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Topic: Jeremy Sams

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	Enduring Love: Jeremy Sams: Film Music on the Web CD Reviews April 2006 (Site not responding. Last check: 2007-10-22)
		Presumably referring to the tracks with which the film was ‘temped’ with, Sams writes in his booklet notes, “I won’t bother name-checking the composers whose influence is all over this score.
		Sams’ remarks are an insight into the compositional process for film, dialogue with a director, and of the need for musicians to communicate in a dramatic language rather than a musical one when writing for film.
		Sams explains in the liner notes that this cue was written five times before it satisfied the needs of the scene – it’s this sort of careful iterative process that produces great film music moments like that.
	www.musicweb.uk.net /film/2006/apr06/enduringlove.html (1175 words)

	Jeremy Sams's witty revival of 'Wild Oats' is simply cracking Independent, The (London) - Find Articles
		Jeremy Sams's witty revival of 'Wild Oats' is simply cracking
		With its plot in which a young drama-disapproving Quaker woman not only becomes smitten by a roving player but develops a belated crush on the works of Shakespeare, this comedy both celebrates theatre and affectionately takes the Thespis (so to speak) out of thespians.
		Sams has added quite a few good gags of his own.
	www.findarticles.com /p/articles/mi_qn4158/is_19950909/ai_n14005604 (598 words)

	Sams At The Opera (Site not responding. Last check: 2007-10-22)
		Jeremy Sams presents a personal selection of operatic delights - familiar and unfamiliar, sublime and ridiculous.
		Jeremy Sams presents a personal selection of operatic delights, familiar and unfamiliar, sublime and ridiculous.
		Jeremy Sams presents a selection of operatic delights, familiar and unfamiliar, sublime and ridiculous, inspired by Saturday's Opera on 3.
	www.radiolistings.co.uk /samsattheopera.html (763 words)

	Aisle Say (Boston): THREEPENNY OPERA
		Jeremy Samsversion of Brecht's lyrics were used first by the Young Vic in1992, and then in 1994-- along with Robert David MacDonald's dialog-- for a production at the Donmar Warehouse venue in London.
		In the Boston area, Sams' verses were heard several seasons ago for a production at the A.R.T. using a book prepared by Michael Feingold.
		While Sams' lyrics are harsher than Blitzstein's, they are somewhat harder to sing clearly, less poetic, and often less apt.
	www.aislesay.com /MA-THREEPENNY.html (1246 words)

	[No title]
		Jeremy's largest mural is approximately 40'x60', however, he also paints on a smaller scale, such as one sq.inch.
		The average cost of one of Jeremy's original miniature paintings is $150.
		Jeremy takes pride in his attention to detail and the mini paintings show this.
	www.jeremysams.com /page5.html (98 words)

	London theatre tickets comedy Noises Off on stage at London's West End Piccadilly Theatre - ticket buying and theater ...
		Jeremy Sams' recent London directing credits include Enter The Guardsman (Donmar Warehouse September 1997), 2 Pianos, 4 Hands (Comedy Theatre October 1999), Spend, Spend, Spend (Piccadilly Theatre October 1999) and the revival of Michael Frayn's 1984 play Benefactors (Albery Theatre June 2002).
		Jeremy Sams's splendidly cast revival in the Lyttelton is undoubtedly a joy and a riot, but through the first half of the evening, I felt that its location, in the temple of Art that is the National Theatre, had a slightly deadening effect on the proceedings.
		Sams deftly accelerates the action, spiralling it towards the panic stations caused by missed cues, missed actors, missing contact lenses and sheer mistakes: athletic actors hurtle and tumble out of doors, break out in mute backstage violence, while a sheikh and his wife end up tied together in quite the wrong way.
	www.albemarle-london.com /noisesoff.html (2301 words)

	London theatre tickets Musical Chitty Chitty Bang Bang on stage in London's West End London Palladium theatre - ticket ...
		Jeremy Sams recent theatre work includes Noises Off (National Theatre and Piccadilly Theatre), Spend Spend Spend (Piccadilly Theatre), Enter the Guardsman (Donmar Warehouse) and 2 Pianos, 4 Hands (Comedy Theatre).
		The 1968 film, which Jeremy Sams has cleverly adapted for the stage and was in turn taken from Ian Fleming's original story, looks pallid in comparison...
		Though Jeremy Sams's new script is a great improvement on the Dahl version - properly integrating the naturalistic and the fantasy sequences, avoiding the cheat of a conclusion and serving up much better jokes, most of them at the expense of the Germans (hurrah) - there is something deeply cynical about this show.
	www.albemarle-london.com /ShowInfo.php?Show_No=123 (1538 words)

