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Topic: Joan LaBarbara


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In the News (Mon 4 Jun 12)

  
  Newband Plays Microtonal Works   (Site not responding. Last check: 2007-10-12)
The Cage, LaBarbara and Drummond works were composed for the group.
Newband is a new music ensemble dedicated to an instrument that goes by the unlikely name of the zoomoozophone, "a percussion instrument consisting of 129 aluminum tubes tuned to a 31-note scale in just intonation." Built in 1978 by Dean Drummond, a former associate of Harry Partch, its striking overtones give it unique properties.
Joan La Barbara's "Silent Scroll" features a string bass mimicking and answering her trills, screeches, and melodic statements.
www.mode.com /catalog/018newband.html   (477 words)

  
 Messa di Voce - Tmema / Blonk / La Barbara
The performers adopt complementary roles: Joan, as a peculiar kind of animal; and Jaap, as an abstract narrator.
Joan La Barbara [CV] has been called one of the great vocal virtuosas of our time.
A pioneer in the field of contemporary and sound art, she has developed a unique vocabulary of experimental and extended vocal techniques, including multiphonics, circular singing, ululation and glottal clicks.
tmema.org /messa/messa.html   (1488 words)

  
 Joan La Barbara - TheBestLinks.com - Joan LaBarbara, Philip Glass, TheBestLinks.com:Find or fix a stub, John Cage, ...   (Site not responding. Last check: 2007-10-12)
Joan LaBarbara, Joan La Barbara, Philip Glass, TheBestLinks.com:Find or fix a...
Joan La Barbara (born 1947) is a vocalist and composer associated with contemporary music.
While she is known primarily for her vocal abilities and extended technique she is also an accomplished and respected composer.
www.thebestlinks.com /Joan_LaBarbara.html   (148 words)

  
 Avantgarde Music. Joan LaBarbara: biography, discography, reviews, links
Cresciuta alla severa scuola di Steve Reich, LaBarbara adotta nuove tecniche vocali, basate su un controllo particolare del respiro e delle corde vocali, sull'emissione simultanea di piu' note, e sulla simulazione degli strumenti a fiato; tecniche di cui fa sfoggio sull'album-ricerca Voice Is The Original Instrument.
I respiri di LaBarbara sembrano in effetti vivere al di fuori del suo corpo, un'illusione dovuta in parte a caleidoscopiche variazioni di registro e in parte alle manipolazioni elettroniche.
Il canto di LaBarbara diventa l'analogo musicale del flusso di coscienza: fluttua liberamente in uno spazio di contesto.
www.scaruffi.com /oldavant/labarbar.html   (967 words)

  
 Sonidos de las Américas: Cuba - Artists & Composers
Joan LaBarbara's career as a composer, performer, and sound artist explores the human voice as a multifaceted instrument expanding traditional boundaries.
LaBarbara teaches contemporary vocal and composition techniques at The College of Santa Fe, produces a weekly radio program, and is contributing editor for Schwann/Opus magazine.
LaBarbara participates as a United States delegate and soprano soloist in Sonidos de las Américas: Cuba.
americancomposers.org /cubabios.htm   (8405 words)

  
 Patty Waters - Free Music Downloads, Videos, CDs, MP3s, Bio, Merchandise and Links   (Site not responding. Last check: 2007-10-12)
Largely overlooked during her brief recording career in the mid-'60s, Patty Waters has come to be appreciated as a vocal innovator in not just jazz, but contemporary music as a whole.
What really attracted attention were her avant-garde outings, in which she stretched and mutated her voice with contorted shrieks and wails that could be downright blood-curdling.
Producing an unsettling effect that is definitely not for everybody, Waters has to be acknowledged as a vocalist who has tested the limits of what the human voice is capable of, in a similar manner as fellow pioneers Joan LaBarbara and Yoko Ono.
store.artistdirect.com /nad/music/artist/bio/0,,507714,00.html   (421 words)

  
 Subotnick, Morton   (Site not responding. Last check: 2007-10-12)
In addition to composing numerous works in the electronic medium, Subotnick has written eight works for orchestra, including Before the Butterfly, a Bicentennial Commission by the six major U.S. orchestras; chamber and ensemble works; music for the theatre and multi-media productions.
Jacob's Room, a monodrama commissioned by Betty Freeman for the Kronos Quartet and singer Joan LaBarbara, received its premiere in San Francisco in January 1985 and is currently being expanded to a full-length opera for production in the Autumn of 1991 by the Minnesota Opera.
The Key to Songs (based on Max Ernst's surrealistic novel in collage entitled "Une Semaine de Bonte") for chamber orchestra and computer, was commissioned by Paul Fromm and premiered at the 1985 Aspen Music Festival.
www.eamdc.com /composers/subotnick.asp   (772 words)

