 (393 words)

	CMJ CAN ARTICLE
		The German quartet of bassist/editor Holger Czukay, drummer Jaki Liebezeit, guitarist Michael Karoli and keyboardist Irmin Schmidt initially existed from 1969 to 1978, augmented for a while by singers from America (Malcolm Mooney) and Japan (Damo Suzuki).
		Liebezeit picks up the thread --- virtually the only subject on which he's willing to utter more than five words in a row, and he talks for a good five minutes.
		That's where Jaki developed this music where the ground tone is the drum, the center of the harmonic.
	www.tonecasualties.com /data/TC/holger/cmjreview.html (1217 words)

	Nonplace - Secret Rhythms 2
		Friedman and Liebezeit, sharing a mutual interest in traveling as well as all things on- and off-beat, try to unearth those natural born grooves and, through their own music, bring it to a bigger audience.
		Liebezeit provides the acoustic beat backbone, his drumming stark and seemingly simplistic and, as always, easy to identify.
		That said however deeper listening is rewarded as the strength of Liebezeit’s playing and Freidman’s ability to lay down solid core textures and melodies is gradually revealed, hidden beneath a subtlety seldom found on modern recordings.
	nonplace.de /cms/index.php?option=com_content&task=view&id=8&Itemid=8 (1539 words)

	BURNT FRIEDMAN & JAKI LIEBEZEIT - Secret Rhythms
		Burnt Friedman & Jaki Liebezeit - "Shades Of Soddin Orion"
		Burnt Friedman & Jaki Liebezeit - "Obscured By 5"
		Burnt Friedman & Jaki Liebezeit - "Obscured By 5" (remix)
	www.juno.co.uk /products/1199887-02.htm (87 words)

	Fusion III / Artist Details
		In this respect, FRIEDMAN and LIEBEZEIT lean to the World Music side, without giving in to the temptation of any Jazz instrumentation or even improvisation.
		Jaki Liebezeit spent the early part of his career in Barcelona playing Jazz with Chet Baker amongst others as well as studying Flamenco and Arabic music.
		In 1968 he was a founding member of Can, one of the most influential bands of all time, which helped to define what has become known as Krautrock.
	www.fusion3.com /authors/14748 (544 words)

	DAS NETZMAGAZIN. / Nr. 140 / Februar 2006
		Burnt Friedmann und Jaki Liebezeit suchen jenseits des 4/4-Takts nach geheimen Rhythmen - und stossen auf Musik mit Sogwirkung.
		Burnt Friedmann und Jaki Liebezeit haben beschlossen, den Kampf gegen das Metronom aufzunehmen und nach neuen rhythmischen Mustern zu suchen, die eigentlich schon uralt sind, finden sich ungerade Rhythmen doch auch in den Ursprüngen der Musik verschiedenster Völker.
		Jaki Liebezeit sorgte als Perkussionist von Can dafür, dass diese als Visionäre in die Annalen der 70er eingingen.
	www.netzmagazin.ch /140/hoeren/501.html (379 words)

	Helmut Zerlett
		Jaki Liebezeit Schmidt Show Club Camouflage Ich über mich
		Zerlett über seine Rhythmikstudien mit Liebezeit: "Man muß sich ein bißchen lösen vom herkömmlichen Bild eines Musikstudenten, der da sitzt und Noten aufschreibt.
		Leute, die sehr viel Erfahrung haben wie Jaki Liebezeit, führen einen dabei.
	www.zerlett.de /jl.htm (416 words)

	Can Excerpt
		His first recruit, Irmin Schmidt, studied classical piano and composition, and Jaki Liebezeit was an accomplished jazz drummer.
		As for Liebezeit, even when he played in unusual time signatures, he had a way of locking into a powerful and hypnotic pulse.
		Liebezeit is an in-demand session drummer; Schmidt composes music on his own, and Czukay sometimes tours as a techno DJ.
	www.jimdero.com /TurnOn/CanExcerpt.htm (1621 words)

