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	Jean Auguste Dominique Ingres - Wikipedia, the free encyclopedia
		In 1815 Ingres executed Raphael and the Fornarina in 1816 Aretino and the envoy of Charles V, and Aretino and Tintoretto; in 1817 the Death of Leonardo and Henry IV playing with his children, both of which works were commissions from the Comte de Blacas, then ambassador of France to the Holy See.
		Madame Ingres acquired a faith in her husband which enabled her to combat with courage and patience the difficulties which beset their common existence, and which were increased by their removal to Florence.
		Ingres thus left himself without the means of producing the necessary unity of effect when dealing with crowded compositions, such as the Apotheosis of Homer and the Martyrdom of Saint Symphorien, which had been employed by Raphael, the master he most revered.
	en.wikipedia.org /wiki/Jean_Auguste_Dominique_Ingres (1456 words)

	Jean-Auguste-Dominique Ingres
		For a while Ingres obeyed, but he had been thoroughly aroused and enlightened as to his own objects and desires by the sight of a copy of Raphael's "Madonna della Sedia", and, having ended his connection with Briant, he started for Paris, where he arrived about the close of 1796.
		Ingres was then admitted to the studio of Jacques-Louis David, for whose lofty standard and severe principles he always retained a profound appreciation.
		Ingres speedily acquired a faith in her husband which enabled her to combat with heroic courage and patience the difficulties which beset their common existence, and which were increased by their removal to Florence.
	www.nndb.com /people/379/000040259 (1414 words)

	CATHOLIC ENCYCLOPEDIA: Jean-Auguste Dominique Ingres
		Ingres had been friendly with a Florentine sculptor named Bartolini, and was strongly atracted by the works of the early Renaissance period, and by that art throbbing with life, and almost feverish in its manner of depicting nature, such as we find examples of in the works of Donatello and Filippo Lippi.
		Whereas with Ingres, thanks to the classical idealism of his doctrine, the nude was always a most important and sacred object of study.
		Ingres was a naturalist who persisted in practising the most idealistic style of art which was ever attempted in the French School.
	www.newadvent.org /cathen/08008b.htm (1551 words)

	Jean Auguste Dominique Ingres
		Jean Auguste Dominique Ingres was a French painter and a leading figure in the Neo-Classical movement.
		Ingres was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter.
		Ingres continued to paint vigorously in his old age, producing in his 82nd year his famous Turkish Women at the Bath (1863, Louvre), the culmination of his superb depictions of female nudes.
	arthistory.heindorffhus.dk /frame-Ingres.htm (571 words)

	Jean-Auguste-Dominique Ingres - AMAM
		Stylistically, the drawing is similar to hundreds of pencil portraits by Ingres, which combine a precisely drawn likeness of the sitter's face and head with a swift yet accurate sketch of his or her body, posture, and clothes, creating an astute observation of class, character, and personality.
		Ingres was born on 29 August 1780 in Montaubon.
		Ingres painted many major history paintings with neoclassical and religious subjects, was the foremost defender of the French classical tradition throughout his long artistic career, and trained innumerable French artists (the ingristes) in Paris and in Rome.
	www.oberlin.edu /allenart/collection/ingres_dominique.html (1490 words)

	Jean-Auguste-Dominique Ingres. Biography - Olga's Gallery
		Jean-August-Dominique Ingres is a French neo-classical painter, and one of the major portrait painters of the 19th century.
		Ingres was reproached for imitation of Gothic masters and Jan van Eyck.
		Jean-Baptiste Desdéban (1781-1833) architect, lived with Ingres in villa Medicis as a pensioner in 1806-1809; was a friend of Ingres and sculptor P. Lemoyne.
	www.abcgallery.com /I/ingres/ingresbio.html (1937 words)

