Matthew Patay(Site not responding. Last check: 2007-10-10)
She began as a child in the ballet school of the Royal Theatre in 1820, but finally moved into drama when Johan Ludvig Heiberg wrote the vaudeville Aprilsnarrene (The April Fools) for her in 1826.
They married in 1831, and JohanneLuise thereby found herself at the centre of Copenhagen intellectual life.
Her career is often compared with that of Hans Christian Andersen, and in 1981 the Swedish dramatist Per Olov Enquist brought the two together in Fra regnormenes liv (From the Life of the Earthworms).
This work is specifically on the acting abilities of JohanneLuise Pätges Heiberg (1812-1890), the wife of Johan Ludvig Heiberg, one of Denmark's leading literary and social figures.
The delay in publication was due to the fact that he had become a religious author just months before this study, and was unsure of the appropriateness of returning to esthetic considerations.
Fru Heiberg had performed the role of Juliet when she was young, and then returned to the role almost 20 years later, in 1847.
In addition to her many stage roles, Heiberg took on the role of exponent for the literary aesthetics of her husband--critic, playwright, and poet Johan Heiberg--and of his mother, Thomasine Gyllembourg, also an author.
In the first decades of the nineteenth century, Thomasine Gyllembourg and Johan Heiberg set the cultural tone, and, by marrying into the tightly connected unit of mother and son, JohanneLuiseHeiberg was expected to echo Heiberg taste and form, to maintain a certain reserve, and to hold her own passions in check.
JohanneLuiseHeiberg from Dictionary of Literary Biography.
Heiberg, Johan Ludvig - HighBeam Encyclopedia(Site not responding. Last check: 2007-10-10)
He composed many vaudevilles, or musical comedies, based on French models but Danish in subject and humor.
Heiberg's pygmalionlike relation to his wife, the successful actress JohanneHeiberg, and to H. Andersen is depicted in the play Rain Snakes (1981) by the Swedish playwright P. Enquist.
Find newspaper and magazine articles plus images and maps related to "Heiberg, Johan Ludvig" at HighBeam.
JohanneLuiseHeiberg rose from obscurity, a harrowing childhood, and extreme poverty to become the preeminent actress of her day at Det Kongelige Teater (the Royal Theatre), Copenhagen.
In addition to her many stage roles, Heiberg took on the role of ex...
JohanneLuiseHeiberg (née Pätges)(22 November 1812 – 21 December 1890) was one of the greatest Danish actresses of the 19th century.
Across the monitor of the third socle glides quotations taken from: Michelangelo (1554).
Goethe (1791), JohanneLuiseHeiberg (Danish actor and gran lady, 1855), Kandinsky (1912), Mallarmé (1954) and Thomas Boberg (contemporary Danish poet, 1989).
Text by: Michelangelo, Thomas Boberg, Goethe, Kandinsky, JohanneLuiseHeiberg and Mallarmé
www.artofheart.dk /koch/blueen.htm (447 words)
Amazon.com: "Fru Heiberg": Key Phrase page(Site not responding. Last check: 2007-10-10)
from her debut in 1826 to her early retirement in 1864, JohanneLuiseHeiberg - known by royal permission as "Fru" Heiberg on the playbills,...
Although Fru Heiberg came from the lower social classes, she became in a few years time the Queen of Copenha- gen and charmed...
He is Brandt and Fru Heiberg is Millie Thaulow.
www.amazon.com /phrase/Fru-Heiberg (514 words)
Denmark - Culture - Theatre and Drama(Site not responding. Last check: 2007-10-10)
JohanneLuiseHeiberg, née Pätges, 1812-1890, the undisputed prima donna of the Romantic age.
She began as a child in the ballet school of the Royal Theatre in 1820, but finally moved into drama when Johan Ludvig Heiberg wrote the vaudeville
Her career is often compared with that of Hans Christian Andersen, and in 1981 the Swedish dramatist Per Olov Enquist brought the two together in
Pätges, the mother of JohanneLuiseHeiberg [the bold means a separate entry], ran a refreshment tent at Bakken" (63).
The concept entries attend to the organic relation between one concept and a cluster of others.
Of course there are interpretations which one could question: perhaps the recurring use of "as" -- as in "Kierkegaard as Anti-Climacus" (61) and "Kierkegaard as Johannes Climacus" (72) -- falls short of respecting the pseudonyms (see also 60, 64, 127-128, 178, 208, 212-213, 215, 252, 259, 263).