	Can (band) - Wikipedia, the free encyclopedia
		Can was a musical group formed in West Germany in 1968, working within the scene that music critics dubbed "krautrock", with a style grounded in the garage rock of bands such as The Velvet Underground and world music as studied by professionals in ethnomusicology.
		Liebezeit subsequently suggested the backronym "communism, anarchism, nihilism" for the band's name.
		In 1999 the four core members of Can, Michael Karoli, Jaki Liebezeit, Irmin Schmidt and Holger Czukay, performed live at the same show, although playing seperately with their current solo projects (Sofortkontakt, Club Off Chaos, Kumo and U-She respectively).
	en.wikipedia.org /wiki/Can_(band) (2439 words)

	DISK/club transmediale: 1 (Site not responding. Last check: )
		Master drummer Jaki Liebezeit spent the early part of his Career in Barcelona playing jazz with Chet Baker amongst others as well as studying flamenco and arabic music.
		Since Can´s last performance in 1977, Jaki Liebezeit has worked with numerous international artists and developed his own projects Such as his rhythm Project "Drums of Chaos" in 1982 around the time of his first meeting with Jah Wobble with whom he has worked on many occasions since.
		Burnt Friedman and Jaki Liebezeit deftly and casually maneuver round the jagged rocks of "four-four time".
	www.clubtransmediale.de /index.php?id=483 (259 words)

	Brainwashed - Burnt Friedman & Jaki Liebezeit, "Secret Rhythms 2" (Site not responding. Last check: )
		Nonplace label founder Burnt Friedman is one half of Flanger with Uwe Schmidt (Atom Heart, Atom™, Senor Coconut) and Jaki Liebezeit should need no introduction as the legendary drummer for Can.
		Liebezeit provides the acoustic beat backbone, his drumming stark and seemingly simplistic and, as always, easy to identify.
		Although it's no doubt a fully collaborative and probably improvisational effort, Liebezeit is firmly entrenched in Friedman's hard drive driven atmosphere and groove.
	www.brainwashed.com /index.php?option=com_content&task=view&id=4615&Itemid=1 (497 words)

	Ground and Sky review - Can - Future Days
		In staunch contrast to the wired "Pinch" which opened up their last album, the title track that begins this effort is like walking along a beach with waves of liquid trazodone lapping under your feet.
		Sedated Damo Suzuki croons muffled vocals and Jaki Liebezeit provides a gentle, calypso shuffle sliding against a mincing generator rhythm and Schmidt's barely audible polyphonic synths.
		No, Can have not turned into the Beach Boys; Jaki Liebezeit's circular rhythms and Holger Czukay's ping pong bass lines are still present, but the sense of frenzy heard on previous albums such as Tago Mago has been muted.
	www.progreviews.com /reviews/display.php?rev=can-fd (1191 words)

	Burnt Friedman & Jaki Liebezeit: Secret Rhythms 2 - PopMatters Music Review
		It’s a common phenomenon for musicians to switch from rock to jazz as their preferred mode of expression, most frequently occurring as talented players seek extended challenges to their virtuosity as they grow older—or become bored with the perceived limitations of rock music.
		Former Can drummer Jaki Liebezeit, however, represents the rarer scenario; after recording some free-leaning jazz dates in mid-1960s Germany, he grew tired of the music’s lack of form and went on to join Can, with whom he created some of the most forward-thinking rock music of the entire 1970s.
		Liebezeit’s worldview hasn’t changed much in the ensuing years, if Secret Rhythms 2, a co-led collaboration with electronic artist Burnt Friedman, is any indication.
	www.popmatters.com /pm/music/reviews/822/burnt_friedman_jaki_liebezeit_secret_rhythms_2 (785 words)

	BURNT FRIEDMAN & JAKI LIEBEZEIT Secret Rhythms 2
		Since the break up of legendary experimental rock band Can in 1978, Jaki Liebezeit the band’s drummer and rhythmic engine house, has been involved in a huge number of projects, working with artists as diverse as Brian Eno, Depeche Mode and Primal Scream.
		Since then however Liebezeit has found another kindred spirit in the shape of electronic jazzer, and head of Nonplace Records, Burnt Friedman with whom he released the Secret Rhythms album in 2002.
		Enjoying the pun, Liebezeit and Friedman thus refer to the 4/4 bar as a “fearer”.
	www.themilkfactory.co.uk /reviews/bfriedman_rhythms2.htm (590 words)

