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Topic: Jill Bilcock

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	Print Article: A cut above
		Today, Bilcock sees her main task as a film editor as ensuring the film flows emotionally and the story is told effectively.
		For Sitch, Bilcock's key strength is that she "has experience at the highest level of the industry but never loses her 'vulnerability' to a film.
		For her part, Bilcock seems to take professional pride in the fact that she doesn't have a trademark editing style.
	www.theage.com.au /cgi-bin/common/popupPrintArticle.pl?path=/articles/2002/10/15/1034561156488.html (1218 words)

	ROMEO & JULIET by Cindy Clarkson (Site not responding. Last check: 2007-10-15)
		While cutting How To Make An American Quilt, Jill, on weekends, cut the trailer that Baz had shot on Hi 8 in Sydney with Leonardo Di Caprio and Natalie Portman (best known for her role in Luc Besson's The Professional, and currently can be seen as Taffy in Tim Burton's Mars Attacks).
		If a problem arose Jill could walk to the studio, tape in hand, and Baz and Jill on the spot could decide what extra footage was needed.
		Jill never had a set plan of how she was going to cut a scene.
	www.screeneditors.com /news/12a2.htm (2056 words)

	27: First Assembly (Site not responding. Last check: 2007-10-15)
		In regard to scheduling both Scharf and Bilcock agreed goodwill and flexible attitudes are required in post production from producers and post-production staff, but Glenn Newnham pointed out that film crews expect to be paid for overtime, whereas it's very rare for post- production crews to be.
		Jill Bilcock offers to mentor her previous assistants when they take on their first editing jobs.
		Jill insisted on cutting on the computer of her choice.
	www.screeneditors.com /news/27_5.htm (964 words)

	Jill Bilcock
		JILL BILCOCK was nominated for a BAFTA Award for Best Editing for WILLIAM SHAKESPEARE'S ROMEO and JULIET (1996) (on which she was also an associate producer).
		Bilcock began her collaboration with Baz Luhrmann as editor of his film debut, STRICTLY BALLROOM (1992), winning an Australian Film Institute Award (AFI) for Best Editing and a BAFTA nomination.
		In 1995, Bilcock was awarded the Byron Kennedy Award by the Australian Film Institute for her rigorous and passionate contribution to all of her projects, in particular to the films of first-time directors.
	www.cinema.com /people/008/644/jill-bilcock/index.phtml (178 words)

	smh.com.au - The Sydney Morning Herald-
		The editor of Moulin Rouge, Jill Bilcock, expects the Oscars to be terrifying.
		Speaking from Los Angeles, where she has been working on director Sam Mendes's gangster film Road to Perdition, Bilcock says the nomination shows an acceptance of an adventurous editing style that was not there when Lurhmann's Romeo + Juliet was released.
		Bilcock has a theory about why so many other Australians have been nominated this year: it's partly because they work so hard.
	www.smh.com.au /articles/2002/03/18/Moulinroug.htm (646 words)

	Golden Age Diary: The Break
		On the 4th September Jill finishes her interpretation of the the film.
		It will, we estimate, be just under 3 hours long, and then Jill and I spend the next 3 months locked in one room tussling, having moments of joy, moments of despair.
		I have a small sense of what you mean, by you and Jill having to become "one" process....
	www.shekharkapur.com /goldenage/archives/2006/08/the_break.html (428 words)

	Popcorn Taxi - Watch the films, Meet their makers! (Site not responding. Last check: 2007-10-15)
		She has won the AFI Award for Best Editing three times, and was the recipient of the Byron Kennedy Award in 1995 for her rigorous and passionate contribution to all her projects and, in particular, to the films of first-time directors (Strictly Ballroom and Muriel’s Wedding).
		JILL is also renowned for nurturing emerging young editors.
		JILL who is almost always busy cutting her next feature film, has taken time out of her busy schedule to fly to Sydney especially for this event.
	www.aliak.com /node.php?id=343 (537 words)

	Lightworks Update (Site not responding. Last check: 2007-10-15)
		Editor Jill Bilcock ('Elizabeth', 'Romeo and Juliet') is working on one of four Heavyworks II workstations networked to 630 gigabytes of LVD drives in redundant (RAID 5) storage.
		"Lightworks is the tool that allows me to have a proper rhythm," Jill said when asked about her choice of tools.
		But Jill Bilcock, among others, isn’t waiting for improvements.
	www.editorsguild.com /newsletter/SepOct00/lightworks.html (776 words)

