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Topic: Jazz Trombonists

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	Jazz article - Jazz jazz (disambiguation) African American music Blues African American - What-Means.com (Site not responding. Last check: 2007-10-13)
		Jazz is rooted in West African cultural and musical expression and in African American music traditions, in folk blues and ragtime.
		At the root of jazz is the blues, the folk music of former African slaves in the U.S. South and their descendants, heavily influenced by West African cultural and musical traditions that evolved as fl musicians migrated to the cities.
		Early jazz influences found their first mainstream expression in the marching band and dance band music of the day, which was the standard form of popular concert music at the turn of century.
	www.what-means.com /encyclopedia/Jazz (4851 words)

	Jazz (Site not responding. Last check: 2007-10-13)
		Jazz is a musical art form rooted in West African cultural and musical expression and in the African American blues tradition, with diverse influences over time, commonly characterized by blue notes,syncopation, swing, call-and-response, polyrhythms and improvisation.
		At the root of jazz is the blues, the folk music of former African slaves in theAmerican South and their descendants, heavily influenced by Weest African cultural and musical traditions, that evolved as flmusicians migrated to the cities -- most notably, the Storyville district ofNew Orleans -- in the late 19th century.
		The early development of jazz was racially segregated, reflecting the culture of the United States at the time, with the innovation of mainly fl club musicians being taken onto bandstands bywhite band leaders, who tended to mould the music more to orthodox rhythms and harmony.
	www.therfcc.org /jazz-2476.html (1848 words)

	Jazz -- Facts, Info, and Encyclopedia article (Site not responding. Last check: 2007-10-13)
		The word jazz itself is rooted in American (Informal language consisting of words and expressions that are not considered appropriate for formal occasions; often vituperative or vulgar) slang, probably of sexual origin, although various alternative derivations have been suggested.
		Free jazz's greatest departure from other styles is in the use of (The structure of music with respect to the composition and progression of chords) harmony and a regular, swinging ((music) the speed at which a composition is to be played) tempo: Both are often implied, utilized loosely, or abandoned altogether.
		When the jazz musician approaches a song that does not have any kind of chord progression (such as twelve bar blues or rhythm changes) and a mode isn't easily identifiable, then he or she can look at specific areas of the piece and identify chord changes that relate to a specific scale or mode.
	www.absoluteastronomy.com /encyclopedia/j/ja/jazz.htm (4702 words)

	OhioLINK ETD: Gendrich, Julia
		The purpose of the study was to identify and assess methods of teaching and learning jazz trombone improvisation that have been implemented by jazz trombone professors.
		Jazz trombone professors (n = 377) were sent questionnaires, with a response rate of 28 percent after an additional reminder to all and follow-up phone calls to one-third of the sample.
		Of the 106 total respondents, 58 were deemed to be eligible participants as both trombonists and as teachers of jazz improvisation.
	www.ohiolink.edu /etd/view.cgi?osu1054757697 (348 words)

	Lip Flexibilities for the Advanced Jazz Trombonist
		Trombonists not familiar with this book should be able to adapt the exercises and routines described herein to enhance their own routine as well.
		Trombonists who are having difficulties should seek the advice and guidance of an experienced and open-minded teacher.
		Perhaps the jazz trombonist best known for utilizing his incredible flexibility in his improvisations, Rosolino frequently played patterns in his improvisations which are very similar to the earlier exercises.
	www.trombone.org /articles/library/viewarticles.asp?ArtID=201 (4583 words)

	Encyclopedia article on Jazz [EncycloZine] (Site not responding. Last check: 2007-10-13)
		Template:Jazzbox Jazz is a musical art form characterized by blue notes, syncopation, swing, call and response, polyrhythms, and improvisation.
		Free jazz, or "progressive jazz," is a subgenre that, while rooted in bebop, typically uses less compositional material and allows performers more latitude in what they choose to play.
		There were earlier precedents, but free jazz crystalized in the late 1950's, especially via Ornette Coleman, and probably found its greatest exposure in the late 1960s with John Coltrane, Archie Shepp, Albert Ayler, Cecil Taylor, Sun Ra, Pharaoh Sanders, Sam Rivers, Leroy Jenkins, Don Pullen and others.
	encyclozine.com /Jazz (5038 words)

	i-une.com: Trombone > Trombonists
		Professional trombonist and DKO bandleader from Erie, Colorado.
		Professional trombonist with L'Autre Trio (piano, violin, and trombone) from Liege, Belgium.
		Trombonist born in 1960 in Rosolini, Syracuse Province, Sicily, Italy.
	directory.i-une.com /Arts/Music/Instruments/Winds/Brass/Trombone/Trombonists (3416 words)

