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| | Guardian Unlimited Arts | Arts special reports | Jonathan Jones goes in search of the real Charles Saatchi (part two) |
 | | Death, decay, the sublime were the themes of the British art that defined the end of the 20th century; the horror of a shark swimming towards you through formaldehyde, the terror of a house become a sealed tomb. |
 | | The sublime was the aesthetic of these years, this art - and the sublime, as the 18th-century politician and thinker Edmund Burke argued, is about power. |
 | | There are many who will find this a romantic and melodramatic way of talking about Saatchi, who is, they will say, just a human Hoover, a mechanical buyer, a vacuous spendthrift. |
| arts.guardian.co.uk /saatchi/story/0,13010,928850,00.html (3958 words) |
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