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	Jim Dine: Walking Memory, 1959 - 1969
		Apparent in nearly all Dine's early works are his use of everyday objects as surrogates for the body, a focus on iconic imagery, and an interest in evoking or naming things through the written or spoken word in conjunction with their visual equivalents.
		Dine also began to address his identity and physicality through images of thickly painted palettes (or actual palettes affixed to canvases) and oversize color charts, which suggest the basic artifacts of his profession and the presence of the artist.
		Dine's concerns during this decade are summed up in Colour of the Month of August (1969), in which bold strokes of paint are juxtaposed with the names of the colors scrawled on the canvas, underscoring the self-referential nature of the artist's words and images within a more abstract visual language.
	www.guggenheim.org /exhibitions/past_exhibitions/dine/dine_bottom2.html (1052 words)

	Jim Dine - MSN Encarta
		Born in Cincinnati, Ohio, Dine studied at the University of Cincinnati, the Boston Museum School, and in 1957 received a bachelor of fine arts degree from Ohio University.
		Like pop artists, Dine incorporated images of everyday objects in his art, but he diverged from the coldness and impersonal nature of pop art by making works that fused personal passions and everyday experiences.
		Dine is considered among the most accomplished draftsmen of his generation, and is known for his series of self-portraits and portraits of his wife, Nancy.
	encarta.msn.com /encyclopedia_761579521/Jim_Dine.html (296 words)

	Jim Dine : Biography
		Jim Dine was born in Cincinnati, Ohio in 1935.
		Dine's earliest art - Happenings and an incipient form of pop art - emerged against the backdrop of abstract expressionism and action painting in the late 1950s.
		Dine incorporated images of everyday objects in his art, but he diverged from the coldness and impersonal nature of pop art by making works that fused personal passions and everyday experiences.
	www.leninimports.com /jim_dine.html (710 words)

	Jim Dine
		Jim Dine was born in Cincinnati, Ohio on June 16, 1935.
		Dine’s prints have most often consisted of solitary or analogous images that initiate his personal metaphorical dialogue with the viewer.
		Thus, Dine has often been out-of-step with the major movements of the post-World War II period and must be considered a modern individualist.
	www.valdosta.edu /~jharper/dine.htm (714 words)

	Jim Dine
		Dine then attended the University of Cincinnati, studied at the Boston School of Fine and Applied Arts and the University of Ohio, where he received his BFA degree.
		Jim Dine is an artist in the Renaissance tradition and a keen observer of reality reflected by his sensitive and masterful draftsmanship.
		Dine's genius was soon recognized and he rose quickly to become the star of the New York art scene.
	www.annalies.com /Gallery/Jim_Dine/jim_dine.html (355 words)

	Global Gallery - Jim Dine - Artist Biography
		Dine incorporates images of everyday objects in his artwork, but he diverges from the coldness and impersonal nature of pop art by making works that fuse personal passions and everyday experiences.
		Dine also was a pioneer of happenings, works of art that took the form of theatrical events or demonstrations.
		Jim Dine is considered among the most accomplished draftsmen of his generation, and is known for his series of self-portraits and portraits of his wife, Nancy.
	www.globalgallery.com /artist.bio.php?nm=jim+dine (262 words)

	Jim Dine - AMAM
		The Oberlin work is an early example of Dine's use of the bathrobe (always empty, volumetric, with hands on hips) as a "friendly signifier" of common, vernacular use and personal possession.
		Dine's early bathrobe works, such as the Oberlin canvas, share many features with the works of Jasper Johns, Robert Rauschenberg, Andy Warhol, and Roy Lichtenstein--who at this same time were also bringing banal, everyday images or actual objects into the work of art.
		Dine repeated selected themes over and over, often in a variety of media; through repetition the motif became detached from its normal public context and identified with the artist and his personal iconography.
	www.oberlin.edu /allenart/collection/dine_jim.html (997 words)

