Jim King (saxophonist) - Factbites
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Topic: Jim King (saxophonist)


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In the News (Mon 4 Jun 12)

  
 [Deathwatch] Noble 'Thin Man' Watts, musician, 78
Noble 'Thin Man' Watts; influential jazz-blues saxophonist; 78 By Jim Abbott THE ORLANDO SENTINEL August 28, 2004 His nickname fit, but anyone who knew saxophonist Noble "Thin Man" Watts will tell you that his given name is more appropriate.
His musical ability led to a college career at Florida AandM University, where he played in the original edition of the school's renowned marching band with a pair of future jazz legends: saxophonist Cannonball Adderley and his brother, cornetist Nat Adderley.
Watts in the Midnight Creepers blues band and revitalized the sax man's career in the late 1980s by releasing albums on independent King Snake Records in Sanford, Fla. Mr.
slick.org /pipermail/deathwatch/2004-September/000862.html   (644 words)

  
 Guitar Passions - About Robb Lawrence
After that he spent the next couple years doing studio work in Hollywood including sessions with drummer Jim Keltner (The Record Plant), bassists LonnIe Turner (Wally Heiders) and Wolfgang Meltz, Saxophonist Johnny Almond and jazz guitarist Barry Sweig.
His photos included shows ranging back to the late sixties to the present: Humble Pie, Earth Wind and Fire, King Crimson, Joe Walsh, Johnny Winters, Rick Derringer, Mahavishnu Orchestra, Jeff Beck, Eric Clapton Freddie King, BB King, Roger McQuinn, Iron Butterfly, Moby Grape, Carlos Santana, Allman Brothers, Joe Walsh,
It wasn't long before he became a more accomplished lead player and branched out to teach the guitar in 1967 at La Jolla Music for the next five years.
www.guitarpassions.com /about.html   (644 words)

  
 Reverence
For his fourth Criss Cross outing as a leader, trumpeter Jim Rotondi has chosen the two-horns-plus rhythm format, presenting a program of compositions by Cedar Walton, Joe Henderson, Jimmy Rowles, Walter Davis Jr., Carole King and others (including one of his own works).
Joining Jim are some of the finest players of the New York jazz scene - fellow Criss Cross artists alto saxophonist Mike DiRubbo and pianist Anthony Wonsey, plus bassist John Webber, and drummer Willie Jones III.
www.crisscrossjazz.com /album/1209.html   (122 words)

  
 Joseph Carter III
Track number three, “The King Charles Shuffle”, is a tribute dedicated to the late, great blues saxophonist, King Charles.
This tune is based off the Jimmy Raney/Bob Brookmeyer records, and predominantly features the counterpoint melodies between guitar and piano.
Before the development of Straight Ahead Backwards, Joseph Carter was looking forward to touring with Bill Doggett, Benny Waters and Walter Perkins as the New York Jazz & Soul Project.
www.tjswan.com /albums/jciii-straightahead.htm   (122 words)

  
 African American Jazz Musicians in the Diaspora
These musicians found that the Jim Crow Laws were not universal, and they were hailed as the epitome of high culture all over the world.
Thus, even in one of the most extremely repressive periods in modern history, jazz music brought people at both extremes together as Nazi officers printed and distributed newsletters at the Russian Front detailing where saxophonist Benny Carter would be playing.
For example, soprano saxophone virtuoso Sidney Bechet played at England's Buckingham Palace in 1919, and he fraternized with King George V who remarked to Bechet that his favorite song of the evening was the Characteristic Blues.
drlarryross.bizland.com   (499 words)

  
 Blues Brothers 2000 News
Booker T. Jones began working at Stax Records in Memphis as a saxophonist in 1960.
The Blues Brothers: Dan Aykroyd and Jim Belushi perform at 9 p.m.
What is Mudhoney, one of the founding acts of King County's grunge rock movement, doing on the same bill as Bo Diddley, one of the fathers of rock and roll music?
www.topix.net /movies/blues-brothers-2000   (308 words)

  
 Home Page
These musicians found that the Jim Crow Laws were not universal, and they were hailed as the epitome of high culture all over the world.
Thus, even in one of the most extremely repressive periods in modern history, jazz music brought people at both extremes together as Nazi officers printed and distributed newsletters at the Russian Front detailing where saxophonist Benny Carter would be playing.
For example, soprano saxophone virtuoso Sidney Bechet played at England's Buckingham Palace in 1919, and he fraternized with King George V who remarked to Bechet that his favorite song of the evening was the Characteristic Blues.
www.drlarryross.com   (308 words)

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