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| | Joe Cocker |
 | | Despite this, Cocker deserves credit for his gravelley, soulful, and distinctive singing - his phrasing and stage antics were lifted straight from Ray Charles, but he always managed to put his own stamp on the proceedings. |
 | | Cocker's own "High Time We Went" (a #2 hit) rides a pretty good, slide guitar-lubricated groove, but its gritty aimlessness sets the tone for the rest, like "Woman To Woman," with its cool, funky, tension-building, and endlessly repeated hook, and "Black-Eyed Blues," a plodding imitation of the the Stones. |
 | | Cocker was going through a minor comeback at this point: the same year he scored a surprise #1 hit with the single "Up Where We Belong" (a duet with Jennifer Warnes). |
| www.warr.org /cocker.html (1775 words) |
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