	Jim Dine \| Pace Prints
		When Jim Dine arrived in New York, it coincided with the beginnings of the Pop Art movement and the "Happenings", in which Jim Dine was an early participant.
		Jim Dine has in his forty year career as a painter, sculptor, printmaker, and photographer had many accomplishments that have lead to international recognition and acclaim.
		Jim Dine has had a prolific printmaking career that was celebrated in the form of a major retrospective at the Minneapolis Institute of the Arts.
	www.paceprints.com /artistportfolio/artistportfolio.asp?aID=26 (157 words)

	Jim Dine (1935 - ) Artwork Images, Exhibitions, Reviews
		Dine first came to prominence as a Pop artist in the early 1960s with the bathrobe and tools as his characteristic subjects, although from the 1970s figu...
		Jim Dine entered the New York art world to great acclaim with his Happenings and mixed media assemblages in the late 1950s and early 1960s.
		During the first ten years of his professional career, Jim Dine began his lifelong pursuit of the themes of the self, the body, and memory through a variety of mediums--painting, performance, mixed-media assemblage,...
	wwar.com /masters/d/dine-jim.html (1735 words)

	artnet.com Magazine Reviews - D.C. Diary
		Dine isn't a particularly great draftsman, nor is he a particularly poor one.
		Dine is speaking from his craft: gardens grow from the ground, his art comes from his tools.
		Dine is the first living artist in almost two years to receive an NGA show.
	www.artnet.com /magazine/reviews/green/green4-28-04.asp (852 words)

	Jim Dine
		For over thirty years, the artwork of Jim Dine has represented the cutting-edge of contemporary artistic thought.
		The process of art-making itself, for Dine, is indeed a highly personal experience.
		Dine returned to his work several times, gradually adding to the background atmosphere and subtly manipulating the lines surrounding the image.
	www.tandempress.wisc.edu /tandem/gallery/dine/dine.htm (316 words)

	dine062399
		Dine moved away from the Happenings scene in the early 1960s to focus on his evolving signature technique of affixing objects to sketchily painted canvases.
		Dine's other masterpiece of the genre is 1962's ''Lawnmower,'' in which an actual lawnmower was mounted in front of the canvas, with green paint clinging to its blades like bits of fresh-cut grass and the handle guiding the viewer's eye into an explosion of color suggestive of a summery landscape.
		Dine, though, cited his use of objects to denote emotions ranging from buoyant to morose as proof of why he felt he did not deserve to be pigeonholed as a Pop artist.
	www.cincypost.com /living/1999/dine062399.html (1000 words)

	National Gallery of Art - Drawings of Jim Dine (Site not responding. Last check: 2007-10-21)
		Jim Dine is a consummate draftsman whose images of tools, large-scale nudes, self-portraits, and studies from nature and after antiquity are among the most accomplished and beautiful drawings of our time.
		This exhibition, the first major survey of Dine's drawings in 15 years, features over 100 of the finest examples from the 1970s to the present, works drawn from public and private collections.
		Drawings of Jim Dine examines the artist's accomplishment by focusing not only on works on paper but also on drawings in a purer sense: ones that largely incorporate line and rely heavily on materials such as pencil, chalk, and charcoal.
	www.nga.gov /exhibitions/dineinfo.htm (207 words)

	Jim Dine Biography , Jim Dine Artwork - Lithographs, Etchings, & Prints
		Jime Dine was born in 1935 in Cincinnati, Ohio.
		Jim Dine first studied painting in evening courses at the Cincinnati Art Academy while he was still in high school.
		Dine's graphic prints reflect his skill as a draftsman and his virtuosity as a painter.
	www.georgetownframeshoppe.com /jim_dine_biography.html (300 words)

	Photocyclops - Jim Dines' Fine-Art Photography (Site not responding. Last check: 2007-10-21)
		By combining his inner passion for beauty with his extraordinary talent as a photographer, Jim has produced six stunning galleries of bold and awe-inspiring images that have attracted collectors throughout the world: Scenics, Panoramics, Cityscapes and Architecture, Wildlife, Nature and People in Nature.
		Jim visited Arizona’s famed Slot Canyons numerous times in order to pinpoint the perfect moment to catch this otherworldly ray of light.
		On determining the most tranquil time to shoot, Jim tripped his shutter to expose the quiet magnificence of this hidden woodland path as the first light of day began to stream through the redwoods like liquid gold.
	www.photocyclops.com (357 words)

