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	Jean Dubuffet
		Dubuffet was born in 1901 in Le Havre.
		Dubuffet's return to painting was accompanied by a passion for primitive and naive art forms, as well as for paintings made by the psychologically disturbed.
		In 1945 Dubuffet painted one of his first portraits, a drawing of Jean Paulhan, who later introduced the artist to the group of writers and intellectuals that frequently met at the house of Florence Gould.
	www.artchive.com /artchive/D/dubuffet.html (1049 words)

	Jean Dubuffet - Wikipedia, the free encyclopedia
		Jean Philippe Arthur Dubuffet (July 31, 1901 - May 12, 1985) was one of the most famous French painters and sculptors of the second half of the 20th century.
		Dubuffet's statues Faribolus and Perceval, stand at the entrance to The Kentucky Center, Louisville.
		Many of Dubuffet's works are painted in oil paint using an impasto thickened by materials such as sand, tar and straw, giving the work an unusually textured surface.
	en.wikipedia.org /wiki/Jean_Dubuffet (565 words)

	Jean Dubuffet Summary
		Jean Dubuffet was born on July 31, 1901, in Le Havre, the son of a wealthy wine merchant, whose lifestyle young Jean found bourgeois.
		Jean Philippe Arthur Dubuffet (July 31, 1901 - May 12, 1985) was one of the most famous French painters and sculptors of the second half of the 20th century.
		Many of Dubuffet's works are painted in oil paint using an impasto thickened by materials such as sand, tar and straw, giving the work an unusually textured surface.
	www.bookrags.com /Jean_Dubuffet (1252 words)

	JEAN DUBUFFET (Site not responding. Last check: 2007-10-20)
		Jean Philippe Arthur Dubuffet (31 juillet 1901 - â 12 mai 1985) est un plasticien français né au Havre.
		Dubuffet inventa le terme Art Brut pour l'art produit par des non-professionnels travaillant en dehors des normes esthétiques convenues, tels l'art des malades mentaux, des prisonniers et des enfants.
		De nombreuses oeuvres de Dubuffet utilisent des techniques mixtes de peinture à l'huile épaissie par des matériaux comme le sable, le goudron et la paille, donnant à ses pièces une surface exceptionnellement texturisée et une consistance rugueuse.
	www.planete-virtuelle.org /encyclopedia/J/Jean_Dubuffet (237 words)

	Jean Dubuffet - AMAM
		Dubuffet was one of the most creative artists of the postwar period, and the most anti-artistic in his address of medium and image.
		It was in 1946 that Dubuffet first developed the haute pâte technique--the mortarlike mixture of pigment, paint, sand, and tar (and sometimes pebbles, glass, and string as well) that gives his paintings an immensely tactile, encrusted character.
		The completion of the Corps de Dame series in 1950 and Dubuffet's visit to the United States in 1951-52 coincides with a growing familiarity with the artist's work among American artists and collectors (the Corps de Dame series was not exhibited in the United States until after this visit).
	www.oberlin.edu /allenart/collection/dubuffet_jean.html (1419 words)

	Jean Dubuffet
		Jean Dubuffet created prints with ardent zeal for 40 years, up until his death in 1985.
		Jean Dubuffet created his first lithographs at the age of 43, in 1944.
		In 1974 Jean Dubuffet established the foundation bearing his name, with the aim of maintaining and making accessible to the public the major part of his work in a systematic manner.
	www.c3.hu /~ludwig/ludwig_h_e/oldal_2004/dubuffet_e.htm (354 words)

	Jean Dubuffet Biography - Leslie Sacks Fine Art
		Jean Dubuffet was born July 31, 1901, in Le Havre, France, the son of a wealthy wine merchant.
		Dubuffet's first solo exhibition was held at the Galerie René Drouin, Paris, in 1944.
		Dubuffet exhibitions were subsequently held at the Musée des Arts Décoratifs, Paris, in 1960-61; the Museum of Modern Art, New York, and the Art Institute of Chicago in 1962; Palazzo Grassi, Venice, in 1964; the Tate Gallery, London, and Stedelijk Museum, Amsterdam, in 1966; and the Solomon R. Guggenheim Museum, New York, in 1966-67.
	www.lesliesacks.com /gallery/artistPages/dubuffet/dubuffetbio.htm (348 words)