	Jazz Trombone, page 1
		As such, all jazz students should be encouraged to take the following transcriptions and analyses as a means to begin their own exploration into this music, and not as an end in itself.
		Secondly, while there has been made an attempt to classify trombonists as belonging to one particular style and to typify their solo characteristics, it is extremely difficult to pin down a trombonist's style.
		Trombonist Kid Ory, who was born in 1886, was one of the most well known Dixieland trombonists.
	www.unca.edu /~dwilken/jazztrombone_1.html (791 words)

	The Historical Evolution of the Jazz Trombone: Part One
		As many trombonists influenced more than one generation of new musicians, while performing in more than one style of jazz, a strict line of development is impossible.
		The band--usually a trombonist, cornetist, clarinetist, bass instrument (either a tuba or double bass), chordal instrument (either a banjo or piano), and a drummer--would advertise their dance by marching in parades or playing in a wagon pulled around the street of New Orleans.
		Even though he had founded a new trend in jazz trombone, and had a great influence on many trombonists in the 1920s, the listening public had begun to listen to a new style in jazz known as Swing.
	www.trombone.org /articles/library/evojazz1.asp (1284 words)

	Christo's Home Page......Jazz Trombone F.A.Q.'s
		As I compiled these questions, I thought that it would be good to get answers from other professional jazz trombonists- I don't profess to know everything about jazz trombone, and I know that many times, others for whom I have great respect will have completely different opinions or thoughts on subjects of our mutual interest.
		I think this may be due to the fact that improvising and playing swinging jazz is a little more difficult on the trombone than on other instruments, and there are then fewer numbers of competent jazz trombonists to pass the information on to students.
		In my school's jazz band, the trumpets are right behind the trombones and I'm worried that I might be harming my hearing.
	www.geocities.com /BourbonStreet/2418/faq.html (690 words)

	Trombone Jazz and Trombonists Links (Site not responding. Last check: 2007-10-13)
		Here are some links to other trombone and jazz related resources and jazz trombone musicians.
		Jazz UK A non-profit making web site providing an international directory of professional jazz musicians, bands, venues and promoters.
		Mark is regarded as one of the finest trombonists in Europe and is currently in great demand as both jazz soloist and sideman.
	www.jazztrombone.com /jazz.htm (144 words)

	Awesome Trombone Links - Ancient page from the old servers
		Buckmaster is a trombonist at Florida Southern College, where he studies with Brian Brink, a former classmate of mine at FSU.
		Considered one of the greatest jazz trombonists of all time, Teagarden was born in Texas, raised in Tennessee, and began playing trombone at the age of 10.
		Steve is not just known for his stint as the trombonist on Saturday Night Live, but he is also a polished performer on shells and animal horns; here's an article Steve wrote in 1995 for Windplayer Publications in their special section, Windplayer Trombone Masterclass, called Doubling on Conch Shells.
	www.awesometrombonelinks.net /dmoz/atl-favs.htm (8614 words)

	International Trombone Association :: News
		The Clayton-Hamilton Jazz Orchestra is a Los Angeles based ensemble that, in 1999, was named the resident jazz orchestra for the Los Angeles Philharmonic.
		The trombone section for the jazz orchestra includes: Ira Nepus, George Bohanon, Ryan Porter, and Maurice Spears.
		BoneSoir has recently recorded a new CD and will be appearing at the Charley Christian International Jazz Festival on June 5, 2004, in Oklahoma City.
	www.ita-web.org /news/news.asp?ID=294 (177 words)