	JEAN AUGUSTE DOMINIQUE INGRES, Don Pedro of Toledo Kissing the Sword of Henri IV (Site not responding. Last check: 2007-10-22)
		During this time Ingres was working on the monumental Vow of Louis XIII, which had been commissioned for the cathedral at Montauban, but he reminded Gilibert that it was the small pictures that took the longest and required the most minute care.
		In November of 1821 Ingres declared, on the first of several occasions, that the painting was finished "to the contentment of all." (Boyer d’Agen dates this letter to 1822, but Blanc’s dating of 1821 is the only logical one.) He complained again of the trouble little pictures (made "with too much conscience") caused him.
		Nevertheless, Ingres seems to have been unable to resist further refinements and in January of 1822 wrote Gilibert that he had again retouched the painting, which was slow to dry because it was painted on wood.
	www.europeanpaintings.com /exhibits/romantic/ingrdptd.htm (1647 words)

	ingres, jean auguste dominique
		Ingres was the son of a tailor who was also an amateur painter, sculptor and musician.
		In the painted portrait, such as that of M de Norvins (National Gallery, London) or Mme de Sennones (Musée de Nantes), he produced some masterpieces, while the nude paintings of his later years have a sensuous beauty.
		The Musée Ingres in Montauban, founded 1843, received the contents of his studio by bequest, including 4,000 of his drawings and numerous paintings.
	www.geocities.com /ingresweb (353 words)

	Jean-Auguste-Dominique Ingres
		Ingres was a perfectionist to the point of obsession, seeking precision and mastery of form - particularly with regard to the costume and accessories.
		Ingres's traditional training allied to his research into the customs of the Ottoman court produced a hybrid marriage of the ideal and the real; his bathers and odalisques are ideal beauties, but also real women, their existence emphasized by the artist's choice of luxury fabrics and accessories.
		Ingres did not involve himself in the wider intellectual scene of his time, his main contacts being with a small group of intimates, including his favoured pupils; it is from the latter that we gain our impressions of Ingres the man as well as Ingres the artist.
	www.artchive.com /artchive/I/ingres.html (2254 words)

	Ingres, Jean-Auguste-Dominique (1780-1876) (Site not responding. Last check: 2007-10-22)
		Ingres was born in Montauban, France, the son of an unsuccessful sculptor and painter.
		While in Italy, Ingres made many pencil portraits that are distinguished for purity and economy of style.
		Ingres continued to paint vigorously in his old age, producing at the age of 82 his famous Turkish Women at the Bath (1863, Louvre), the culmination of his superb depictions of female nudes.
	cartage.org.lb /en/themes/Biographies/MainBiographies/I/Ingres/2.html (426 words)

	INGRES, JEAN AUGUSTE D... - Online Information article about INGRES, JEAN AUGUSTE D... (Site not responding. Last check: 2007-10-22)
		From this date up till 1834 the studio of Ingres was thronged, as once had been thronged the studio of David, and he was a recognized chef d'ecole.
		January 1867 Ingres died in his eighty-eighth year, having preserved his faculties in wonderful perfection to the last.
		Delaborde in 1870, and dedicated to Mme Ingres, nee Ramel, Ingres's devoted second wife, whom he married in 1852.
	encyclopedia.jrank.org /I27_INV/INGRES_JEAN_AUGUSTE_DOMINIQUE_1.html (3328 words)

	Jean-auguste-dominique Ingres (1780 - 1867) Artwork Images, Exhibitions, Reviews
		Ingres’ work after 1806 in Italy was a blend of Classical style with Romantic subject matter.
		Jean-Auguste-Dominique Ingres, Portrait of Maria Maddalena Magli (Mme.
		The breadth of his taste is demonstrated by his appreciation both of the Classicism of Ingres and of the free handling of paint and use of colour in Delacroix'...
	wwar.com /masters/i/ingres-jean-auguste-dominique.html (1537 words)