	Jill Bilcock - Biography (Site not responding. Last check: 2007-10-15)
		Although still relatively unknown, Jill Bilcock is one of the world's leading editors, working with directing heavyweights such as Sam Mendes, Baz Luhrmann and Fred Schepisi.
		An award winning editor at an early age in her birthplace Australia, Jill rose through the ranks breaking through to the lucrative American market in the mid '90s.
		She is now one of the most sought after editors in the world and in an envious position of being able to pick and choose her projects due to overwhelming demand.
	us.imdb.com /name/nm0082162/bio (417 words)

	In association with (Site not responding. Last check: 2007-10-15)
		Recently Jill Bilcock garnered much admiration for her electric assemblage of Baz Luhrmann’s MOULIN ROUGE, receiving numerous industry accolades which included an Oscar® nomination, awards from both the American and Australian Film Institutes, an Eddie Award from the American Cinema Editors association and a BAFTA nomination.
		Bilcock’s other honors include a BAFTA nomination for Shekhar Kapur’s ELIZABETH, an Australian Film Institute award for HEAD ON PLUS Australian Film Institute nominations for MURIEL’S WEDDING, A CRY IN THE DARK and STRIKEBOUND.
		In 2002 Bilcock was praised for her elegant touch on Sam Mendes’ ROAD TO PERDITION, starring Tom Hanks, Paul Newman and Jude Law.
	lightsout.movieweb.com /movies/download.php?id=2082&q=notes.htm (2812 words)

	Golden Age Diary: the post production diary
		Our Editor is the amazing Jill Bilcock, some of her past credits include Moulin Rouge, The Libertine, Road to Perdition, Romeo + Juliet and of course the 1st Elizabeth.
		This time will be spent with Jill and Shekhar working together on the Directors cut, at the same time we will be working with our visual effects company (MPC), sound department, Composers and of course our Producers.
		Today, Shekhar is with Jill going through the entire Assembly for the first time, until now he has only seen the first 40minutes.
	www.shekharkapur.com /goldenage/archives/2006/09/the_post_production_diary.html (762 words)

	lwks.company (Site not responding. Last check: 2007-10-15)
		And news has just come in that Jill Bilcock is cutting a feature on the new machine in Melbourne.
		Completing this movie roundup, the 'classic' systems - the Lightworks Turbo and Heavyworks - are still being used worldwide by craft editors.
		Jill Bilcock, who edited 'Romeo+Juliet', 'The Dish' and 'Moulin Rouge' on Lightworks systems, has recently finished the latest Sam Mendes movie Road to Perdition, starring Tom Hanks and Paul Newman, on a Heavyworks system.
	216.46.21.104 /company/c_newsarticlefull.ch2?newsid=32 (534 words)

	"Moulin Rouge" (U.S.) (Site not responding. Last check: 2007-10-15)
		McGregor reveals a supple and pleasing voice but hasn't much to work with as an actor.
		Jill Bilcock's manic editing, interrupted only occasionally by slow motion, gives the film an impatient restlessness.
		There is not one calm moment in the entire movie as Luhrmann proudly rejects the use of pacing and rhythm.
	www.hollywoodreporter.com /thr/reviews/review_display.jsp?vnu_content_id=856739 (616 words)

	The Top 10 EDITED Films Ever - Videos Included (of course!) #6 to #10 - Orble (Site not responding. Last check: 2007-10-15)
		After Sam Mendes took two knockbacks from Jill to work on this film, she figured she’d better do it when he called the third time!
		Road To Perdition is a departure from the traditional Hollywood style of editing.
		Much of the film is dialogue, and Jill completely resists the temptation to overlap it.
	www.orble.com /the-top-10-edited-films-ever-videos-included-of-course-6-to-10 (1441 words)

	Road to Perdition: Film Review di Guido Mezzabotta (Site not responding. Last check: 2007-10-15)
		The dangerous events that follow and the relationship between the nine-year-old boy and his Dad make up the powerful and difficult subject matter of the film.
		Mendes, his cinematographer, Hall and editor Bilcock, tell this story with great sensitivity.
		Dialogue is used sparingly as the director prefers to let imagery narrate the story.
	members.optusnet.com.au /~thesquiz/perdition.htm (672 words)