	A World of Trombone: Slide Hampton & Bob Brookmeyer (Site not responding. Last check: 2007-10-13)
		Now ask that listener to name the most influential jazz trombonists and you'll be lucky to get three different responses.
		Eager jazz musicians today often focus on reading and technique, but the focus in the big band era was listening.
		The “ungainly, awkward-looking, long, tubular” slide, as JJ once described it, is a physical obstacle that presents the trombonist with a severe technical handicap.
	www.allaboutjazz.com /php/article.php?id=675 (1307 words)

	JS Online: Steve Turre finds stardom in unwieldy instrument (Site not responding. Last check: 2007-10-13)
		Many trombonists, be they jazz or classical, like to swap jokes about their all-too-modest status, like this one:
		Kid Ory was a founding father of jazz in New Orleans; Trummy Young had a monster hit with "Margie"; Jack Teagarden was a huge swing star and a major foil for Louis Armstrong.
		The key exception was Indianapolis native J.J. Johnson, the Michael Jordan of jazz trombone, who could play so fast and so clean that some listeners of his recordings thought he was playing a valve trombone rather than the classic slide.
	www.jsonline.com /Enter/music/apr00/bone11041000.asp (1126 words)

	Jazz Trombonists (Site not responding. Last check: 2007-10-13)
		The reason why I choose this topic is because I am a Jazz Trombonist.
		He is still known today as the last of the Great Plungers; when he played he often changed the pitch of his instrument using a plunger.
		I am going to take you through a brief description of each trombonist and their effects upon Jazz.
	www.ac.wwu.edu /~cressej/cs102 (189 words)

	Open Directory - Arts: Music: Styles: Jazz: Bands and Artists: Trombonists (Site not responding. Last check: 2007-10-13)
		Moak, John - Freelance jazz trombonist and clinician.
		Nethercutt, Ron - Trombonist and Yamaha clinician, a retired university jazz professor from New Orleans who has traveled internationally as a jazz lecturer and performer.
		Rogers, Barry - New York trombonist (1935-1991) famous for jazz and salsero.
	dmoz.org /Arts/Music/Styles/Jazz/Bands_and_Artists/Trombonists (337 words)

	Trombone Page of the World (Site not responding. Last check: 2007-10-13)
		Ed Partyka is a tubist/bass trombonist, composer/arranger and conductor.
		Patterson, Ben Trombonist with the Airmen of Note, Waldorff, MD Ben Patterson is a graduate of the University of North Texas.
		Powell, Corey C. Freelance (jazz) trombonist, Orlando, FL Corey Powell was born in 1965 in Badconnstat, Germany.
	www.trombone-usa.com /tromb_p.htm (6521 words)

	Jazz Trombonists Information Page (Site not responding. Last check: 2007-10-13)
		This page was created to help all Trombonists to understand how the pros became pros.
		The page is designed to provide information to trombonists about who to listen to and why.
		It has information about trombonists such as J.J Johnson, Carl Fontana and Bill Watrous.
	www.ac.wwu.edu /~cressej/cs102/organizations2.htm (68 words)

	Jazz Trombone F
		Jazz trombonists, since the majority of their time has traditionally been spent in
		Many jazz trombonists say they feel more flexible and have better endurance on
		Trombonists are asked to do MUCH more in "jazz" than in orchestral work.
	www.geocities.com /BourbonStreet/2418/faq7.html (508 words)

	Grupo X - Latin Soul Jazz con Bugalu
		Its raison d'être of improvisation provides the most obvious meeting point with jazz, something which has been increasingly dawning on jazz musicians.
		Like jazz, the origins of descarga are debatable.
		Highlights from 'Anabacoa', a tune associated with the revered Grupo Folklorico y Experimental Nuevayorquino, were Jimmy's tasty hard stabbing moñas (improvised riffs), which trombonist/ Grupo X leader Jonny Enright and saxist Finn Peters effortlessly picked-up, and an eloquent timbales solo from Berklee trained Jim le Messurier.
	www.grupo-x.com /reviews02.html (808 words)

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