	Jean Dubuffet The genius of raw art (Site not responding. Last check: 2007-10-20)
		To commemorate the centenary of Jean Dubuffet’s birth, from September 13 to December 31, 2001, the Georges-Pompidou Centre museum of modern art is presenting the first major retrospective of the painter in France since 1973.
		Jean Dubuffet was one of these painters whose aim was to break free of the grip of tradition and to explore unknown territory, in order to rediscover the "ancestral spontaneity of the human hand when it makes marks".
		From 1962, Dubuffet gave up "matiériste" [material based] work in favour of a new style of which the L’Hourloupe cycle is typical and on which he worked for twelve years.
	www.diplomatie.gouv.fr /label_france/ENGLISH/ART/dubuffet/page.html (994 words)

	Jean Dubuffet (1901- 1985), por Image & Art
		Jean Dubuffet nació en 1901 en El Havre, localidad francesa donde su familia tenía un negocio de vinos.
		Dubuffet viaja por Bélgica y Holanda, y en compañía de la que será su nueva esposa, Emile Carlu -Lili-, realiza máscaras, marionetas y pinturas que revelan un espíritu desinhibido y escasa preocupación por cuestiones artísticas.
		Dubuffet inicia así su auténtica carrera artística y en 1944 puede realizar en la galería René Drouin de París su primera exposición individual, donde André Malraux será su primer comprador.
	www.imageandart.com /tutoriales/biografias/dubuffet/dubuffet.html (965 words)

	The Handwerker Gallery - Jean Dubuffet
		Jean Dubuffet, original lithograph used as an announcement for an exhibition of the artist’s drawing at the Galerie Berggruen, Paris, 1960, 40" x 20"
		Jean Dubuffet (1901—85) was a French artist who in the 1940’s coined the term "art brut" to mark the collection he made of artifacts produced by children, the naive, the "primitive," and the psychotic.
		This type of socially and culturally marginalized visual production was part of a movement developed in Europe in the immediate aftermath of World War II as a radical critique of a Western culture that, for all its overt embrace of higher values, had, in the last instance, failed to prevent the Holocaust.
	www.ithaca.edu /hs/handwerker/g/permanent_collection/dubuffet.html (139 words)

	Paysage aux Fantasmes. Landscape with Fantasies by Jean Dubuffet, 1901-1985
		He was fascinated and much inspired by the actual processes of lithography, by the way that random effects of inking, brushwork and scraping could create forms which seemed to derive not from conscious drawing but from the subconscious mind in the manner that the Surrealists had investigated through ?automatic writing?
		Dubuffet sometimes referred to the works of this period as Phénomènes - Phenomena - and this expresses much of the concept behind them.
		They are unique and magisterial works in the history of the graphic art of the twentieth century, and rarely seen as the editions which Dubuffet printed were so small, in this case 20 impressions only.
	www.williamweston.co.uk /pages/previous/single/26/163/1.html (217 words)

	ART OF THE 70'S: Dubuffet
		Jean Dubuffet was a successful wine wholesaler as well as an occasional artist when he had his first exhibition in Paris in 1944.
		Dubuffet’s mature attempts to strip himself of acquired culture met with success and he began to exhibit his work in the United States as well as France, and continued to gain worldwide attention and praise until his death.
		He wanted an artistic innocence like the asylum inmates he emulated and dubbed both their work and the style of painting he was attempting “l’art brut.” He saw no distinction between beauty and ugliness and felt that through attaining a natural, precultural state, the artist could achieve universal expressiveness.
	www.niagara.edu /cam/art_of_70s/Artists/dubuffet.html (465 words)

	Outsider Art / Art Brut of Mikael Lovich
		It was the French painter Jean Dubuffet who first recognized "the power of psychopathic art" believing that "madness lightens man and give him wings and helps him to attain visions".
		Dubuffet believed the works of these people represented a form of extreme individualism, free from any social or cultural constraint.
		Dubuffet swiftly removed any of the offending artist's works that were in his collection, banning them for life.
	www.mikaellovich.com (944 words)

