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| | NCAW Autumn 04 | Susan Sidlauskas on Emotion, Color, Cezanne (Site not responding. Last check: 2007-10-20) |
 | | The overblown rhetorical gestures that filled Le Brun's own paintings were eventually supplanted by the more narrowly focused physiognomies of Caspar Lavater which, in turn, were superseded by the theatrical postures of the acting teacher François Delsarte. |
 | | In 1868, critic and novelist Edmund Duranty would shape the realist program of the telltale unconscious gesture and facial expression, a strategy that was taken up with the most acuity by his friend Edgar Degas, who became the consummate purveyor of disaffection, ennui, and anxiety in the modern city. |
 | | Holcroft (London: Ward, Lock and Bowden, 1880); and François Delsarte, Système de François Delsarte (Paris), n.d. |
| www.19thc-artworldwide.org /autumn_04/articles/sidl.html (12455 words) |
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