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Topic: Jan Brueghel the Elder

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	Jan Brueghel the Elder - Olga's Gallery
		Jan Brueghel the Elder and Joos Momper the Younger (1564-1635).
		Jan Brueghel the Elder and Pieter van Avont (1600-1632).
		Jan Brueghel the Elder and Hendrick van Balen (1575-1632).
	www.abcgallery.com /B/bruegel/jan.html (136 words)

	Canvas Creations - Jan Brueghel Biography
		Jan Brueghel 's position in society and among his fellow artists was assured during his lifetime: he solidified the family reputation established by his famous father, and his works were very influential.
		Brueghel's reputation as a master at painting flowers is notable because of the newness of the genre, and he was proud of his mastery of minute detail.
		Jan Brueghel died in Antwerp of cholera in 1625.
	www.canvascreations.com /gallery/bio_Brueghel.html (474 words)

	Jan Brueghel the Younger
		Jan Brueghel the Younger (1601-1678) was a Flemish painter, son of Jan Brueghel the Elder.
		Jan the Younger was traveling in Italy when his father died of cholera and swiftly returned to take control of the Antwerp studio.
		Jan the Younger's best works are his extensive landscapes, either under his own name or made for other artists such as Hendrick van Balen[?] as backgrounds.
	www.ebroadcast.com.au /lookup/encyclopedia/ja/Jan_Bruegel.html (148 words)

	Religion of Jan Brueghel the Elder, famous painter
		Jan Brueghel the Elder is regarded as one of the greatest and most popular artists in history.
		Jan Brueghel the Elder was born in Brussels, Belgium in 1568-1625.
		Jan Brueghel the Elder had a son with the same name as him, who also became a famous painter.
	www.adherents.com /people/pb/Elder_Jan_Brueghel.html (79 words)

	JAN BRUEGHEL
		This is a perfect example of Jan Brueghel's dedication to the seemingly humblest part of a composition, which is very characteristic of the Flemish schools of painting, and most of all the Dutch schools of the XVII century.
		Jan Brueghel was a specialist in flowers, which he would use as decorative elements and sometimes as frames to place around the subjects of his paintings.
		Jan Brueghel uses a frog to give this piece its own identity, by placing the frog to the left of the vase.
	www.spanisharts.com /prado/jbruegel.htm (239 words)

	Jan Frans van Bredael Paintings Reproduction and Biography
		Jan Frans died in Antwerp in 1750; his son and pupil Jan Frans van Bredael the Younger (b.1729) continued the family tradition.
		Jan Frans produced landscapes in the tradition of Jan Brueghel the Elder (1568-1625), of which these river landscapes on copper are very fine examples.
		Bredael takes many motifs from Jan Brueghel the Elder, including the coach and horses seen obliquely from the front, the use of warm foregrounds and blue distance and the lively figures whose dress adds cheerful touches of blue and red to the landscape.
	www.allartclassic.com /author_biography.php?p_number=311 (419 words)

	Jan Brueghel The Elder ( - ) Artwork Images, Exhibitions, Reviews
		Jan Brueghel the Elder, Village Scene in the Woods (Farmhouse Inn in a Flemish Village), 1568 - 1625
		Jan Brueghel the elder - The Adoration of the Kings 1598 bodycolour on vellum The National Gallery, London Flemish
		Jan Brueghel the Elder - Road to Golgotha c.
	www.wwar.com /masters/e/elder-jan_brueghel_the.html (1468 words)

	Oil Paintings Artist B
		Dieric Bouts the Elder The Adoration of the Magi.
		Jan Brueghel the Younger Jan Bruegel the Younger and Peter Paul Rubens.
		Jan Brueghel the Younger Adoration of the Magi.
	www.wholesaleoilpainting.com /oil-paintings-b2.htm (4626 words)

	Pieter Brueghel (1520 - 1569) Artwork Images, Exhibitions, Reviews
		Pieter Brueghel the Elder, A Man-of-War near the Coast, with the Fall of Icarus, 16th century
		Pieter Brueghel the Elder, Pagus Nemorosus (Village in the Woods), 16th century
		Jan Brueghel the Elder, Village Scene in the Woods (Farmhouse Inn in a Flemish Village), 1568 - 1625
	wwar.com /masters/b/brueghel-pieter.html (822 words)