	Acquavella: Jean Dubuffet's Biography
		During the 1940's and 1950's, Dubuffet advocated an anti-cultural position, a nihilistic spirit in the context of war-ravaged Europe.
		Emulating these 'outsider' works, Dubuffet made the assemblages of the 1950's from glue, plaster, putty and asphalt embedded in gravel and broken bottles.
		In the 1960's, Dubuffet produced a series of paintings that resemble jigsaw puzzles in which tiny figures are enclosed in spaces, and large painted polyester resin sculptures.
	www.acquavellagalleries.com /main/artist_bio.cfm?artist_id=108 (213 words)

	Jean Dubuffet: Woman Grinding Coffee (1995.142) \| Object Page \| Timeline of Art History \| The Metropolitan Museum of Art (Site not responding. Last check: 2007-10-20)
		Dubuffet waited until he was forty to devote himself to art.
		Dubuffet frequently watched his wife as she sat and cranked the handle of a coffee grinder gripped between her knees.
		Dubuffet flattened the head and broadened the body so that the hieratic figure completely fills the picture frame.
	www.metmuseum.org /toah/hd/scpa/hod_1995.142.htm (263 words)

	Guggenheim Collection - Artist - Dubuffet - Biography
		Jean Dubuffet was born July 31, 1901, in Le Havre, France.
		Dubuffet exhibitions were subsequently held at the Musée des Arts Décoratifs, Paris, in 1960–61; the Museum of Modern Art, New York, and the Art Institute of Chicago in 1962; Palazzo Grassi, Venice, in 1964; the Tate Gallery, London, and Stedelijk Museum, Amsterdam, in 1966; and the Solomon R. Guggenheim Museum, New York, in 1966–67.
		In 1971, he produced his first theater props, the “practicables.” A Dubuffet retrospective was presented at the Akademie der Kunst, Berlin, the Museum Moderner Kunst, Vienna, and the Joseph-Haubrichkunsthalle, Cologne, in 1980–81.
	www.guggenheimcollection.org /site/artist_bio_42.html (352 words)

	Jean Dubuffet Artist Detail » PaceWildenstein
		Jean Dubuffet (1901-1985) began painting at the age of seventeen and studied briefly at the Académie Julian, Paris.
		Dubuffet's interest in art brut, the art of the insane, and that of the untrained person, whether a caveman or the originator of contemporary graffiti, led him to emulate this directly expressive and untutored style in his own work.
		In addition to his paintings and sculptures, Dubuffet has been a prolific writer, the author of several volumes of essays and letters that are poetic and whimsical in spirit, comparable to his work as a painter.
	www.pacewildenstein.com /Artists/ViewArtist.aspx?artist=JeanDubuffet&type=Artist&guid=06b426c4-732f-40c6-9ba1-0bd9004190b0 (364 words)

	Jean Dubuffet Lithographs - Cleveland Museum of Art - Absolutearts.com
		Dubuffet had made lithographs since 1944, but from 1958 to 1962 he immersed himself in the medium, producing a monumental series of 324 prints, The Phenomena (Les Phénomènes).
		Dubuffet not only worked directly on zinc lithographic plates, but also utilized lithographic transfer paper, a specially coated paper on which a design drawn with greasy lithographic crayon or ink can be transferred onto a lithographic plate.
		Though Dubuffets paintings and lithographs are related in subject and style, he appreciated the special qualities of printmaking, which he fully exploited.
	www.absolutearts.com /artsnews/2000/01/03/26381.html (587 words)

	Raw Vision
		For Alfonso Ossorio and Jean Dubuffet 'the art of the insane and the tormented, the art of the institutionalized and imprisoned, became an art of liberation representing freedom in a claustrophobic world.
		Dubuffet - who ultimately became more deeply involved with the art of outsiders than any other artist in this century - found the solitary and bizarre creations of clairvoyants, mediums and isolates more inspiring than all traditional forms of art-making.
		Enthused by their obsessive and complex strength, Dubuffet wrote the text for a sixty-five page exquisitely illustrated book entitled Peintures Initiatiques d'Alfonso Ossorio, as well as the introduction to the catalogue which accompanied the Ossorio exhibition organized by Michel Tapie at the Paris Studio Paul Facchetti, in October 1951.
	www.rawvision.com /back/ossorio/ossorio.html (920 words)

