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	WebMuseum: Eyck, Jan van
		Jan van Eyck, the most famous and innovative Flemish painter of the 15th century, is thought to have come from the village of Maaseyck in Limbourg.
		Van Eyck has been credited traditionally with the invention of painting in oils, and, although this is incorrect, there is no doubt that he perfected the technique.
		Van Eyck's inspired observations of light and its effects, executed with technical virtuosity through this new, transparent medium, enabled him to create a brilliant and lucid kind of reality.
	www.ibiblio.org /wm/paint/auth/eyck (1235 words)

	Jan van Eyck - Wikipedia, the free encyclopedia
		The first extant record of Jan is from the court of John of Bavaria at The Hague.
		Jan van Eyck is known to the modern viewer through paintings he produced for private clients as a side to his career at the court.
		Exceptionally for his time, Jan used to sign and date his paintings, usually on their frame, which at the time was considered an integral part of the painting (the two were often painted together).
	en.wikipedia.org /wiki/Jan_van_Eyck (1147 words)

	Hubert and Jan van Eyck
		Nearly all the poetic fancy of the Van Eycks is already outlined in this Book of Hours, especially on their landscape side; And whereas the Limbourgs kept to the country around Liège, the Van Eycks followed the same route, and doubtless experienced the same influences.
		Thus the art of the Van Eycks would be but the culminating point of the great Renaissance movement inaugurated at the Court of the Valois in France, and which reached its apogee in 1400.
		As early as the middle of the fifteenth century paintings by Jan van Eyck were being treasured at Naples and at Urbino.
	www.catholicity.com /encyclopedia/e/eyck,hubert_and_jan_van.html (3203 words)

	History of Art: Gothic Art- Hubert van Eyck, Jan van Eyck
		The brothers Hubert van Eyck, Jan van Eyck and Lambert van Eyck were all painters; a sister, Margaret, was also identified as a painter by van Vaernewijck (1568), who recorded that she was unmarried and was buried next to Hubert in Ghent.
		Jan van Eyck must have been born before 1395, for in October 1422 he is recorded as the varlet de chambre et peintre (“honorary equerry and painter”;) of John of Bavaria, count of Holland.
		Jan must have met Campinat least once, when he was feted by the Tournai painter's guild in 1427, and from Campin's art he seems to have learned the bold realism, the method of disguised symbolism, and perhaps the luminous oil technique that became so characteristic of his own style.
	www.all-art.org /gothic_era/van_eyck6.html (1618 words)

	Eyck, Jan van - MSN Encarta
		Jan van Eyck probably came from Maaseick in the province of Limbourg.
		Jan was on especially good terms with Philip, who entrusted him with certain secret diplomatic missions, presented one of his children with a christening gift, and personally interceded for him when he learned that van Eyck was having trouble collecting his salary.
		Van Eyck's amazing technical skill and his precise renderings of carefully observed detail were much admired by his contemporaries.
	uk.encarta.msn.com /encyclopedia_761558946/Eyck_Jan_van.html (492 words)

	EYCK, Jan van (Site not responding. Last check: )
		Jan probably came from Maaseick in the province of Limbourg.
		Jan’s contemporaries were awed by his amazing technical skill and his precise renderings of carefully observed detail.
		The great Dutch master Rembrandt van Rijn is born in Leiden on July 15, 1606, the son of a miller.
	www.history.com /encyclopedia.do?articleId=208930 (819 words)

	Jan van Eyck (Site not responding. Last check: )
		Jan van Eyck, the most famous and innovative Flemish painter of the 15th century, is thought to have come from the village of Maaseyck in Limbourg.
		Van Eyck has been credited traditionally with the invention of painting in oils, and, although this is incorrect, there is no doubt that he perfected the technique.
		Van Eyck's inspired observations of light and its effects, executed with technical virtuosity through this new, transparent medium, enabled him to create a brilliant and lucid kind of reality.
	www.masters-gallery.com /03_Artists/artists/Eyck/index.htm (1140 words)

