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	Amazon.ca: Media & Performance: Along the Border: Books (Site not responding. Last check: 2007-08-20)
		Birringer discusses the performance aspects of such political events as the breaching of the Berlin war, the destruction of Sarajevo, and gay liberation (including the act of "coming out" itself) and also shows how the dance -- a "movement of fantasy" -- has been mediated by technology and political consciousness.
		Birringer ends with a discussion of the continuing incursions of business into digital media, including the "imperialism of technological enhancements" as experienced in the culture of constant "upgrades" and the omnipresence of Bill Gates.
		Birringer discusses performance art and theater in an accessible manner, that is low on academic jargon.
	www.amazon.ca /exec/obidos/ASIN/0801858526 (369 words)

	Johannes Birringer
		Johannes Birringer is artistic director of AlienNation Co., a Houston-based multimedia ensemble that has collaborated on various site-specific and cross-cultural performance and installation projects since 1993.
		After directing international workshops on dance and technology in England, Germany, and the US., he was appointed head of the new dance and technology program at The Ohio State University (1999-2003).
		Birringer received his M.A. and Ph.D. from Trier University (Germany) after graduate research fellowships at Cambridge and Yale Universities.
	www.brunel.ac.uk /about/acad/sa/artstaff/drama/johannes (625 words)

	Johannes Birringer Audio Interview -- Great Dance Weblog
		Johannes Birringer is a German-born performance and media choreographer currently residing in Houston, Texas, London, England, and Schmelz, Germany.
		Johannes received his MA and Ph.D. in literature and theater from Trier University in Germany.
		Johannes Birringer is currently principal research fellow at The School of Art and Design at Nottingham Trent University in Nottingham England.
	greatdance.com /danceblog/archives/podcasts/000410.php (515 words)

	Dance Technology - References
		Birringer, Johannes, "New Environments for Interactive Dance," in: Between Nature: Explorations in Ecology and Performance, ed.
		Birringer, Johannes, "Dancing with Technologies," in La scena digitale: nuovi media per la danza, ed.
		Birringer, Johannes, ed., "Connected Dance: Distributed Performance across Time Zones," hypertext essay with Ellen Bromberg, Naomi Jackson, John Mitchell, Lisa Naugle, and Doug Rosenberg, in "Transmigratory Moves/Dance in Global Circulation," Congress On Research in Dance Conference Proceedings, New York University (October 2001), pp.
	www.notam02.no /icma/interactivesystems/dance_references.html (1125 words)

	News
		Johannes Birringer initiated the Telematic Design and Performance Lab (DAP) at Brunel University after his arrival at the School of Arts in the spring of 2006.
		The last workshop before the public premiere of the work in Athens (September 2006) is held at the Interaktionslabor Goettelborn, Germany, the interaction-lab Johannes founded in the abandoned coal mine four years ago (http://interaktionslabor.de).
		In December 2006, Johannes directs a dance-technology workshop studio at the biannual MDF (Monaco Dance Forum) in Monte Carlo where he previously directed a workshop series (2004) on Real Time, Video/Projection, Spatialization of Sound.
	www.brunel.ac.uk /about/acad/sa/artstaff/drama/johannes/news (518 words)

	ZoomInfo Web Summary: Johannes Birringer (Site not responding. Last check: 2007-08-20)
		In New Environments for Dance: Ecologies of Networks, author and professor Johannes Birringer will address some key concerns for contemporary dance and performance practitioners working with new media and telecommunications technologies.
		Prolific independent choreographer/videomaker, Johannes Birringer is artistic director of AlienNation Co., an international multimedia ensemble based in Texas, as well as the director of the Dance & Technology Program at The Ohio State University.
		With an M.A. and Ph.D. from Trier University (Germany), Johannes Birringer has taught performance studies at many universities and has published widely on media and performing arts including his recent books "Media and Performance- along the border" (1998) and "Performance on the Edge: Transformations of Culture" (2000).
	www.zoominfo.com /directory/Birringer_Johannes_26169635.htm (334 words)