	Vol. 11, No. 12 Cover \| CDC EID
		The Brueghels so excelled in the new specialties that they created a trend for their generation, a bridge between the technical refinement of Flemish primitive art and the expansive imagination seen later in the work of Peter Paul Rubens and his followers (3).
		Jan Brueghel II (1601–1678) and Ambrosius Brueghel (1617–1675) continued the tradition of flower still life long after their father's death of cholera in Antwerp.
		Jan Brueghel painted on various media, among them copper, an innovation learned during his tenure in Italy and exploited to full advantage in hundreds of paintings.
	www.cdc.gov /ncidod/EID/vol11no12/about_cover.htm (977 words)

	Pieter Brueghel the Elder
		Pieter Brueghel the Elder mostly painted rural scenes and landscapes.
		Pieter Brueghel the Elder was part of a very artistic family.
		And the son of Jan Brueghel the Elder, who was conveniently named Jan Brueghel the Younger also followed in the footsteps of his father and his grandfather.
	www.artinthepicture.com /artists/Pieter_Brueghel_the_Elder (136 words)

	ART / 4 / 2DAY
		Jan Brueghel the Younger was born into a famous family of artists which included his father, Jan Brueghel the Elder, and his uncle, Pieter Brueghel.
		After the Elder Brueghel's death, Jan the Younger took over the running of his father's studio and continued to produce paintings of allegorical and mythological figures, as well as landscapes and still life.
		Jan the Elder was drawn to allegorical representations of the four elements; earth, air, fire and water.
	www.safran-arts.com /42day/art/art4sep/art0901.html (6189 words)

	Lesson Plans for Fantasy
		Jan Brueghel the Younger derived both his subject matter and his style from his father, Jan Brueghel the Elder, from whom he received his first instruction in painting.
		Jan the Elder was drawn to allegorical representations of the four elements; earth, air, fire and water.
		The female figure which appears on the right of the composition in the Elder's painting has been moved to the left in the Browning version; she also holds the same armillary sphere (representing the relative positions of the ecliptic and other celestial circles) in her right hand.
	www.umfa.utah.edu /?id=MTk4 (670 words)

	Sotheby's - Services & Information - Investor Relations (Site not responding. Last check: )
		A MAGNIFICENT, previously unrecorded painting by Jan Brueghel the Elder, of one of the artist’s extraordinary visions of the underworld, is among the many distinguished paintings included in Sotheby’s summer sale of Important Old Master Paintings in London on July 12, 2001.
		This hitherto unrecorded painting is Brueghel’s earliest known treatment of this mythological subject and is an important addition to one of the most celebrated aspects of Brueghel’s oeuvre.
		A painting by Pieter Brueghel the younger, Landscape with Saint John the Baptist preaching, is estimated to fetch £400,000/600,000, while a painting executed by Jan Brueghel the younger in collaboration with Joos de Momper, depicting a winter landscape with a cart of a wooded road and a village beyond, has an estimate of £200,000/300,000.
	www.shareholder.com /bid/news/20010618-44551.cfm (1187 words)

	Colnaghi - Object Detail - Panoramic Landscape with Travellers - JAN BRUEGHEL THE ELDER (Brussels 1568 â“ 1625 ...
		Son of the great Pieter Brueghel the Elder, Jan Brueghel the Elder was arguably the important European artist to have painted on copper.
		It was while Brueghel was in Rome that he met Paul Bril, whose earliest known work on copper was done in 1592, and the two artists collaborated on a painting on copper the following year.
		Brueghel depicts here an assortment of peasants, merchants and travellers set within a delicately rendered landscape, framed on the left by a forest and opening up on the right to a panoramic view of a distant city.
	www.colnaghi.co.uk /DesktopDefault.aspx?tabid=7&tabindex=6&objectid=11285 (457 words)

