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| | [No title] (Site not responding. Last check: 2007-09-16) |
 | | In Rexroth's fifth and last long philosophical poem, the aging poet wanders through Japanese forests at the beginning of summer, recalling Lao Tzu's imagery of the Tao: "The valley's soul is deathless./It is called the dark woman./The dark woman is the gate/To the root of heaven and earth" (283). |
 | | In it, the poet, like Shakyamuni in nirvana, observes before dawn, near a crescent moon, the Morning Star, which he notes is Marishiten, named after Marishiben, the ancient Indian love-goddess of the dawn who became a bodhisattva for lovers, women in childbirth, prostitutes, geisha, and samurai (85-86). |
 | | She is, I think, the distillation of all of Rexroth's lovers as well as his anima, the feminine, yin aspect of his personality, a personification of his creative imagination, in which the lone self is lost in the poetic process of uniting beings who appear to be separate. |
| www.thing.net /~grist/ld/rexroth/rex-04c.htm (3172 words) |
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