	Popcorn Taxi (Site not responding. Last check: 2007-10-15)
		JILL BILCOCK was Oscar nominated for MOULIN ROUGE in 2002, she has won the AFI Best Editing Award three times and was the recipient of the Byron Kennedy Award in 1995
		JILL is renowned for nurturing emerging young editors.
		, interspersed with clips from JILL's work, plus a 'frame by frame' commentary on reel from one of JILL's films.
	www.popcorntaxi.com.au /Events.asp?Event_ID=266 (201 words)

	[No title]
		Director and producer Baz Luhrmann and his creative partner Catherine Martin (art direction, costume design) began their film careers with Strictly Ballroom.
		Jill Bilcock edited Strictly Ballroom and, amongst others, Head On and Muriel's Wedding.
		Jill Bilcock - achievement in film editing, for Moulin Rouge
	www.afc.gov.au /NewsAndEvents/mediarelease/2002/release_60.aspx (939 words)

	Baz Luhrmann's Romeo & Juliet DVD review on AudioRevolution.com (Site not responding. Last check: 2007-10-15)
		Every part of the city and county has its own patois – why shouldn’t some regions adopt the Bard’s colloquialisms as their own?
		The cinematography by McAlpine, the muscular editing by Jill Bilcock and most of all the continuously intoxicating production design by Martin are all indispensable to the film’s impact.
		Martin’s setpieces are practically characters in their own right; there may or may not have been more touching death scenes in other versions of "Romeo + Juliet," but it’s hard to imagine any to match the breathtaking vision of the Capulet tomb here.
	www.audiorevolution.com /dvd/revs/romeoandjuliet.shtml (1029 words)

	Jill Bilcock (Site not responding. Last check: 2007-10-15)
		Although still relatively unknown, Jill Bilcock is one of the world's...
		She has been married twice, but has no children.
		Discuss this name with other users on IMDb Diskussionsforum für Jill Bilcock
	german.imdb.com /name/nm0082162 (265 words)

	Moulin Rouge! (in VSCCAT) (Site not responding. Last check: 2007-10-15)
		This special edition includes over 25 additional minutes at end of main feature of: cast interviews; deleted scenes; extended dance scene; and a live MTV performance of Lady Marmalade.
		Director of photography, Donald M. McAlpine ; production designer, Catherine Martin ; editor, Jill Bilcock ; costume designers, Catherine Martin, Angus Strathie ; choreographer, John O'Connell ; original score, Craig Armstrong.
		A comedy of mistaken identities ensues, quickly enmeshing the young poet in a love triangle involving the unobtainable and consumptive Satine (Kidman), queen courtesan of the Moulin Rouge, and the foppish Duke of Roxbury, his villainous rival for her affections.
	scolar.vsc.edu /VSCCAT/ACY-3610 (302 words)

	Bulletin - Cinema: Rising sun on the Pilbara (Site not responding. Last check: 2007-10-15)
		Like painstakingly completing piece by piece the financing jigsaw.
		Like securing Jill Bilcock as editor – “after three years,” says Maslin – “not to mention 10 years of me saying, what about Jill Bilcock?” says Tilson.
		There are other good moments feeding the addiction: five nods from the FCCA awards; four from the IFs (plus the “Living Legend” award for Bilcock), and 10 nominations for November 21’s AFIs – although Tilson confesses she can’t reconcile the “everyday bull-headed determination” of making films with watching award nominations roll up on a screen.
	bulletin.ninemsn.com.au /bulletin/EdDesk.nsf/printing/1515290CFFE2C154CA256DD9007F16BF (683 words)

	PDGV : News and events: Japanese Story Take A Bow.
		Here was one with absolutely no cringe factor any where to be seen, that I sincerely hope will win a lot of serious gongs for being "bloody good...
		That film was "A Japanese Story" directed by Sue Brooks, with Ian Baker and Jill Bilcock doing their honours, on not such a fab budget.
		It's Toni Collette's film by a long shot due to a great and perfectly natural performance.
	www.pdgv.com.au /news/2003-10-28_02.html (252 words)

	Leonardo DiCaprio
		The Man in the Iron Mask - Director/Writer: Randall Wallace Director of Photography: Peter Suschitzky Editor: William Hoy...
		William Shakespeare's Romeo and Juliet - Director: Baz Luhrmann Writers: Craig Pearce and Baz Luhrmann Editor: Jill Bilcock Music: Nellee...
		Jay Moloney - Jay Moloney Age: 35 talent agent, who was once one of Hollywood's rising stars, representing...
	www.infoplease.com /ipea/A0746248.html (323 words)