	Jeffrey D. Sams: Cupid on WCHS-TV8 (Site not responding. Last check: 2007-10-22)
		Hailing from Cincinnati, Ohio, Sams is the youngest of seven children.
		Sams also has an extensive list of television credits, including the Goldie Hawn-directed film, "Hope"; the Hallmark Hall of Fame movie, "For the Roses"; and a part as a personal trainer accused of murder in a "Law and Order" trilogy.
		Sams lives in Los Angeles with his bride, Lisa, and their Himalayan cat, Frank.
	www.wchstv.com /abc/cupid/jeffreydsams.html (244 words)

	[No title]
		Jeremy Sams is an artist from Archdale, North Carolina.
		Jeremy has also won awards for his artwork such as: the Randolph County Superintendant's Choice Award, and the Paul Green Multimedia Award, presented by the North Carolina Society of Historians,Inc.
		Jeremy's artwork can be seen in art galleries, homes, businesses, and restaurants.
	www.jeremysams.com (132 words)

	The Stage / Blogs / Shenton's View / Jeremy Sams
		By a curious coincidence, not one but both of the roles that Julie Andrews immortalized in film musicals have been brought to the stage on consecutive nights on each side of the Atlantic – and I was at both.
		Tagged with: Ashley Brown Beauty and the Beast Cameron Mackintosh Connie Fisher Dirty Dancing Disney Jeremy Sams Laura Michelle Kelly Mary Poppins Matthew Bourne Richard Eyre Sunday in the Park with George The Sound of Music
		After Sam Mendes and his Donmar executive producer Caro Newling departed from the Covent Garden theatre, they stayed in the physical area — hiring offices in nearby Neal Street and re-inventing themselves as Scamp Film and Theatre Ltd, with Newling...
	www.thestage.co.uk /newsblog/tags/jeremy_sams (280 words)

	Sheet Music Plus - Jane Austen's World
		C Major, composed by Jeremy Sams, From "Persuasion".
		A Minor, composed by Jeremy Sams, From "Persuasion".
		G Minor, composed by Jeremy Sams, From "Persuasion".
	www.sheetmusicplus.com /store/smp_detail.html?cart=82500406321&type=rec&item=3193824 (322 words)

	Variety.com - Gallagher, Lupone may make 'Noises'
		Producers are the Ambassador Theater Group, Elizabeth Williams and Anita Waxman, the Nederlanders and ACT Prods.
		The Royal National Theater staged "Noises Off" last year under Jeremy Sams' direction; that production is running at the Piccadilly Theater in London.
		Sams is expected to helm the Broadway revival.
	www.variety.com /article/VR1117802040?categoryid=15&cs=1 (299 words)

	London Theatre Guide Theatre Current Reviews / Benefactors 2002
		Jeremy Sams’ revival of Michael Frayn’s comedy “Noises Off” is enjoying a successful run in both the West End and Broadway.
		As it turned out, and I suppose this would have been a logical guess, Jeremy Sams production at the Albery Theatre was somewhere in the middle; humorous at times, yet addressing some serious issues, woven together by interpersonal relationship complications.
		David and Jane live a very normal family life — he is an architect, always dreaming, and charged with the regeneration of a patch of South West London, sweeping away streets with colonial names from a bygone era, and replacing low rise simplicity with high rise, modern splendour.
	www.londontheatre.co.uk /londontheatre/reviews/benefactors02.htm (1274 words)

	Noises Off, a CurtainUp review
		Jeremy Sams, the real director, has kept the piece alive and, I think, sexed it up a little, to coin a phrase.
		The new cast is astonishing in its physical delivery of all of the antics Frayn and director Jeremy Sams have concocted.
		Jeremy Sams as director gets first class performances from his talented cast and the whole moves at a tidy pace.
	www.curtainup.com /noisesofflond.html (2529 words)