  
 JOAN LABARBARA
Joan La Barbara is a vocalist and composer associated with contemproary music.
She has worked with John Cage, her husband Morton Subotnick, Philip Glass, Merce Cunningham, and many others.
While she is known primarily for her vocal abilities she is also an accomplished and respected composer.
www.websters-online-dictionary.org /definition/english/JO/JOAN+LABARBARA.html   (70 words)

  
 Polskie Strony Fletowe: Porady: Oddech permanentny
Best I've ever heard at this is Joan LaBarbara, who also offers the advice that if you want to try circular singing, proceed as softly and gently as you can.
Joan performs her own music and other contemporary works.
Her circular singing must be on disc, but I don't have any specifics about her recordings.
www.flauto.art.pl /porady/oddech.html   (851 words)

  
 selected reviews   (Site not responding. Last check: 2007-10-12)
"(Garcia's) static, yet feverishly pulsating elegy, interpreted softly and impressively by Joan LaBarbara, to verses by the composer, may have very well been influenced in their essence by Morton Feldman.
What relayed a minimalistic character at the onset, soon grew to a fretful threat containing a serious social-political message beyond its musical terse and sincerity" Hans-Theodor Wohlfahrt Allgemeine Zeitung Frankfurter 6/90.
"(LaBarbara's) superbly executed gentle cantillations with minimum pitch changes, gossamer ins-trumental textures and leisurely pace were so at odds with the angry text that a kind of reverse irony developed carrying unexpected power." Herman Trotter Buffalo News 4/90.
www.fiu.edu /~garciao/selected_reviews.html   (1918 words)

  
 Amazon.com: Subotnick: Touch; Jacob's Room: Music   (Site not responding. Last check: 2007-10-12)
Its exploration of the sound and texture possibilities of electronic music is simply a variation on the two previous, and finer, compositions.
Jacob's Room is a vehicle for Subotnick's wife, Joan LaBarbara to demonstrate why she is universally considered the master of extended vocal techniques.
She leaps effortlessly from beautiful operatic tonality to microtonal notes and the gutteral animal noises requires an impressive control and technique.
www.amazon.com /exec/obidos/tg/detail/-/B000005W8Z?v=glance   (1122 words)

  
 Ne(x)tworks   (Site not responding. Last check: 2007-10-12)
Formed in June 2002, the group continues the maverick tradition in American music by creating and interpreting work that blurs distinctions between composition and improvisation.
Ne(x)tworks' repertoire encompasses an extraordinary range of aesthetics, including works by composers of the New York School and idiosyncratic new works from artists within the ensemble such as experimental operas by renowned composer/vocalist Joan La Barbara and composer/violist Kenji Bunch.
New Jersey Performing Arts Center, Newark, NJ Ne(x)tworks performs two pieces by Joan La Barbara commissioned by Nai-Ni Chen, including a repeat performance of
www.nextworksmusic.net   (199 words)

  
 JEFF HARRINGTON
Harrington continued his composition studies at Louisiana State University and at the Juilliard School where he studied in the Master's program with Elliott Carter and Roger Sessions.
He has also studied with Morton Subotnick, Jacob Druckman, Joan LaBarbara, James Drew, Barbara Jazwinski and Deborah Drattell.
In 1981 he began a series of compositions using the harmonic idiom of the 18th century with rhythms from jazz and African-American music.
www.classicalmidiconnection.com /cmc/harring.html   (434 words)

  
 Ne(x)tworks May 28   (Site not responding. Last check: 2007-10-12)
Inspired by the striking contradictions of Abe's abstract yet vivid imagery and text that is at turns comic, bleak, romantic, tragic, and hopeful, the work is a blend of both traditional and avant-garde vocal techniques, freely improvisational and strictly minimalist textures, an economy of movement and staging and yet an extremity of emotional expression.
With a libretto by writer/singer/actor William Youmans and performances by groundbreaking vocalist Joan LaBarbara and innovative music group Ne(x)tworks, this work is a collaborative event that will suggest a new definition for the term opera while drawing on the rich tradition of the genre as well as each performer's unique musical background.
Ne(x)tworks is a boundary-breaking group of performing composers generating totally original avant-garde music.
list.mail.virginia.edu /pipermail/silence/2004-May/000845.html   (232 words)