	Media & Performance: Along the Border - Johannes H. Birringer - Johns Hopkins University Press
		Richly illustrated and composed, the book interweaves Birringer's recollections of his own work in the alternative culture with commentary, on contemporary artists, from Nam June Paik to Laurie Anderson and Madonna.
		At a time when the new arts are being accepted and adopted by mainstream institutions, Birringer reclaims performance as process and movement, as political commitment to social activism and community, as aesthetic intervention into technological and economic structures of domination, and as anarchist disturbance of aesthetic pretensions.
		The author discusses the performance aspects of such political eventsas the breaching of the Berlin wall and the destruction of Sarajevo, and examines the use of video and agit-prop performance in political activity, including protests by the gay activist group ACT UP.
	www.libreriauniversitaria.it /BUS/0801858526/Media_&_Performance:_Along_the_Border.htm (237 words)

	Johannes Birringer
		Johannes then founded the Interaktions-Labor in the Goettelborn Coal Mine in Germany as an international new media and interactive technology research laboratory, residing in the Mine every summer.
		In October 2004 Johannes taught a three-week dance media workshop at the Beijing Dance Academy (China); at the end of this residency he premiered "Xu", the prolog to a new opera (Ensaio sobre a cegueïra) created in collaboration with composer Paulo C. Chagas.
		Johannes can be reached via email at orpheus@rice.edu in the USA, at johannes.birringer@ntu.ac.uk in the UK and at orpheus2@t-online.de [in Germany] during summers.
	www.aliennationcompany.com /people/jobi.htm (901 words)

	Gallery
		Johannes Birringer is artistic director of AlienNation Co., a multimedia ensemble that has collaborated on various site-specific and cross-cultural performance and installation projects since 1993.
		Birringer received his M.A. and Ph.D. from Trier University (Germany) after research fellowships at Cambridge and Yale Universities.
		In 2003 he founded the Interaktionslabor Göttelborn in an abandoned coal mine in Germany, and his summer workshops there are linked to the independent research group at the DAP Lab and his continuing involvement in telematics and collaborative online composition (ADaPT), involving multiple partners in the US, Europe, Brasil, and Japan.
	www.digitalcultures.org /Symp/Johannes.htm (545 words)

	pars01 (Site not responding. Last check: 2007-08-20)
		The prologue is created as a dance solo (choreographed by Imma Sarries-Zgonc) in front of the Festspielhaus-facade modified by Jo Siamon Salich, and performed to a sonic transformation of Wagner's Parsifal overture (created by JS Salich).
		Johannes Birringer, Imma Sarries-Zgonc (AlienNation Co.,Chicago), and the members of RU-IN (Dresden) will be creating the acoustic and visual installation and a cycle of 14 performance actions which will also be transmitted via film projectors from the 14 rooms of the East Wing into the centrally located foyer of the destroyed auditorium.
		The focus of the installation-performance is the slow and deliberate decomposition of the Wagnerian myth of the grail/redemption in the modified architectural ruins of an abandoned German utopla.
	www.multi-media-network.de /vita/projekte/parsifal/pars1.htm (724 words)

	[No title] (Site not responding. Last check: 2007-08-20)
		JOHANNES BIRRINGER is an independent choreographer/filmmaker and artistic director of AlienNation Co., a multimedia ensemble that has collaborated on various site-specific and cross-cultural performance and installation projects since 1993.
		In 1998, Birringer directed the site-specific production cycle "Parachute," commissioned by the International Fotofest in Houston, and in 1999 he directed "migbot," an interactive performance installation created for Winter Street Art Center.
		Birringer currently heads the new Dance & Technology Program at The Ohio State University, where he created the "Environments Laboratory" in 2000.
	dpa.ntu.ac.uk /dpa_search/result.php3?Project=47 (514 words)

