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Topic: Johann Fux


  
  Johann Joseph Fux - LoveToKnow 1911
JOHANN JOSEPH FUX (1660-1741), Austrian musician, was born at Hirtenfeld (Styria) in 1660.
As a proof of the high favour in which he was held by the art-loving Charles VI., it is told that at the coronation of that emperor as king of Bohemia in 1723 an opera, La Constanza e la Fortezza, especially composed by Fux for the occasion, was given at Prague in an open-air theatre.
Fux at the time was suffering from gout, but the emperor had him carried in a litter all the way from Vienna, and gave him a seat in the imperial box.
www.1911encyclopedia.org /Johann_Joseph_Fux   (446 words)

  
 Johann Fux Summary
Johann Joseph Fux was born in Hirtenfeld, Styria.
Fux was born to a peasant family in Hirtenfeld in Styria.
Fux's work repeated some of Diruta's, possibly coincidentally, since he is not known to have had a copy: in any event, Fux presented the idea with a clarity and focus which made it famous as a teaching method.
www.bookrags.com /Johann_Fux   (1195 words)

  
 US Bazaar.com : Encyclopedia Pages : Johann Joseph Fux
Fux was born to a peasant family in Hirtenfeld in Styria.
Fux traveled again to Italy, studying in Rome in 1700; it may have been here that acquired the veneration for Palestrina which was so consequential for music pedagogy.
Fux's work repeated some of Diruta's, possibly coincidentally, since he is not known to have had a copy: in any event, Fux presented the idea with a clarity and focus which made it famous as a teaching method.
encyclopedia.us-bazaar.com /?title=Johann_Joseph_Fux   (767 words)

  
 Johann Joseph Fux: a concise biography
Johann Joseph Fux (1660-1741) is remembered less for his music than for his famous textbook on counterpoint, the Gradus ad Parnassum, Yet his music is well worth remembering for its own sake; it was not for nothing that the Emperor Leopold I made Fux his court-composer and music-director.
Fux filled the post with distinction, composing and directing many operas and oratorios, as well as dozens of smaller pieces.
In 1725 Fux published his famous Gradus ad Parnassum, a textbook from which most of the composers of the next generation learnt their counterpoint - indeed Bach himself had a copy in his library.
www.baroquemusic.org /bqxfux.html   (616 words)

  
 Music at the Court of Leopold I (1640-1705), MP3 Album Music Download at eMusic
Fux: Ouverture for 2 Oboes, 2 Violins, Viola, Bassoon and Violone (Ouverture)
Fux: Ouverture for 2 Oboes, 2 Violins, Viola, Bassoon and Violone (Menuet)
Fux: Ouverture for 2 Oboes, 2 Violins, Viola, Bassoon and Violone (Gigue)
www.emusic.com /album/10976/10976475.html   (310 words)

  
 Kids.Net.Au - Encyclopedia > Counterpoint   (Site not responding. Last check: 2007-10-15)
The composer Johann Sebastian Bach frequently wrote music using counterpoint.
Generally, such music created from the Baroque period on is described as counterpoint, while music created prior to Baroque times is called polyphony.
Johann Fux[?] published Gradus ad Parnassum, a work published in 1725 intended to help teach students how to write counterpoint.
www.kids.net.au /encyclopedia-wiki/co/Counterpoint?title=Johann_Fux   (391 words)

  
 Johann Joseph Fux : Province of Styria
1660 Johann Joseph Fux is born in Hirtenfeld in Styria.
Records show that Fux was the organist of the Schottenkirche (Scottish church) in Vienna during the 1690s.
Fux died at the age of 81, six years after the death of his wife.
www.steiermark.at /cms/beitrag/10036532/1550   (561 words)

