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Topic: Jimmy Johnson (bassist)

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	The Parrot and Blue Lake Labels
		He was in the studios a few months later, recording four numbers by the Benson All-Star Orchestra (see the Eddie Johnson pages for details), followed in the fall by a session with the Four Shades of Rhythm.
		If there is a rub, it's that Jimmy Nottingham is known to have worked with Fields from early 1950 through early 1951, and his presence in Fields' April 1953 combo is unverified.
		The Jimmy Rushing sides are claimed by Leadbitter, Fancourt, and Pelletier 1994 to have been made in Chicago.
	hubcap.clemson.edu /~campber/parrot.html (15878 words)

	The Big Band Arrangers (Site not responding. Last check: 2007-10-15)
		His work for Leonard's band estabilished his reputation and soon Dameron was writing charts for such bands as Jimmie Lunceford, Count Basie, Billy Eckstine and Dizzy Gillespie (1945-47) in addition to vocal charts for Sarah Vaughan.
		It is pretty fair to say that his writing gave the Casa Loma Orchestra its style and personality, yet he was virtually unknown to the general public during the swing era.
		Jimmy Mundy (b: June 28, 1907, Cincinnati, OH, USA, d: April 24, 1983, New York, NY, USA) was another of Benny Goodman's arrangers, and certainly one of the finer arrangers of the swing era.
	www.nfo.net /usa/arranger.html (11501 words)

	New Gibraltar Encyclopedia of Progressive Rock CO-CZ
		Half the cuts also featured gonzo guitarist Tommy Bolin and bassist Lee Sklar (from the jazz-rock group The Section) and approach a Mahavishnu-like intensity, only with a harder funk-rock edge.
		From here on, Varga begins his successful emulations of what is unfortunately Emerson's most influential mannerism, his Hammond torture routines, turning his instrument into an airraid siren or a celestial glockenspiel with eager delight.
		Andy Hellaby is a phenomenal bassist whose talent is shadowed over on the first two albums by virtue of its compositional basis.
	www.gepr.net /co.html (16084 words)

	Introduction Page (Site not responding. Last check: 2007-10-15)
		Couple this with her outstanding harmonica ability, strong vocal talent, and high energy show, and you've got the chemistry that immediately establishes her as a rare and exciting performer.
		Bassist Snapper Mitchum (see his Bio page) made a name for himself performing with Chicago's top blues artists from the early 70s till today, including Muddy Waters, Buddy Guy, Koko Taylor, Junior Wells, Lonnie Brooks and Son Seals to name just a few.
		He along with bassist Snapper Mitchum toured and recorded together for many years as Son Seals acclaimed rhythm section during the 70s and 80s.
	www.genevared.com /introduction.html (666 words)

	Photographs from the Golden Age of Jazz: Gottlieb's Life and Work (Site not responding. Last check: 2007-10-15)
		Nevertheless, he was able to obtain memorable results because he knew the music, the musicians, and what he wanted each photograph to show.
		Five to six hundred of the total were photographic, while the rest were literal (realistic depictions) or cartoon drawings.
		The average filmstrip was approximately fifty frames in length and comprised a string of illustrations on a strip of 35-mm film.
	memory.loc.gov /ammem/wghtml/wgbio.html (4179 words)

	Barbara Dane: Biography (Site not responding. Last check: 2007-10-15)
		There Dane performed regularly with her two most constant musical companions: Kenny "Good News" Whitson on piano and cornet, and Wellman Braud, former Ellington bassist.
		Among her guest artists were Jimmy Rushing, Mose Allison, Mama Yancey, Tampa Red, Lonnie Johnson, Big Mama Thornton, Lightnin' Hopkins, T-Bone Walker, Brownie McGhee and Sonny Terry, as well as the many jazz musicians who came regularly to sit in.
		This latter work brought her into association with the great Greek composer Mikis Theodorakis, with whom she performed sections of his "Romiossini" with her English lyrics based on the poetry of Iannis Ritsos in Florence, Italy and in New York.
	www.barbaradane.net /bio.html (436 words)

	NetRhythms: Book reviews
		The sixteen year old Pamela Miller is introduced to the L.A. rock scene by Captain Beefheart and from then on it's a pilgrimage to sex, drugs and rock'n'roll through one of the most creative eras of popular music.
		One of her great loves was the actor Don Johnson (before he dumped her for the pubescent Melanie Griffiths and rolled up his sleeves for Miami Vice).
		Pamela was also friends with Woody Allen and her description of going to see the film "The Exorcist" with him is one of the funniest passages of the book.
	www.netrhythms.co.uk /books.html (9652 words)

	Billy Boy Arnold - brought to you by JWBllues, Inc. (Site not responding. Last check: 2007-10-15)
		While "down under," Billy did a radio interview for the traveling Canadian blues DJ, Holger Petersen, who also runs Stony Plain Records.
		Robillard is a staple artist at Stony Plain, having produced albums for the label with Jay McShann, Rosco Gordon, Jimmy Witherspoon, as well as his own solo records.
		Drummer Jeffery McAllister and bassist John Packer continue an undeniable groove through "Just Got to Know," again complemented by James' and Beadle's smokin' sax, Matt McCabe's fine, boogie piano, producer Robillard's classy guitar solo, and an authoritative Arnold...
	www.jwblues.com /BillyBoyArnold/BillyBoyArnold.htm (1168 words)

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