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| | MACHADO DE ASSIS 2 |
 | | Machado de Assis: The Pyramid and the Trapezium, Raimundo Faoro analyzes the social pyramid, that is, the class structure of society, the web of ambition and influence and the play for power in the shadow of the personal power, now a myth, of the Emperor himself. |
 | | Machado was accused of deliberately ignoring slavery and related racial issues, as opposed to Lima Barreto, his contemporary, who took the color of his skin and made it the symbol of a type of literature political in nature. |
 | | In this short story, Machado is equal or superior to his French master, through the skill of the narrator, the supreme craft of diction, his somewhat perverse, though complete, narrative and thanks to the use of an interior monologue in which Camilo's thoughts suggest a happy ending for the conflict involving the three characters. |
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