	* Dusted Reviews - Burnt Friedman and Jaki Liebezeit *
		Jaki Liebezeit played drums in the German rock band Can, whose music was loud, wild and unpredictable.
		To be fair, I'm not really sure Liebezeit and Friedman were aiming to make the listener feel any sort of emotion, except maybe contentment.
		If you're hosting a cocktail party at a modern art museum, this would be a perfect record to play as background music—and I say that without sarcasm, because this album is expertly executed.
	www.dustedmagazine.com /reviews/262 (559 words)

	Can (Site not responding. Last check: )
		Throughout their career, Can's line-up was fluid, featuring several different vocalists over the years; the core band members remained keyboardist Irmin Schmidt, drummer Jaki Leibezeit, guitarist Michael Karoli, and keyboardist Holger Czukay.
		David Johnson's only involvement is that of a sound technician; he leaves the band by the end of 1968.
		In May 1970, Japanese singer Kenji "Damo" Suzuki joined Can after having been spotted by Holger Czukay and Jaki Liebezeit in Munich's Leopoldstrasse; a globetrotter making money for his return trip as a street musician, Damo had also been a cast member of the musical 'Hair'.
	members.tripod.com /faust71_2/can.htm (1385 words)

	Holger Czukay - Biography - AOL Music
		Under the tutelage of avant-garde composer Karlheinz Stockhausen, Czukay continued to refine his ideas, and soon became a teacher himself; through student Michael Karoli, he gained his first exposure to performers like the Beatles, the Rolling Stones and the Velvet Underground.
		After picking up the bass, Czukay teamed with Karoli, fellow Stockhausen protege Irmin Schmidt, drummer Jaki Liebezeit and American-born vocalist Malcolm Mooney, and in early 1968 the group Inner Space was formed.
		Quickly renamed Can, in 1969 they released their debut Monster Movie, the first in a series of visionary albums establishing the band as one of the truly seminal artists of the period.
	music.aol.com /artist/holger-czukay/68096/biography (455 words)

	Profiel: Crossing Border
		Gitaarleraar Czukay betrok zijn jonge leerling Michael Karoli bij het complot en schakelde zelf over op basgitaar, omdat de weinige noten waarmee hij vond dat een bassist kan volstaan, hem in de gelegenheid zouden stellen zich intensief met de geluidstechnische kant van de muziek bezig te houden.
		De ervaren freejazz-drummer Jaki Liebzeit zocht naar nieuwe uitdagingen en vond die bij Can nadat een toehoorder hem in een visionair moment van helderheid had ingefluisterd dat hij,,monotoner moest gaan spelen''.
		Liebezeit ontwikkelde zich tot een onvermoeibare menselijke drummachine, die zijn liefde voor Afrikaanse muziek liet doorklinken in bezwerende ritmepartijen.
	www.nrc.nl /W2/Lab/Profiel/Crossingborder/can.html (1132 words)

	Rock & Pop: NEW RELEASES: Jah Wobble, Jaki Liebezeit, Philip Jeck Independent, The (London) - Find Articles
		Live in Leuven is, in effect, an extension of those collaborations, with turntablist Philip Jeck an able substitute for Czukay and Edge - less demonstrative than the latter, maybe, but with a wider range of sonic strategies at his disposal.
		As a turntable artist, Jeck is like a more laid-back, minimalist DJ Shadow, not so much obsessed with the rhythmic possibilities of scratching as with creating absorbing textures.
		Here, he opens the piece with a lowering orchestral chord sequence, with echoing fragments of strings, vinyl static crackle, music-box chimes, and little zippy noises of uncertain provenance whipped to the consistency of mist, before Wobble and Liebezeit join in about seven minutes in, setting up a curious push/pull rhythmic figure over Jeck's shifting sound-bed.
	www.findarticles.com /p/articles/mi_qn4158/is_20041210/ai_n12824248 (286 words)

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