  
 The Milken Archive of American Jewish Music
Vibraphonist Chris Vatalaro was born in Albany, New York, and graduated from the Eastman School of Music.
He has performed and recorded with such artists as Stewart Copeland, Steve Reich, Joan LaBarbara, and the Albany Symphony.
He has been a guest performer at Tanglewood, Bennington College, the University of Michigan, and Juilliard.
www.milkenarchive.org /artists/artists.taf?artistid=226   (68 words)

  
 ASIFA.NET/Steven Subotnick
With a vocal score by Joan La Barbara.
Based on a Japanese folk tale about the union of a mortal man and a snow spirit, this animation was created by alternately drawing and erasing under the camera.
From a story written by Lafcadio Hearn; read by Joan LaBarbara; music by Richard Karpen.
www.asifa.net /+/subotnick/index.html   (326 words)

  
 NewMusicbox
Joan La Barbara has a great day job: she performs a huge repertoire of vocal works by 20th century masters, including many pieces that were written especially for her.
She spends an insane amount of time every year trotting the globe doing performances of some very difficult and open-ended works.
from Morton Feldman: Three Voices for Joan La Barbara
www.newmusicbox.org /printerfriendly.nmbx?id=636   (1119 words)

  
 Ne(x)tworks - Member Bios
Current performance projects include: leading TILT brass band and electro-improv group LOTET; collaborative efforts including mixed composer/performer ensemble Ne(x)tworks, CJMJS (duo with Michael J. Schumacher), and ellipsis brass trio; participation in various Gold Sparkle Projects, Elliott Sharp's Orchestra Carbon, and the Charlie Waters Quartet.
He has worked with many renowned composers and improvisers such as Dave Ballou, Joan La Barbara, Kitty Brazelton, Daniel Carter, Anthony Coleman, Marty Ehrlich, Kato Hideki, John King, Sabir Mateen, Charles Wuorinen, and Lois V. Vierk.
CJM's compositions, of which he has contributed to both TILT and Ne(x)tworks, are a filtering and reprocessing of his musical life, often incorporating improvisative, site-specific, and electronic elements.
www.nextworksmusic.net /member-bios.html   (1386 words)

  
 VOCAL IMPROV ENSEMBLE, Spring 2002
HW: Learn about Joan LaBarbara and her role in the shaping voice in the 20
CD 522 "Joan LaBarbara Singing Through John Cage" Selections #1, 5, 7, 8-11
CT 403 An interview with Joan LaBarbara when she visited Bennington in 1996---listen to her discussions of extended techniques (multiphonics, circular singing) and the role of the "new voice"
www.kitbraz.com /tchr/courses/VocalImprovEnsembl_syll.html   (745 words)

  
 oodiscs #6: THE BEAUTY OF SILENCE ORLANDO JACINTO GARCIA   (Site not responding. Last check: 2007-10-12)
OO #6, La Belleza Del Silencio (The Beauty of Silence) features the premiere CD release by Cuban-American composer Orlando Jacinto Garcia, with guest artists Joan LaBarbara, voice; Jan Williams, percussion; the Gregg Smith Singers; and Joseph Celli, Yamaha WX-7 midi breath controller.
Soprano Joan LaBarbara sings the vast, hauntingly evocative Sitio Sin Nombre (1990), wherein computer manipulations of tapes of her voice often serves to warp it beyond recognition.
Garcia's work has been commissioned and performed by leading new music performers including vocalists Joan LaBarbara, Martha Herr, bassists Robert Black and Luis Gomez-Imbert; percussionist Jan Williams; oboists Joseph Celli and Leon Biriotti; flutist Eberhard Blum and pianists Anthony de Mare, Max Lifchitz, Paul Hoffman, and the late Yvar Mikhashoff, among others.
www.oodiscs.com /oo6.html   (429 words)

  
 Joan La Barbara
Her current recording projects as singer, composer and/or producer include "Voice and Instruments" by Morton Feldman (for New Albion), "John Cage at Summerstage with Joan La Barbara, Leonard Stein and William Winant" Cage's final concert performance July 23, 1992 in NYC's Central Park, and La Barbara's own works (for Music & Arts).
Morton Subotnick's opera "Jacob's Room" directed by Herbert Blau for the American Music Theatre Festival, New York premiere at The Kitchen and European premiere at MANCA Festival in Nice (1993-94) and premiered Robert Ashley's quartet of operas "Now Eleanor's Idea" (1994).
John Cage "John Cage at Summerstage with Joan La Barbara, William Winant and Leonard Stein": Cage's final public performance, recorded in concert July 23, 1992; 1995 (Music & Arts CD 875)
www.newalbion.com /artists/labarbaraj   (899 words)