	Jan van Eyck
		Van Eyck exploited the qualities of oil as never before, building up layers of transparent glazes, thus giving him a surface on which to capture objects in the minutest detail and allowing for the preservation of his colours.
		Jan van Eyck was almost unique among northern - or, for that matter, Italian - artists of the early quattrocento for his virtuosity as a recorder of historical style.
		A fifteenth century writer praised Van Eyck for his landscapes, which seem to stretch "for fifty miles." The point is that such a way of presenting the world as a visual whole has no more to do with the way we see it than, say, Leonardo's quick frozen notations of eddies in a mill race.
	www.artchive.com /artchive/V/van_eyck.html (1774 words)

	Jan van Eyck
		Jan van Eyck was a Flemish Renaissance painter born somewhere between the years of 1390-1400.
		Van Eyck's technical innovations in the oil medium produced an art that set the standard for an age and which has never been surpassed.
		Van Eyck was the first to consistently use thin pigmented oil glazes and varnishes concocted by means of chemistry.
	www.angelfire.com /fl/EeirensFaerieTales/JanvanEyck.htm (827 words)

	Jan van Eyck
		Jan van Eyck (1390-1441) was a Flemish painter.
		Jan probably was born in Maaseick in the province of Limbourg.
		Jan was on especially good terms with Philip, who entrusted him with certain secret diplomatic missions and presented one of his children with a christening gift.
	members.efn.org /~gabriela/jan_eyck.html (554 words)

	lines and colors :: a blog about drawing, painting, illustration, comics, webcomics, cartoons, concept art and other ...
		Van Eyck must have been the special effects genius of his day, dazzling anyone who encountered his work with a virtuoso display of the capabilities of this remarkable painting medium, along with the ability it gave him to create works that were painted with astonishing levels of realism and an almost insane degree of detail.
		Van Eyck is a central point where this tradition meets the beginning of the more image-centric traditions of the Renaissance and the results are an uncanny mix of realism and detail.
		Van Eyck was the only Northern painter of his day to sign his work, but even then the signature was usually subdued, or perhaps even part of the frame.
	www.linesandcolors.com /2007/02/03/jan-van-eyck (1668 words)

	Jan van Eyck - Olga's Gallery
		Jan van Eyck is considered to be a founder of the Early Renaissance style in the Northern Renaissance.
		He probably was taught the art by his brother Hubert van Eyck, with whom he created the masterpiece The Ghent Altarpiece (1425-1432), which they started in 1425, but after the death of Hubert, his younger brother finished it alone.
		To look at auction records, find Van Eyck's works in upcoming auctions, check price levels and indexes for his works, read his biography and view his signature, access the Artprice database.
	www.abcgallery.com /E/eyck/eyck.html (197 words)

	Jan van Eyck (ca. 1380/90–1441) \| Thematic Essay \| Timeline of Art History \| The Metropolitan Museum of Art (Site not responding. Last check: )
		Jan van Eyck is the most famous member of a family of painters traditionally believed to have originated from the town of Maaseik, in the diocese of Liège.
		Evidence that the van Eycks bore a coat-of-arms, and thus belonged to the gentry, and that Jan was literate (as shown by his own handwriting on a drawing), is consistent with the probability that some of his frequent travels for the duke were diplomatic missions.
		Van Eyck's principal artistic successor in Bruges was Petrus Christus.
	www.metmuseum.org /toah/hd/eyck/hd_eyck.htm (861 words)

	Jan van Eyck as Court Painter
		In May of 1425, Jan Van Eyck was appointed pour cause de l'excellent ouvrage de son mestier qu'il fait [On account of the excellent work in his craft that he made] to become a valet de chambre in the household of Philip the Good.
		Jan Van Eyck as "peintre de monseigneur" was just like any other member of the court in that he served at the pleasure of the duke.
		This suggests that the commissions that Van Eyck fulfilled were gained by permission of the Duke for whom Van Eyck was in readiness to serve whenever called upon.
	employees.oneonta.edu /farberas/arth/arth214_folder/van_eyck/court_painter.html (1916 words)