	Enduring Love - Jeremy Sams (Site not responding. Last check: 2007-10-22)
		In the pleasingly detailed liner notes, Sams notes that the director didn't want too much commentary on the obsession, rather more a background edginess.
		Although much is on a fairly intimate level, the two Passacaglias, together with the closing passages of A Drunken Conversation with Myself wind up the tension with a repeating figure onto which Sams piles layers of sound and musical stress.
		The Finale is like a musical exhalation where all the built up tension is let out in a final blow out and some of the musical lines are allowed to resolve rather than going round and round in circles.
	www.soundtrack-express.com /osts/enduringlove.htm (336 words)

	London theatre tickets play Benefactors on stage at London's West End Albery Theatre - ticket buying and theater guide
		In reality it is about our attempt to impose structure on a resistant universe and, in particular, about the fallibility of liberal idealism...
		Jeremy Sams's production is fast, fluid and cuts effortlessly between past and present.
		Benefactors, first staged in 1984 and now handsomely revived by Jeremy Sams, seems thoroughly engaging at first.
	www.albemarle-london.com /benefactors.html (741 words)

	Talkin' Broadway Regional News & Reviews - Los Angeles - "Threepenny Opera" - 5/4/05
		Sams’ lyrics give the show an intensity and an in-your-face quality that makes Brecht’s social commentary more immediate to modern audiences.
		The trade was a reasonable one, because Sams’ translation of “Moritat” erases all memories of a swinging Bobby Darin and replaces them with a cold-hearted catalogue of Macheath’s crimes, sung by a woman who has also suffered at his hands.
		It is disappointing that, even with the stellar translation of Jeremy Sams and a company of good singers able to solidly sing Kurt Weill’s music, Open Fist was not able to come up with a knock-‘em-dead production of Threepenny Opera.
	www.talkinbroadway.com /regional/la/la177.html (992 words)

	Chitty Chitty Bang Bang (Site not responding. Last check: 2007-10-22)
		Coggins tells the children that he is going to have to sell Chitty, but they make him promise to keep her for a couple of days to see if their father can raise the 40 shillings needed to spring Chitty from her prison.
		Director Adrian Noble and Jeremy Sams - who has adapted and occasionally improved upon Ian Fleming's original tale - face a challenge to bring such a well-loved movie to life.
		Twins Jeremy and Jemima climb the stairs to bunks at the top of their windmill home and the Heath Robinson-like sweet-making machines at the Scrumptious factory are similarly enchanting.
	www.musicaltheatre.org.uk /musicals/chitty (1839 words)

	Donkeys' Years \| Theatre & Comedy \| This is London (Site not responding. Last check: 2007-10-22)
		Comedy written by Michael Frayn, directed by Jeremy Sams.
		There is no missing the ingenuity with which Donkeys' Years brings on the catastrophes, but there comes to be something mechanical and contrived about the pile-up of apparently damaged reputations.
		Jeremy Sams's production, with Michael Simkins's bellowing surgeon and Jonathan Coy's downmarket author lacking in vitality, works best before the shift to farce.
	www.thisislondon.co.uk /theatre/show-22439189-details/Donkeys%27+Years/showReview.do?reviewId=22560481 (788 words)

	classical music - andante - chabrier's l'etoile
		Libretto by Eugene Leterrier and Albert Vanloo; English translation by Jeremy Sams
		Happily, a certain amount of inner momentum was maintained here by Jeremy Sams' remarkably clever translation, which preserves much of the rhyme scheme of the original.
		That verbal element is particularly important: this genre is very much about wit, and the music shouldn't have to carry the entire burden.
	www.andante.com /article/article.cfm?id=19038 (1045 words)

	Jeremy Sams - complete guide to the Playwright and Plays
		To search for all published plays by Jeremy Sams click on one of the bookstore links below.
		Jeremy Sams has directed numerous plays at the National Theatre, in the West End and on Broadway, he is a multi-award winning composer, arranger and musical director.
		Written by Jeremy Sams and Didier van Cauwelaert; music by Michel Legrand; lyrics by Jeremy Sams and Didier van Cauwelaert
	www.doollee.com /PlaywrightsS/sams-jeremy.html (579 words)

	p8 (Site not responding. Last check: 2007-10-22)
		Sixteen months on and Jeremy Sams’s magnificent production of Michael Frayn’s classic backstage farce has transferred to another West End home (it opened at the Royal National Theatre before moving to the Piccadilly Theatre).
		But despite the top-notch cast and slick timing, it lacks the knife-edge tension that makes you think it could all descend into unintentional madness.
		But in many ways, Jeremy Sams’s production is just too slick.
	www.stephenbeeny.co.uk /p7.htm (791 words)