	Villagers on their Way to Market by BRUEGHEL, Jan the Elder (Site not responding. Last check: )
		Jan Brueghel, the youngest son of Pieter Bruegel the Elder, was as finely gifted a draughtsman as he was a painter specialising in floral still-lifes and landscapes.
		This snapshot of daily life in the country is transformed by Brueghel's refined taste into a poetic mood picture.
		The outlines of the figures and the thin tree trunks, weaving their way decoratively into the sky, are drawn with great delicacy and detail, using sharp pen lines.
	gallery.euroweb.hu /html/b/bruegel/jan_e/1/villager.html (371 words)

	Mauritshuis Museum To Host Rubens & Brueghel - A Working Friendship \| Art Knowledge News
		Rubens and Brueghel’s Adam and Eve in Paradise in the Mauritshuis’ permanent collection is the inspiration for mounting this exhibition.
		Rubens was responsible for the figures, and Brueghel for the landscape, flora and fauna.
		Jan Brueghel the Elder was the second son of the famous Pieter Bruegel the Elder.
	www.artknowledgenews.com /Rubens_Brueghel_at_Mauritshuis_Museum.html (904 words)

	The Metropolitan Museum of Art - Works of Art: Drawings and Prints
		This drawing, the earliest known by Jan Brueghel the Elder, records the city of Heidelberg seen from the west across the Neckar River.
		The definition of forms with a combination of short, vertical lines in fine pen, which in places are blurred, and the broadly applied translucent washes are characteristic, as is the composition.
		Brueghel made several drawings of Heidelberg and used motifs from these travel sketches in paintings such as the Allegory of Spring of 1611 (private collection, Scotland), which shows Heidelberg castle as it appears in a copy after a drawing by Brueghel in the Kurpfalzisches sketchbook (Staatsgalerie, Stuttgart).
	www.metmuseum.org /collections/view1.asp?dep=9&full=0&item=1995.15 (202 words)

	Brueghel - Breughel
		The themes range from pictures of Flemish villages in the changing seasons, which were already known in the 16th century, of related peasant revelries and religious festivities, to the first realistic portraits of flowers and landscapes which heralded a new view of the world in the 17th century.
		The double exhibition is dedicated to Pieter the Younger (1564/5 - 1637/8) and Jan the Elder (1568 - 1625), whose art determined the style of Flemish painting around 1600, which developed in its own distinct fashion after the separation of Catholic Flanders from the Protestant Netherlands in 1585.
		Despite the proximity in form and content to their models the artistic independence of both sons is clear to see, and their artistic interpretations already point the way forward to the new century.
	www.villahuegel.de /english/breughel.htm (1019 words)

	History of Art: Baroque and Rococo: Jan Brueghel the Elder
		The second son of Pieter Bruegel the Elder, born just before his father's death, he was reared by a grandmother and learned his art in Antwerp.
		He worked primarily in Antwerp and was a friend of Peter Paul Rubens, with whom he sometimes collaborated in painting flowers, landscape, and animals in canvases in which Rubens supplied the human figures; an example is the “Adam and Eve in Paradise” (1620).
		His son Jan Bruegel II (1601–78) was also a painter, whose subjects and techniques were similar to (and often indistinguishable from) Jan Bruegel's.
	www.all-art.org /baroque/jan_brueghel1.html (206 words)

	Jan Bruegel the Elder Online
		Jan Bruegel the Elder at the Metropolitan Museum of Art, New York City
		Jan Bruegel the Elder at the Rijksmuseum, Amsterdam
		Jan Bruegel the Elder in the Los Angeles County Museum of Art Database
	www.artcyclopedia.com /artists/bruegel_the_elder_jan.html (611 words)

	Jan van Kessel - Biography (Site not responding. Last check: )
		Jan van Kessel, born in 1626 in Antwerp, was the son of Hieronymus van Kessel the Younger (1578-after 1636), a successful portrait and figure painter, and Paschasia Brueghel, daughter of Jan Brueghel the Elder.
		He was apparently also instructed by his uncle Jan Brueghel the Younger (1601-1678), who, in 1646, had Van Kessel make copies of his paintings.
		Throughout his career Van Kessel painted within the artistic tradition of his grandfather Jan Brueghel the Elder, although he was also inspired by the scientific naturalism of Joris Hoefnagel (1542-1600).
	www.bonus.com /contour/national_gallery/http@@/www.nga.gov/cgi-bin/pbio?232010 (437 words)