  
 Johann Joseph Fux (1660 - 1741)
Johann Joseph Fux (1660-1741) is remembered less for his music than for his famous textbook on counterpoint, the Gradus ad Parnassum.
Fux filled the post with distinction, composing and directing many operas and oratorios, as well as dozens of smaller pieces.
In 1725 Fux published his famous Gradus ad Parnassum, a textbook from which most of the composers of the next generation learnt their counterpoint - indeed Bach himself had a copy in his library.
www.early-music.com /view.asp?ID=128   (530 words)

  
 Fux, Johann Joseph: Biography   (Site not responding. Last check: 2007-10-15)
Johann Joseph Fux, teacher of Caldara in 1716, Zelenka and Quantz in 1717, and imperial court composer in Vienna from 1715, is better known today as the author of Gradus ad Parnassum (1725), a treatise on sixteenth-century counterpoint in the style of Palestrina.
Fux is mentioned in a letter (1775) from Carl Philip Emanuel to Forkel as one whose works his father had especially valued in his later years.
Of Fux's eighteen operas, "Elisa" (Vienna 1719) and "Costanza e Fortezza" (Prague 1723) are the more well known.
jan.ucc.nau.edu /~tas3/fux.html   (106 words)

  
 Johann Joseph Fux Biography - AOL Music
For eight years Fux was the choirmaster at St. Stephen's followed by a vice-Kappelmeister position at the court of Charles VI shortly followed by a Kappelmeistership.
According to Fux the greatest influence he felt was from the work of Palestrina.
Perhaps his most representative work was the opera "Costanza e Fortezza" in which Fux successfully developed a synthesis between counterpoint and facility keeping the work light despite the usual burden of note-for-note polyphony.
music.aol.com /artist/johann-joseph-fux/44068/biography   (192 words)

  
 Fux, Johann Joseph: Biography   (Site not responding. Last check: 2007-10-15)
Johann Joseph Fux, teacher of Caldara in 1716, Zelenka and Quantz in 1717, and imperial court composer in Vienna from 1715, is better known today as the author of Gradus ad Parnassum (1725), a treatise on sixteenth-century counterpoint in the style of Palestrina.
Fux is mentioned in a letter (1775) from Carl Philip Emanuel to Forkel as one whose works his father had especially valued in his later years.
Of Fux's eighteen operas, "Elisa" (Vienna 1719) and "Costanza e Fortezza" (Prague 1723) are the more well known.
www2.nau.edu /~tas3/fux.html   (106 words)

  
 Musiktheorie Kongress Wien 2007
Johann Joseph Fux, Joseph Haydn, Wolfgang Amadeus Mozart, Johann Georg Albrechts-berger, Antonio Salieri, Ludwig van Beethoven u.a.
Johann Joseph Fux, Joseph Haydn, Wolfgang Amadeus Mozart, Johann Georg Albrechtsberger, Antonio Salieri, Ludwig van Beethoven and other reknown  composers from Vienna have been important instructors of composition and theory.
Johann Joseph Fux developed a hugely successful teaching method with his 'Gradus Ad Parnassum', used also by Haydn, Mozart, Beethoven and Schubert, thus laying the foundations of the first Viennese School.
www.erg.at /iatgm/kongress-2007   (418 words)

  
 JOHANN JOSEPH FUX (166... - Online Information article about JOHANN JOSEPH FUX (166...
Fux died at Vienna on the 13th of See also:
scholar generally, Fux was unsurpassed by any of his contemporaries, and his great theoretical See also:
tam exacta ordine in lucem edita, elaborata a Joanne Josepho Fux (Vienna, 1715).
encyclopedia.jrank.org /FRA_GAE/FUX_JOHANN_JOSEPH_1660_1741_.html   (677 words)

  
 Johann Joseph Fux (1660-1741) - famous Johann Joseph Fux (1660-1741) Classics hit collection and Johann Joseph Fux ...   (Site not responding. Last check: 2007-10-15)
From 1698 until his death, Fux was in the service of the imperial family in Vienna, as court composer and subsequently as Kapellmeister.
He is now remembered rather for his instructional Gradus ad Parnassum, an important and thorough study of counterpoint that for long provided a basis for tuition and for later writings on the subject.
Fux, in the course of his duties, provided a number of operas for the court theatre.
www.naxos.com /composerinfo/3943.htm   (170 words)