	Jim Dine
		Jim Dine first used the image of a man's bathrobe, with the man airbrushed out of it, to create a self-portrait in 1964.
		In 1976 Dine produced a series of large-scale paintings and prints of "invisible men" in monumental bathrobes.
		Dine was associated with the Pop Art of the 1960s because of his use of everyday images and domestic objects.
	www.wfu.edu /art/ac_dine_robe.htm (196 words)

	Jim Dine Prints: 1985-2000 - Minneapolis Institute of Arts - Absolutearts.com
		A major retrospective of recent prints by one of the greatest artists of the twentieth century and present day, Jim Dine, is on view from May 12 through August 4, 2002 at The Minneapolis Institute of Arts.
		Jim Dine Prints: 1985-2000 spans the last fifteen years of Dine's graphic oeuvre and comprises approximately 100 lithographs, intaglios, woodcuts and illustrated books.
		Jim Dine's work has received popular exposure in the Twin Cities - in 1984, the Walker Art Center organized the exhibition "Jim Dine: Five Themes," and five years later The Minneapolis Institute of Arts hosted "Jim Dine Drawings: 1973-1987." In addition, numerous collectors of his work reside in Minneapolis.
	www.absolutearts.com /artsnews/2002/05/13/29914.html (585 words)

	DeCordova Museum and Sculpture Park: Jim Dine
		While this may appear to be a random combination of objects, the choice of what to include is both intentional and personal.
		Dine leaves his personal mark on Two Big Black Hearts both symbolically, by the choice of objects, and physically, by the imprints left by his hands as he worked the surface of the sculpture.
		In this work, Dine demonstrates his ability to transform the superficial interest in objects that is characteristic of Pop into a language of expression and emotion.
	www.decordova.org /decordova/sculp_park/dine.html (168 words)

	Jim Dine at SpaightwoodGalleries.com
		For many, Dine is one of the first associations that springs to mind at the mention of POP Art.
		Over time, certain motifs have clearly become recognized as symbolic: in a show of his prints at the Museum of Modern Art in the mid 1970s, it was clear that the bathrobe figured as a kind of self-portrait, the heart as a symbol of his love for his wife, Nancy.
		One of Dine's earliest POP art prints; it is also one of Dine's signature prints and one of the classic POP prints.
	spaightwoodgalleries.com /Pages/Dine.html (762 words)

	Jim Dine - Search Results - MSN Encarta (Site not responding. Last check: 2007-10-21)
		Jim Dine - Search Results - MSN Encarta
		Born in Cincinnati, Ohio, Dine studied at the University of Cincinnati, the...
		As a child, American artist Jim Dine was fascinated with the racks of tools and gadgets in his father’s hardware store.
	encarta.msn.com /Jim_Dine.html (124 words)

	Guggenheim Collection - Artist - Dine - Biography
		This autobiographical content was evident in Dine’s early Crash series of 1959–60 and appeared as well in subsequent recurrent themes and images, such as the Palettes, Hearts, and bathrobe Self-Portraits.
		Dine has also made a number of three-dimensional works and environments, and is well-known for his drawings and prints.
		In 1965, Dine was a guest lecturer at Yale University, New Haven, and artist-in-residence at Oberlin College, Oberlin, Ohio.
	www.guggenheimcollection.org /site/artist_bio_41.html (301 words)

	Jim Dine - Wikipedia, the free encyclopedia
		Jim Dine (born June 16, 1935) is an American pop artist.
		In the early 1960s Dine produced pop art with items from everyday life.
		In 1984, the Walker Art Center in Minneapolis, Minnesota, exhibited his work as "Jim Dine: Five Themes," and in 1989, the Minneapolis Institute of Arts hosted "Jim Dine Drawings: 1973-1987".
	en.wikipedia.org /wiki/Jim_Dine (305 words)