	Ingres, Jean Auguste Dominique - The Columbia Encyclopedia, Sixth Edition - HighBeam Research (Site not responding. Last check: 2007-10-22)
		INGRES, JEAN AUGUSTE DOMINIQUE [Ingres, Jean Auguste Dominique], 1780-1867, French painter, b.
		In the Salon of that year Ingres exhibited his portrait of Madame Rivière (Louvre), an extraordinarily graceful and linear composition that marked him as an unparalleled draftsman.
		After his death the Ingres Museum, housing a large collection of his paintings and drawings, was instituted in his native Montauban.
	highbeam.com /doc/1E1:Ingres-J/Ingres,+Jean+Auguste+Dominique.html?... (361 words)

	WebMuseum: Ingres, Jean-Auguste-Dominique
		Ingres stayed in Paris for the next ten years and received the official success and honors he had always craved.
		Ingres is a puzzling artist and his career is full of contradictions.
		Unfortunately the influence of Ingres was mainly seen in those shortcomings and weaknesses which have come to be regarded as the hallmark of inferior academic work.
	www.ibiblio.org /wm/paint/auth/ingres (835 words)

	Jean-Auguste-Dominique Ingres oil paintings reproduction: Jean-Auguste-Dominique Ingres paintings
		Jean Auguste Dominique Ingres is prominent French classical painter in 17th century, he was born in August 29th, 1780.
		Ingres paid much attention on details, and attempted to make lines and shapes clean and trim, he seeks dim and pure aesthetic feelings.
		Ingres was very good at portrait painting, which was widely recognized.
	www.canvaz.com /painters/ingres1.htm (208 words)

	Jean Auguste Dominique Ingres, French Neoclassicist Painter
		Ingres became famous: Charles X awarded him the Cross of the Legion of Honor; he was elected to the Academy of Fine Arts and opened a large, flourishing studio.
		Ingres also executed commissions for portraits, in which his meticulous method of painting captured details and textures with astounding verisimilitude.
		His enormous canvas The Dream of Ossian (1813; Musée Ingres, Montauban), originally intended to decorate a palace in which Napoleon was expected to stay while in Rome, is thoroughly romantic in subject and style.
	www.discoverfrance.net /France/Art/Ingres/Ingres.shtml (844 words)

	VIA ARTIS - Jean-Auguste-Dominique Ingres (Site not responding. Last check: 2007-10-22)
		Jean-Auguste-Dominique Ingres was born at Montauban on August 29, 1780, and died in Paris on January 14, 1867.
		It was by the year 1796 when Ingres was among the disciples of Jacques-Louis David, who introduced him into the ancient art, which showed a new Mannerist slant.
		As a result of his aforesaid situation Ingres was obliged to return to Rome, where settled in 1835 after being commissioned him the direction of the French Academy in Villa Medicis.
	www.viaartis.org /en/Ingres/ART_Ingres.php (549 words)

	WebMuseum: Ingres, Jean-Auguste-Dominique: The Riviere
		In 1805, M. Riviere, a court official under the Empire, wisely chose to have himself, his wife (Marie-Francoise Beauregard), and his daughter commemorated in three portraits by the young Ingres, and was thus responsible for a group of masterpieces that in themselves could establish the greatness of the twenty-five-year-old artist.
		The third of the Riviere family portraits is that of the fifteen year-old girl whom Ingres referred to as the "ravishing daughter." Unlike the portrait of her mother, this image of femininity seizes a quality of youthful candor just on the brink of a womanhood that Mlle.
		It is also a painting that he was always to remember with affection, perhaps because of the haunting charm of the tragically short-lived model.
	www.ibiblio.org /wm/paint/auth/ingres/riviere (555 words)

	Jean-Auguste-Dominique Ingres (Getty Museum)
		Ingres won the Prix de Rome in 1801.
		From that point on, Ingres was generally honored by both the government and the artistic establishment.
		"Touch," said Ingres, "is the device of charlatans to show their skill with the brush."
	www.getty.edu /art/gettyguide/artMakerDetails?maker=849&page=1 (206 words)