  
 Johann Josef FUX - Chamber Music - CD
Johann Joseph Fux (1660-1741) is remembered less for his music than for his famous textbook on counterpoint, the Gradus ad Parnassum — which incidentally is still available, and popular today.
On this disc we show Fux in more intimate mood, with a selection of works for chamber ensemble, harpsichord and clavichord, the latter performed by Michael Thomas on a clavichord built by himself.
In the Ciaconna in D we find Fux exploring the art of Air-with-Variations in a composition which might be seen as a precursor of Bach's similar works.
www.baroquecds.com /28Web.html   (326 words)

  
 NewOlde.com - Johann Joseph Fux
Stradella, Fux, Handel, Gluck, Hasse, Mozart, Pleyel, Rossini.
Fux: Stabat Mater K.268, Te Deum K.271, Litaniae Sancta Maria K.121, Magnificat K.98; Kerll: Battalia; Biber: Die Pauernkirchfahrt and Battalia; Schmelzer: Gegruesst seist Du, Polnische Sackpfeiffen.
Kumiko Koike, Linda Perillo, Ursula Fiedler, Henning Voss, Johannes Chum, Wolfgang Bankl.
www.newolde.com /fux.htm   (216 words)

  
 Johann Georg Fux ( - ) Artwork Images, Exhibitions, Reviews   (Site not responding. Last check: 2007-10-15)
Johann Georg Pintz, Portrait of Johann Daniel Preissler, director of the Academy of Painting in Nurenberg, 17th - 18th century
Johann Georg Pintz, Illustration of Deuteronomy, chapter 32, verse 32, circa 1750
Johann Georg Platzer - The Pleasures of the Seasons: Autumn c.
wwar.com /masters/f/fux-johann_georg.html   (532 words)

  
 Johann Fux - Wikipedia, the free encyclopedia
In 1698, Leopold hired him as court composer.
The Baroque age in music ends in Austria with Fux.
Knud Jeppesen, Counterpoint: The Polyphonic Vocal Style of the Sixteenth Century.
en.wikipedia.org /wiki/Johann_Fux   (721 words)

  
 Johann Joseph Fux - Classical music composer   (Site not responding. Last check: 2007-10-15)
Johann Sebastian Bach, Jeremiah Clarke, Johann Joseph Fux, George Frideric Handel, Jean-Joseph Mouret, Johann Pachelbel, Henry Purcell, Nikolay Alexandrovich Sokolov, Georg Philipp Telemann, Antonio Vivaldi
Johann Joseph Fux, George Frideric Handel, Benedetto Marcello, Alessandro Melani, Henry Purcell, Johann Rosenmuller, Alessandro Scarlatti
The History of a Baroque Oratorio: Johann Joseph Fux's LA Deposizione Dalla Croce Di Gesu Cristo, Salvator Nostro (1728
www.classical-composers.org /comp/fux   (601 words)

  
 ClassicalPlus Composer - Johann Joseph Fux
He continued composing into old age, and was also a famous teacher.Foremost in Fux's output are over 400 church works, including Circa;80 masses.
He is most noted for his unaccompanied polyphony, modelled on Palestrina's and found in such works as the Messa di San Carlo (1718).
Fux's works form the culmination of Baroque music in Austria.(c)Groves Dictionaries, MacMillan Publishers Limited, UK GMN.com
classicalplus.gmn.com /composers/composer.asp?id=342   (253 words)

  
 artnet.com: Resource Library: Fux, Johann Georg   (Site not responding. Last check: 2007-10-15)
Fux’s most important work, however, is in ivory, for example a group of the Crucifixion with St Mary Magdalene in the Carmelite monastery in Straubing.
Kst & Gew.), are executed with exquisite workmanship and are distinguished by the delicacy and formal variety of the modelling of garments and by the unpretentious naturalness of the faces and gestures.
Drawings found in Straubing reveal that Fux acted as adviser in the rebuilding (c.
www.artnet.com /library/03/0302/T030288.asp   (273 words)