	Jim Dine (b.1935) - Prints - Original Prints (Site not responding. Last check: 2007-10-21)
		Dine studied at night at the Cincinnati Art Academy during his senior year of high school and then attended the University of Cincinnati, the School of the Museum of Fine Arts, Boston, and Ohio University, Athens, from which Dine received his B.F.A. in 1957.
		Dine exhibited at the Judson Gallery, New York, in 1958 and 1959, and his first solo show took place at the Reuben Gallery, New York, in 1960.
		Jim Dine is closely associated with the development of Pop art in the early 1960s.
	originalprints.com /artist134_jim_dine.htm (322 words)

	Jim Dine: ZoomInfo Business People Information (Site not responding. Last check: 2007-10-21)
		Dine, an avid draftsman since the 1970s, has drawn inspiration from his studies of nature to complete this newest body of work.
		Dine instantly became an active figure in the New York art world where he created and staged many of the first,Happenings,, along with artists Allan Kaprow, Red Grooms, Robert Whitman, and Claes Oldenburg.
		JIM DINE: BOTANICAL DRAWINGS ON VIEW AT New York, March 2, 2006â"Wildenstein & Co., in partnership with PaceWildenstein, is pleased to host Jim Dine: Botanical Drawings from March 16 through April 15, 2006, (extended to 4/19/06), at the Wildenstein Gallery, 19 East 64th Street, New York, NY.
	www.zoominfo.com /people/dine_jim_33134701.aspx (656 words)

	Jim Dine at UCR California Museum of Photography (Site not responding. Last check: 2007-10-21)
		Jim Dine is one of the most well-known artists from the last forty years of American art.
		Dine became a familiar figure in the post-World War II art world for his iconic hearts, tools and robes that appeared repeatedly in paintings, prints and sculptures.
		Much less known, however, are his more recent works, a series of enigmatic photographs, which provide a unique opportunity to examine a diverse aspect of the career of this major American artist.
	www.cmp.ucr.edu /exhibitions/dine (131 words)

	Jim Dine, some drawings
		Jim Dine, some drawings is organized by the Allen Memorial Art Museum, Oberlin College, Oberlin, OH, where it has been on view.
		Dine was born in 1935 in Cincinnati, OH.
		Jim Dine: A Self-Portrait on the Walls 28 minute /1995 / UC - "This remarkable documentary records eight days of intense work and quiet rumination as renowned artist, Jim Dine, produces an exhibition of huge, bold charcoal drawings directly on the walls of a gallery in Germany.
	www.tfaoi.com /aa/6aa/6aa66.htm (1207 words)

	dine102099
		Dine has also become one of the most collected artists in the world.
		When it's suggested to Dine that one of the criticisms of his art is that he is overly focused on himself, he feigns surprise.
		Dine also tries to downplay the idea he has made some heavy psychological discovery by focusing on himself so much.
	www.cincypost.com /living/1999/dine102099.html (963 words)

	Jim Dine on artnet
		Dine moved to New York in 1959 and soon became a pioneer creator of “Happenings”, together with Allan Kaprow, and Robert Whitman.
		Dine is closely associated with the development of Pop art in the early 1960s.
		Drawings of Jim Dine, National Gallery of Art, Washington D.C. New Paintings, Photographs and a Sculpture, Pace Wildenstein, New York.
	www.artnet.com /artist/5274/jim-dine.html (1129 words)

	Jim Dine Online
		Jim Dine at the National Gallery of Art, Washington D.C. The Gate, Goodbye Vermont, 1985
		Jim Dine in the Los Angeles County Museum of Art Database
		Jim Dine at the Smithsonian American Art Museum, Washington D.C. Tate Gallery, London, UK Tehran Museum of Contemporary Art, Iran
	www.artcyclopedia.com /artists/dine_jim.html (449 words)

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