	EYCK, Jan van (Site not responding. Last check: )
		Jan van Eyck is credited with originating a style of painting characterised by minutely realistic depictions of surface effects and natural light.
		Little is known of van Eyck's origins, but he probably came from Maaseik, near Maastricht, and was of the gentry class.
		Van Eyck appears to have painted many religious commissions and portraits of Burgundian courtiers, local nobles, churchmen and merchants.
	www.nationalgallery.org.uk /cgi-bin/WebObjects.dll/CollectionPublisher.woa/wa/artistBiography?artistID=230 (186 words)

	CATHOLIC ENCYCLOPEDIA: Hubert and Jan van Eyck
		Nearly all the poetic fancy of the Van Eycks is already outlined in this Book of Hours, especially on their landscape side; And whereas the Limbourgs kept to the country around Liège, the Van Eycks followed the same route, and doubtless experienced the same influences.
		Thus the art of the Van Eycks would be but the culminating point of the great Renaissance movement inaugurated at the Court of the Valois in France, and which reached its apogee in 1400.
		Jan van Eyck were being treasured at Naples and at Urbino.
	www.newadvent.org /cathen/05732a.htm (3551 words)

	Eyck, Jan van
		Philip employed him not only in Burgundy but also abroad: van Eyck was sent with the embassy to Portugal in 1428 to paint the portrait of Joao I's daughter Isabella, whom Philip subsequently married.
		Jan (and perhaps his brother) improved on the already existing technique of oil painting, which allowed subtler effects of tone, colour, and detail than the egg-tempera technique then in common use.
		However, the brilliance of colour and perfection of enamel-like surface attained by Jan must be attributed also to his superbly skilled and methodical handling of paint, skills acquired as an illuminator.
	www.tiscali.co.uk /reference/encyclopaedia/hutchinson/m0018136.html (462 words)

	Jan Van Eyck and Religious Vision
		Jan van Eyck's mastery in the representation of space and light along with his meticulous attention to detail have challenged scholars to attempt to identify the details included in his paintings.
		Van Eyck has very obviously studied Gothic architecture enough to introduce a contrast in design between the clerestory and triforium in the nave and in the transept.
		This is given visual form by van Eyck with the bridge in the background linking the two sides of the painting and thus the two cities.
	employees.oneonta.edu /farberas/arth/arth214_folder/van_eyck/religious_vision.html (1976 words)

	The Adoration of the Mystic Lamb by Jan van Eyck in Ghent, Gent Belgium.
		The Adoration of the Mystic Lamb by Jan van Eyck in Ghent, Gent Belgium.
		Jan van Eyck was born around 1390, presumably in Maaseik.
		Jan van Eyck settled in Bruges in 1432 and died there in 1441.
	www.trabel.com /gent/gent-misticlambintroduction.htm (488 words)

	Jan van Eyck
		Van Eyck paid such great attention to detail there is almost too much detail for the viewer to handle upon first viewing his art.
		Jan van Eyck needed a medium that was more elastic in its drying time in order to paint smooth transitions from color to color.
		Van Eyck lends his signature to the art in a highly visible place above the mirror possibly confirming definitely he was there.
	www.arthistory-famousartists-paintings.com /JanvanEyck.html (820 words)

	Jan Van Eyck (Site not responding. Last check: )
		Jan van Eyck was a Flemish painter who worked during the early fifteenth century, sometimes referred to as the Northern Renaissance.
		Van Eyck produced a number of pieces which continue to be quite popular today.
		Van Eyck&3039s Man with a Red Turban is the first known portrait for over a thousand years that had the subject looking directly at the audience.
	www.personal.psu.edu /students/s/l/slh23/number4.html (851 words)

