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| | Japanese Story (2003): Toni Collette, Gotaro Tsunachima, Matthew Dyktynski - PopMatters Film Review |
 | | Looking on their protagonist, Sandy (Toni Collette), director Sue Brooks and screenwriter Alison Tilson suggest that at the beginning of Japanese Story, she is "boxed in." This despite the fact that the first shot of their remarkable film shows what Brooks call "the extraordinary Pilbara," a shot that "we almost lost" for lack of funding. |
 | | Pretending to read a magazine, she surreptitiously studies up on Japanese (she knows nothing of the language or the culture), while sneaking looks at Hiro's slim legs and taut belly, captured in tight frames that recall usual modes of cinematic objectification. |
 | | And so, the film's drastic change-up in mood and meaning, brought on by a truly unexpected plot turn, also connects with its thematic interests, in fragmented experience, isolation, and identity, as these are affected by Sandy and Hiro's collision. |
| www.popmatters.com /film/reviews/j/japanese-story-dvd.shtml (1456 words) |
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