	Circle of Jan Brueghel The Elder - A Wooded River Landscape in Summer With Travelers Arriving at an Inn
		Jan Brueghel the Elder (1568 - 1625), one of the city’s most influential artists of the period, was a catalyst in the movement of Netherlandish landscape painting towards a greater naturalism.
		Replicated is the artist’s wedge-shaped composition in which the road veers to one side while the water leads the viewer into the distance, framed on either side by houses and dense woods.
		(6) Marjorie E. Wiesman, “Jan Brueghel the Elder”, in The Age of Rubens, op.
	www.steigrad.com /cat/brueghel01.html (444 words)

	Reference.com/Encyclopedia/Jan Brueghel the Elder
		1568, Brussels - January 13th 1625, Antwerp) was a Flemish painter, son of Pieter Brueghel the Elder and father of Jan Brueghel the Younger.
		Nicknamed 'Velvet' Brueghel, Brueghel, and 'Paradise' Brueghel, of which the latter two were derived from favored subjects, while the former may refer to the velveteen sheen of his colors or to his habit of wearing velvet.
		Many of his paintings are collaborations in which figures by other painters were placed in landscapes painted by Jan Brueghel.
	www.reference.com /browse/wiki/Jan_Brueghel_the_Elder (236 words)

	Peter Paul Rubens and Jan Brueghel the Elder: The Feast of Achelous (45.141) \| Object Page \| Timeline of Art History \| ... (Site not responding. Last check: )
		Peter Paul Rubens and Jan Brueghel the Elder: The Feast of Achelous (45.141)
		This large panel of about 1615 is one of the most impressive known collaborations between Rubens and his older colleague Jan Brueghel.
		Rubens conceived and painted the figure group; throughout the rest of the picture, Brueghel was in his two elements of landscape and still-life painting.
	www.metmuseum.org /toah/hd/rvd_p/hod_45.141.htm (253 words)

	Jan "Velvet" Brueghel the Elder [Biography]
		His son, Jan Brueghel, was born in 1568 just before his father died.
		His brother, Pieter Brueghel (the younger) was also a successful artist.
		Growing up without the influence of his painter-father, Jan was taught the gentle art of watercolour by his maternal grandmother.
	www.humanitiesweb.org /human.php?s=g&p=c&a=b&ID=250 (423 words)

	Pieter Brueghel the Elder Summary
		He was the father of Pieter Brueghel the Younger and Jan Brueghel the Elder who both became painters, but as they were still infants when their father died neither received any training from him.
		He is nicknamed 'Peasant Brueghel' to distinguish him from other members of the Brueghel dynasty, but is also the one generally meant when the context does not make clear which "Brueghel" is being referred to.
		He is often credited as being the first western painter to paint landscapes for their own sake, rather than as a backdrop to a religious allegory.
	www.bookrags.com /Pieter_Brueghel_the_Elder (2582 words)

	Biography
		Flemish painter and draughtsman, second son of Pieter Bruegel the Elder.
		His specialities were still-lifes, especially flower paintings, and landscapes, but he worked in entirely different spirit from his father, depicting brilliantly coloured, lush woodland scenes, often with mythological figures, in the manner of Coninxloo and Bril.
		He had considerable influence, notably on his pupil Daniel Seghers, his sons Jan II and Ambrosius,, and his grandson Jan van Kessel.
	www.wga.hu /bio/b/bruegel/jan_e/biograph.html (188 words)

	jan bruegel the elder // biography (1568-1625) (stub)
		Jan Bruegel, called Velvet Bruegel, was the younger son of Pieter I and brother of Pieter II.
		He was in Naples in 1590, met Bril in Rome in 1591, and worked for Cardinal Borromeo in Milan in the 1590s before returning to Antwerp in 1596.
		His son, Jan II (1601-78), was also a painter.
	www.leninimports.com /jan_bruegel_the_elder.html (132 words)

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