	Variety.com - Reviews - The Sound of Music (Site not responding. Last check: 2007-10-22)
		Forward momentum, indeed, would seem to be the watchword for Sams and designer Robert Jones, who open the show with the nuns processing, holding flickering candles and singing "Dixit Dominus" in front of a gauze.
		Yet when the children (a superbly crisp set of performances at the final preview) sing the title song to their father in seven-part harmony, only those with hearts of reinforced concrete will fail to be moved.
		By this point, what has become abundantly clear is that where most recent British directors have patronizingly insisted upon "unearthing" the drama of classic musicals at the expense of the music, Sams (also a composer) understands the primacy of the score in all its magnificently orchestrated glory.
	www.variety.com /review/VE1117932137.html?categoryid=1265 (1040 words)

	Playbill News: Jeremy Sams Talks About the West End Benefactors
		Not only a director, Sams is also a translator (Les Parents Terribles at the National Theatre in 1994 helped make the young Jude Law a star) and a book writer (he wrote the book of the stage musical of Chitty Chitty Bang Bang).
		And, in addition to working in opera and the theatre, he has composed music for plays, including two other NT hits, The Wind in the Willows and Arcadia.
		Benefactors, by Michael Frayn and directed by Jeremy Sams, began previews at the Albery on June 19 and has its press night on June 25.
	www.playbill.com /news/article/70433.html (648 words)

	lighting designer pittsburgh jeremy (Site not responding. Last check: 2007-10-22)
		Jeremy Poetker (Music Director) last appeared at the John...
		Directed by Jeremy Dobrish, THE EIGHT is Frosty The...
		John Bischoff, Bill Bland, Jeremy Cady, Steve Dahlberg, Lynn...
	www.1-for-home.com /lighting/38/lighting-designer-pittsburgh-jeremy.html (439 words)

	Becket Review
		By Jean Anouilh, in a translation by Jeremy Sams.
		You think you see him, then he darts away from you: a reluctant libertine, an ‘honorable’ collaborator, a man with an identity crisis who embraces martyrdom almost with a sense of relief as one who has finally found his reason for living.
		I don’t quite know how Jacobi achieves all this, mind you, because Jeremy Sams’ joky translation—‘I see you’re a man I can do business with,’ says Henry at one point; ‘ah, a spot of creative accounting,’ he says at another—true to current translating trends, is awash in modernisms.
	www.sparrowsp.addr.com /articles/becket_review.htm (601 words)

	Review of A Fool And His Money (Site not responding. Last check: 2007-10-22)
		Martin Duncan's production of Molière's in Jeremy Sams's new translation began life as an excuse for an opera.
		Richard Strauss's Ariadne auf Naxos was performed at last summer's Edinburgh Festival in the manner originally intended, as a divertissement mounted amid an abbreviated version of the Molière play.
		Moreover, and at the risk of committing a Jourdainism myself, one can only watch the standard "daffy old protagonist is tricked into allowing his daughter to marry her true love" Comédie plot so often before the tune begins to sound over-familiar, whatever changes are rung upon it.
	www.cix.co.uk /~shutters/reviews/98027.htm (360 words)

	The Stage \| Reviews \| Chitty Chitty Bang Bang
		Director Adrian Noble and Jeremy Sams - who has adapted and occasionally improved upon Ian Fleming’s original tale - face a challenge to bring such a wellloved movie to life.
		However, fans of the film will not be disappointed, while a new generation is likely to be captivated by the experience.
		Twins Jeremy and Jemima climb the stairs to bunks at the top of their windmill home and the Heath Robinsonlike sweet-making machines at the Scrumptious factory are similarly enchanting.
	www.thestage.co.uk /reviews/review.php/561/chitty-chitty-bang-bang (392 words)

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