	IOFILM.CO.UK - Moulin Rouge DVD review
		The Story Is About interviews the writers, Baz Luhrmann and Craig Pearce; Craig Pearce reads early treatment; old storyline and script comparisons.
		The Cutting Room is an interview with Baz Luhrmann and editor Jill Bilcock and also very interesting glimpses at unseen footage of abandoned edits (Come What May, Twice Across the Sky, Eidler's Rap, Outside It May Be Raining, Green Fairy Previsualisation).
		The director's mock previsualisations are also worth a look.
	www.iofilm.co.uk /dvd/m/moulin_rouge_2001.shtml (480 words)

	lwks.magazine (Site not responding. Last check: 2007-10-15)
		THE LIBERTINE (2004) dir: Laurence Dunmore, ed: Jill Bilcock
		THE DISH (2000) dir: Rob Sitch, ed: Jill Bilcock
		ROMEO + JULIET (1996) dir: Baz Luhrmann, ed: Jill Bilcock
	www.lwks.com /magazine/m_shark_closeup.ch2?profileid=26 (939 words)

	Jill Bilcock - DvdToile (Site not responding. Last check: 2007-10-15)
		Voici les films auxquels Jill Bilcock a participé.
		La fiche de Jill Bilcock sur Les Gens du Cinéma
		Si vous souhaitez compléter ou corriger cette page, ou pour nous contacter, envoyez-nous un mail
	www.dvdtoile.com /Filmographie.php?id=34207 (86 words)

	AFI Awards 2001 Coverage at Digital Hit Entertainment
		And the winner is Moulin Rouge's Jill Bilcock.
		Jill was not there, so actress Joan Allen came out to introduce the nominees for AFI Screenwriter of the Year.
		The award went to Christopher Nolan for Memento.
	www.digitalhit.com /afi/2001/index.shtml (2011 words)

	Barnes & Noble.com - DVD & Video Search: Jill Bilcock
		We found 14 items for contributor: Jill Bilcock.
		This item will be available on September 18.
		Portions of content provided by All Movie Guide®, a trademark of All Media Guide, LLC
	video.barnesandnoble.com /search/results.asp?CTR=576874&z=y (41 words)

	DVD Bits - Region 4 and Region 1 DVD news, reviews, resources, PC-DVD, hardware (Site not responding. Last check: 2007-10-15)
		Baz Luhrmann, Catherine Martin, Craig Pearce, Jill Bilcock and John O'Connell
		* In-depth interviews with Baz's co-writer Craig Pearce, production designer and partner Catherine Martin and editor Jill Bilcock.
		What I love about this section of the DVD is that it provides a historical journal of the last 20 years or so of Baz's life and his commitment to 'Red Curtain' cinema.
	www.dvdbits.com /reviews.asp?id=1180 (2105 words)

	News Roundup: Feb. 25 at Hollywood.com
		Oscar winner Barry Levinson (Bandits) received the Golden Eddie for filmmaker of the year Sunday at the 52nd American Cinema Editors Awards at the Beverly Hilton Hotel.
		Pietro Scalia won best edited dramatic feature for Black Hawk Down while Jill Bilcock won best edited comedy or musical for Moulin Rouge, reports The Hollywood Reporter.
		The television categories were dominated by HBO editors, which won three of the six awards.
	www.hollywood.com /news/News_Roundup_Feb_25/1105464 (972 words)

	The dish [videorecording] / Working Dog [presents] ; producer, Michael Hirst ; written & produced by Santo Cilauro, Tom ... (Site not responding. Last check: 2007-10-15)
		DVD ; widescreen format ; chapter search ; Dolby digital surround 5.1.
		Director of photography, Graeme Wood ; art director, Ben Morieson ; editor Jill Bilcock ; music composed and conducted by Edmund Choi ; costume designer, Kitty Stuckey ; production designer, Carrie Kennedy.
		Sam Neill, Kevin Harrington, Tom Long, Patrick Warburton, Bille Brown, Genevieve Moody, Tayler Kane.
	voyager.uvm.edu /bibs/bid1359776.html (202 words)

	VH1.com : Movies : Person : Jill Bilcock : Main
		VH1.com : Movies : Person : Jill Bilcock : Main
		All the songs from VH1's twisted pop culture show.
		Think you know all about this famous pair?
	www.vh1.com /movies/person/72058/personmain.jhtml (27 words)

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