  
 WarnerClassics : Release   (Site not responding. Last check: 2007-10-15)
01 Johann Joseph Fux - Serenada a 8
02 Johann Joseph Fux - Rondeau a 7
03 Johann Joseph Fux - Sonata a Quattro
www.warnerclassics.com /release.php?release=3707   (24 words)

  
 Johann Joseph Fux   (Site not responding. Last check: 2007-10-15)
According to The New Penguin Dictionary of Music, Johann Joseph Fux was an Austrian composer of 18 operas, much church music, etc.; organist; and especially known as theorist and author of a highly influential treatise on counterpoint called "Gradus ad Parnassum".
[§] Johann Joseph Fux : Musiker-Lehrer-Komponist für Kirche und Kaiser by Rudolf Flotzinger
[§] Johann Joseph Fux and the Music of the Austro-Italian Baroque by Harry White
www.grainger.de /music/composers/fux.html   (76 words)

  
 Classics Today.com - Your Online Guide to Classical Music
Here's one of those wonderful yet dubious compilations that purport to tell us what "may" be historically correct but can in no way be proven--in this case, what music was in the library of J.S. Bach.
Bach's "French connection" is represented by works of André Raison (a sturdy if predictable organ mass), Nicolas De Grigny (two sturdy if predictable short organ fugues plus a couple of other pieces), and Jean-Henri d'Anglebert (an elaborate and technically demanding harpsichord suite).
These pieces show a clear mastery of form and melodic invention that's always engaging and skillfully combined with the texts and instrumental accompaniments.
www.classicstoday.com /review.asp?ReviewNum=5722   (378 words)

  
 Johann Joseph Fux Artist Profile   (Site not responding. Last check: 2007-10-15)
At Cross Rhythms we are constantly working on our artist and music database to make it as complete and comprehensive as possible.
If you think that there is a problem with this entry, please help us by emailing admin@crossrhythms.co.uk.
A browser with JavaScript is required for some of the features of this website.
www.crossrhythms.co.uk /artists/Johann_Joseph_Fux/12487/?ref=news   (150 words)

  
 Amazon.com: Johann Joseph Fux: Requiem: Music: Johann Joseph Fux,René Clemencic,Clemencic Consort   (Site not responding. Last check: 2007-10-15)
This item is not eligible for Amazon Prime, but over a million other items are.
Listen to Johann Joseph Fux — Unlimited access to 3,000,000+ songs, 14 days Free w/ no obligation.
I had heard about Fux because he was quoted in Hindemith's Craft of Music, and then read in Mozart's bio that W.A. studied from Fux's book on counterpoint.
www.amazon.com /Johann-Joseph-Fux-Requiem/dp/B000005I5X   (580 words)

  
 On Bach's Art of the Fugue
Fugue is a process that Bach cared deeply about, and that had an illustrious history preceding him (with notable exponents such as Palestrina, Tallis, Byrd, Buxtehude, Sweelinck, Pachelbel, de Grigny, and Vivaldi, to name a few).
Many ancient and Baroque theorists such as Johannes Tinctoris and Johann Fux contended that fugue was an adequate human representation of the harmonia mundi (the ancient notion of musical spheres, or a divine music created by the revolutions of the heavenly bodies).
Further, Bach belonged late in life to Lorenz Mizler’s Society for Musical Sciences, a group that upheld the ancient arts of counterpoint and polyphony just as they were going out of fashion throughout Europe and as gallant music ascended in popularity.
www.kunstderfuge.com /theory/stone/artfugue.htm   (1848 words)

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