  
 Music Forum - Voice As Instrument
02-17-2004 02:04 AM As long as Joan LaBarbara has been mentioned, I would recommend her album 'Singing Through', on the New Albion lable.
OK, so it doesn't stretch the envelope, but the next stop would be Progressiveville.
As long as Joan LaBarbara has been mentioned, I would recommend her album 'Singing Through', on the New Albion lable.
www.radiomute.com /avant-garde-experimental/8299-voice-instrument-print.html   (454 words)

  
 electro-music.com :: View topic - Kid Baltan & Tom Dissevelt
Volume One of the archival series of 3" cds, put out by the New England Electric Music Company, is by far the most varied of the three Archive series that I have heard so far.
The film uses choregraphed machinery, gears and levers.
Joan LaBarbara Dance Frame 1978 (Dir: Doris Chase) Unusual for Joan LaBarbara, who is more known for her vocal prowess and composition, track 5 represents her foray into electronic noise and is quite exciting to hear.
electro-music.com /forum/viewtopic.php?t=592   (919 words)

  
 The History of Rock Music. Original Instrument: biography, discography, reviews, links   (Site not responding. Last check: 2007-10-12)
Original Instrument is a collaboration among all four of the members.
Their debut album, Original Instrument (Kracfive, 2002), is a series of electronic/digital manipulations of the human voice in the tradition of Joan LaBarbara and Diamanda Galas.
Coupled with massive distortions and spun around percussive noises, they become collages reminiscent of Oval's glitch-music but with a stronger rhythmic element (Bop Me, Nake).
www.scaruffi.com /vol7/original.html   (107 words)

  
 www.jazzweekly.com | Reviews
Those who like free improv with a female voice as an equal instrument would do well to explore this very tangible outfit.
Ditto for those who appreciate the classical talents of Lucy Shelton, Bethany Beardslee or Joan LaBarbara in an improvisatory setting.
The track sequencing is well done, too, building to the never-retreating building up in “attack and retreat” of voice and sax arm-wrestling for power, piano underpinning the struggle.
www.jazzweekly.com /reviews/iindex.htm   (263 words)

  
 Amazon.ca: Music: Singing Through [Import]   (Site not responding. Last check: 2007-10-12)
John Cage (Composer), Joan La Barbara (Performer), Leonard Stein (Performer), William Winant (Performer), Scott Evans (Performer)
with Joan La Barbara, Joan La Barbara, Leonard Stein, William Winant, William Winant, Scott Evans
Especially amazing are her versions of Eight Whikus (a violin piece transcribed especially for LaBarbara) and Sonnekus (which includes several Satie cabaret songs as contrasting sections to Cage's hymn like dirges).
www.amazon.ca /exec/obidos/ASIN/B000000R2V   (491 words)

  
 VH1.com : Joan La Barbara : Artist Main
Virtuoso vocalist Joan La Barbara has explored the possibilities of voice and extended techniques such as multiphonics and glottal clicks since the '70s.
She has performed with orchestras all over the world, from the New York Philharmonic to the Orchestra of the Hague, and has premiered operas including Robert Ashley's...
E-commerce on this website is brought to you by MTVN Direct Inc.
www.vh1.com /artists/az/labarbara_joan/artist.jhtml   (159 words)

  
 NewMusicBox
Their 400-piece repertoire ranges from demanding concert hall works to multimedia collaborations.
Recordings of commissioned works by Morton Feldman, Louis Andriessen, Virko Baley, Morton Subotnick and Joan LaBarbara appear on such labels as Nonesuch, New Albion, Bridge, New World, Tzadik, O.O. and Cambria.
Since 1987, the EAR Unit has been Ensemble-in-Residence at the Los Angeles County Museum of Art where they present their own four concert critically acclaimed series and also at California State University of Los Angeles.
www.newmusicbox.org /page.nmbx?id=01tp05   (410 words)

  
 Browse by Artist: SUBOTNICK, MORTON
All-time classic electronic works by Morton Subotnick, available on either regular CD or DVD in surround sound.
Immerse yourself in the classic multi-channel works Touch and A Sky of Cloudless Sulphur -- both remastered from their original analog tapes, and Subotnick's latest electronic work Gestures (featuring new music vocalist Joan LaBarbara).
DVD allows you to experience these works as they were 'spatially' intended in your own home -- in high-definition sound.
www.forcedexposure.com /artists/subotnick.morton.html   (468 words)

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