	Jean Dubuffet -Jean Dubuffet livres et estampes râecents enrichissements Salle Mortreuil 3 juin - 13 juillet 1982 - ...
		Jean Dubuffet -Jean Dubuffet livres et estampes râecents enrichissements Salle Mortreuil 3 juin - 13 juillet 1982 - Jane A Bernstein
		Jean D Alembert Science and the Enlightenment Classics in the History and Philosophy of Science 6.
		Jean Dubuffet exposiciâon 9 febrero - 31 marzo 1976.
	www.bookzsearch.com /210876jean_dubuffet_livres_estampes_raecents_enrichissements_salle_mortreuil_3_juin_13_juillet_1982.html (126 words)

	James R. Thompson Center (Site not responding. Last check: 2007-10-20)
		Dubuffet's words gave impetus to the "primitive" direction taking shape in Chicago art and won for him some of his earliest support.
		Dubuffet used his 1960 painting cycle called Hourioupe, a word he invented because he liked its sound, as a basis for this large-scale sculpture.
		Dubuffet's influence continues to be seen in the work of neo-expressionist artists.
	www.state.il.us /cms/jrtc/beast.htm (389 words)

	Dubuffet, Jean - HighBeam Encyclopedia (Site not responding. Last check: 2007-10-20)
		Four Sculptures by Jean Dubuffet Installed on Park Avenue Between 54th and 57th Streets in New York City; Art on View Until November 15, 2003.
		Genio en bruto.(Jean Dubuffet, artista; exposiciÃ³n; Bilbao, EspaÃ±a)(TT: Genius in the rough.)(TA: Jean Dubuffet, artist; exhibition; Bilbao, Spain)
		Smithsonian's Hirshhorn showcases works by French artist Jean Dubuffet.
	www.encyclopedia.com /doc/1E1-dubuffet.html (303 words)

	Jean Dubuffet (Site not responding. Last check: 2007-10-20)
		Jean Dubuffet was featured in the inaugural exhibition at the Gallery in 1987,when a retrospective of more than 70 original paintings and sculpture were shown.
		Dubuffet continues to represent an important position in the Landau collection from all periods of the artists's oeuvre, commencing with early works from the 40's and 50's, up to the later psycho-sites, sites-aleatoires and mires.
		The Gallery maintains a close relationship with the Fondation Dubuffet in Paris.
	www.grinch.ca /HTML/Dubuffet/Dubuffet.htm (72 words)

	Jetset - Designs for Modern Living: Chicago's Beast: Jean Dubuffet
		This sculpture is connected to the Hourloupe cycle, which first appeared in Dubuffet’s art made up of multiple cells where each space takes on life, as part of the theory that there is continuity between objects, places and figures.
		Jean Dubuffet (1901-1985) created his own Foundation nearly 10 years before his death in order to keep a significant collection of his work together.
		Today, his earlier models are enlarged as works of art carried out by those who had worked with the artist, under the control of the Dubuffet Foundation who supervises each step from the model’s mold to its final installation.
	www.jetsetmodern.com /dubuffet.htm (317 words)

	Jean Dubuffet (1901 - 1985) Artwork Images, Exhibitions, Reviews
		Born in LeHavre, France, Jean Dubuffet studied at the Academie Julien in Paris.
		Jean Dubuffet - Mi-Temps 1980 acrylic on canvas Fred Jones Jr.
		Jean Dubuffet - The Cow with the Subtile Nose 1954 oil and enamel on ca The Museum of Modern Art French
	wwar.com /masters/d/dubuffet-jean.html (1445 words)

	Collections: Contemporary Art: Dubuffet (with image) (Site not responding. Last check: 2007-10-20)
		Reproduction, including downloading of this work, is prohibited by copyright laws and international conventions without express written permission of the Artists Rights Society (ARS), New York.
		This work is in a style that Dubuffet called "Hourloupe," a nonsense word meaning "grotesque object, something rumbling and threatening with tragic overtones," according to the artist.
		Dubuffet was strongly influenced by art produced by children, psychiatric patients, and other untrained artists, for which he coined the term "art brut." He also drew on ancient and non-Western cultures in his art.
	www.ima-art.org /cDubuffet.html (135 words)

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