	CGFA- Bio: Jean-Auguste-Dominique Ingres (Site not responding. Last check: 2007-10-22)
		Jean Auguste Dominique Ingres was a French painter who was a leading figure in the neoclassical movement.
		He was greatly influenced by the work of the Italian Renaissance painter Raphael, and his style has been described as doubly inspired by Raphael and David.
		Ingres continued to paint vigorously in his old age, producing in his 82nd year his famous Turkish Women at the Bath (1863, Musée du Louvre), the culmination of his superb depictions of female nudes.
	www.sai.msu.su /cjackson/ingres/ingres_bio.htm (466 words)

	Ingres (Site not responding. Last check: 2007-10-22)
		The French painter Ingres, the son of an unsuccesful painter and sculptor, was born at Montauban.
		After an early academic training in the Toulouse academy he went to Paris in 1796 and entered the studio of the neoclassical painter Jacques Louis David in 1797 and won the Prix de Rome in 1801.
		He was greatly influenced by the work of Raphael, and his style has been described as doubly inspired by Raphael and David.
	www.mcs.csuhayward.edu /~malek/Ingres.html (124 words)

	Alibris: Jean-Auguste-Dominique Ingres
		The elegant portraits, serious nudes, and compelling history paintings of Jean-Auguste-Dominique Ingres (1780-1867) are universally acclaimed for their resplendent aesthetic quality.
		Ingres in Rome: a loan exhibition from the Musée Ingres, Montauban and American collections.
		Ingres centennial exhibition, 1867-1967; drawings, watercolors, and oil sketches from American collections, Fogg Art Museum, Harvard University, February 12-April 9, 1967.
	www.alibris.com /search/books/author/Jean-Auguste-Dominique_Ingres (238 words)

	Art Books - Artists - Jean-Auguste-Dominique Ingres (Site not responding. Last check: 2007-10-22)
		Ingres in Fashion: Representations of Dress and Appearance in Ingres's Images of Women
		The Musée de Montauban in Ingres' hometown was partly founded by Edgar Degas with donations of Ingres drawings from the Realist master's own collection.
		In the 20th century, Picasso would often stop at Montauban on train trips between Paris and Barcelona to study Ingres up close and in private.
	www.art-james.com /books/ingres.aspx (160 words)

	Jean-Auguste-Dominique Ingres Online
		Ingres' many students included Henri Lehmann, Theodore Chasseriau, Hippolyte Flandrin, Amaury-Duval, Marie Bracquemond, James Pradier, Victor Mottez, Charles Muller and Charles Negre.
		Jean-Auguste-Dominique Ingres in the Los Angeles County Museum of Art Database
		All images and text on this Jean-Auguste-Dominique Ingres page are copyright 1999-2005 by John Malyon/Artcyclopedia, unless otherwise noted.
	www.artcyclopedia.com /artists/ingres_jean-auguste-dominique.html (686 words)

	Jean Auguste Dominique Ingres
		Une Odalisque d'Ingres La Grande Odalisque, peinte en 1814 par Jean-Auguste Dominique Ingres, n'aurait pas trois vertèbres.
		Portrait Perfect; Jean-Auguste-Dominique Ingres Elevated His Subjects to a Higher Form
		In Your Face.(Jean-Auguste-Dominique Ingres exhibit, Metropolitan Museum of Art, New York, New York)
	www.infoplease.com /ce6/people/A0825221.html (379 words)

	Target : Entertainment : Books : Arts & Photography : Artists, A-Z : ( G-I ) : Ingres, Jean-Auguste-Dominique (Site not responding. Last check: 2007-10-22)
		Ingres Portrait Drawings : 44 Plates (Dover Art Library)
		Ingres in Fashion : Representations of Dress and Appearance in Ingres`s Images of Women
		Ingres, Then and Now (Re Visions : Critical Studies in the History and Theory of Art) (Re Visions)
	www.target.com /gp/browse.html?node=1271 (70 words)

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