	15th Century Religious Thought and Jan van Eyck
		The paintings of Robert Campin and Jan van Eyck, like the Bible and things in nature, are loaded with symbolic meaning.
		Van Eyck’s Rolin Madonna depicts Chancellor Rolin deep in prayer, facing the Virgin Mary with the Christ child on her lap.
		This desire to be remembered and to be prayed for is expressed in Campin’s altarpiece and van Eyck’s painting, which were both placed in churches.
	www.evergreen.loyola.edu /~brnygren/Honors/Eyck.htm (1421 words)

	ARTBURST.com - Jan Van Eyck Art And Biography
		Jan van Eyck is considered to be a founder of the Early Renaissance style in the Northern Renaissance.
		Until 1425 Jan van Eyck served at the court of Duke Johann of Bavaria in Hague, painting and restoring pictures.
		It was believed, that Jan van Eyck invented painting with oils, maybe it is not true, but his technique in painting with oils is exceptional.
	www.artburst.com /janvaneyck (195 words)

	Jan Van Eyck and the Man In A Red Turban
		Although Jan van Eyck is not one of the most famous Renaissance artists, his painting skills were extraordinary and revolutionary.
		For this reason, it is likely that Man in a Red Turban is a self portrait of Jan van Eyck himself, since anyone wealthy enough to afford a self portrait would not want to be painted in such a way.
		On the frame of the painting Jan van Eyck has written his own personal motto, which translates to English as “The best I am capable of doing.” This motto expresses the humanistic spirit of the Renaissance; the endeavor to produce the most perfect, yet most realistic pieces of art humanly possible.
	www.scribd.com /doc/682/Jan-Van-Eyck-and-the-Man-In-A-Red-Turban (739 words)

	Jan Van Eyck Artworks and Fine Art at arthistorynet.com
		Eyck, Jan van: The Arnolfini Marriage Eyck, Jan van The Arnolfini Marriage The Marriage of Giovann...
		Eyck, Jan van Eyck, Jan van TIMELINE: Gothic Innovation in the North Eyck, Jan van (b.
		Eyck, Jan van: The Adoration of the Lamb Eyck, Jan van: The Adoration of the Lamb Adoration of the...
	www.absolutearts.com /masters/e/eyck-jan_van.html (273 words)

	The OU Guide to the Renaissance (Site not responding. Last check: )
		Van Eyck advertised himself by signing not only the famous Arnolfini Portrait, but several other paintings.
		His most celebrated work, the so-called Ghent altarpiece, originally painted by both Jan and his brother Hubert for a side chapel in the church of St John, Ghent (now the cathedral of St Bavo) was elaborately signed with a Latin quatrain.
		In 1604, the artist and writer Karel van Mander published his Netherlandish equivalent of Vasari, Lives of the Illustrious Netherlandish and German painters, in which Van Eyck was hailed as a founding father of early Netherlandish painting.
	www.open.ac.uk /Arts/renaissance/vaneyck.htm (267 words)

	Jan Van Eyck - Search Results - MSN Encarta
		van Eyck, Jan (1390?-1441), Flemish painter, active in Brugge (Bruges), who, along with Robert Campin (previously known only as the Master of...
		The Flemish painter Jan van Eyck, however, was the founder of Renaissance painting in Flanders and the Netherlands.
		Ruysbroeck, Jan van (1293-1381), Flemish Roman Catholic mystic, born in Ruisbroek (in what is now Belgium), near Brussels.
	encarta.msn.com /Jan_Van_Eyck.html (169 words)

	Arnolfini Portrait, Jan Van Eyck (1434) \| \| Guardian Unlimited Arts
		His watery, ill-looking face in Van Eyck's Arnolfini Portrait (1434) in the National Gallery must be pretty much what Arnolfini looked like.
		The cleft chin, the heavy-lidded half-asleep eyes were painted again by Van Eyck several years later; there is no reason to think he made them up.
		This is what Van Eyck promises his sitters centuries before the invention of photography, in this painting which is an advert for his art.
	arts.guardian.co.uk /portrait/story/0,11109,739697,00.html (758 words)

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