	V2_: Johannes Birringer
		Johannes Birringer is an independent choreographer and media artist.
		Since 1993 he is artistic director of AlienNation Co., an ensemble whose works have been shown in Europe, North America and Latin America.
		He is a founding member of ADaPT, a collective which conducts research in telepresence.
	framework.v2.nl /archive/archive/leaf/other/all.xslt/nodenr-149266 (63 words)

	interactive performance series and workshop (Site not responding. Last check: 2007-08-20)
		This dialog on dance and technology as a field of research, and on current perspectives in the theory and practive of dance and technology, was conducted at the end of the spring quarter 2003, at The Ohio State University, Department of Dance.
		On Sunday the participants met for a late morning brainstorming session, intended to review formulations of findings, followed by a public roundtable in which current research in digital art, dance and media was contextualized and debated.
		The Dance and Technology Program at OSU is proud to announce that is has initiated its first motion capture research group project in April 2001, in conjunction with the opening of the new interdisciplinary MotionCapture Studio within the College of the Arts.
	dance.ohio-state.edu /~jbirringer/Dance_and_Technology/ips2.html (1806 words)

	Gallery
		Johannes Birringer, Ellen Bromberg, Naomi Jackson, John Mitchell, Lisa Naugle, and Doug Rosenberg.
		Johannes Birringer, "Interactive Environments," Research lab presentation at the DAMP Lab at V2_ Institute of the Unstable Media, Rotterdam, The Netherlands 2003
		Johannes Birringer, "New Environments for Dance: Ecologies of Networks." Subtle Technologies Conference, University of Tornonto, Ontario, Canada, 2001.
	people.brunel.ac.uk /dap/bibl.html (1609 words)

	Johannes Birringer
		A German-born performance and video choreographer, Johannes Birringer currently resides in Houston (USA) after 15 years of working in theatre, dance, performance art and video collaborations on both sides of the Atlantic.
		To visit the new telenatics lab Johannes directs at Nottingham Trent University (UK), where he is a principal research fellow, go to LATela.
		Johannes can be reached via email at orpheus@rice.edu in the USA, and at johannes.birringer@ntu.ac.uk [in Europe] during summers.
	www.ruf.rice.edu /~orpheus/jobi.html (1205 words)

	The Lantern
		“We’re excited to present a work that was created in the dance department but not really a dance in the original sense,” said Johannes Birringer, associate professor in dance.
		Directed by Birringer and created by the Environment 5 Laboratory members, “Ghost Dance” will consist of works from Kareen Balsam, Kelly Gottesman, Jenny Pommiss, Leslie Seiters, Yianni Yessios, Megan Slayter, Regina Milano and Birringer.
		Birringer stressed that this project has no hierarchy, it was jointly created by all members.
	www.thelantern.com /media/paper333/news/2001/03/07/Arts/Dance.Grad.Students.Travel.To.ghost.Island-53308.shtml?norewrite&sourcedomain=www.thelantern.com (380 words)

	Great Dance Directory - University and College Programs
		Johannes Birringer and Stelarc as well as other practiioners and theorists.
		Master of Arts in Digital Digital Performance - Brunel University - A one year masters programme that combines the practical and technical aspects of performance with a theoretical and critical contextualisation.
		Johannes Birringer, Stelarc and other pracitioners and academics in the field.
	greatdance.com /links/index.php?sid=195061132&t=sub_pages&cat=116 (166 words)

	NOEMA > ARTS
		Its aim was to bring together a small group of professional artists with established practices to explore the practical and conceptual implications of working with interactive tools, instruments and computer-controlled systems within performance conditions and exhibition-installation contexts.
		Organized by Johannes Birringer and Scott deLahunta as a collaboration between the Interactive Performance Series (OSU) and Writing Research Associates, the Think Tank was funded primarily by the Office of International Affairs and the Dance Department at The Ohio State University.
		It was originally conceived of as a follow up to "Software for Dancers: [phase one]", a London-based action research project organised in Autumn 2001 by Writing Research Associates in collaboration with the Arts Council of England, Sadler's Wells Theatre and Random Dance Company.
	www.noemalab.org /sections/arte_focus.php?IDFocus=34 (348 words)

	Amazon.com: Media & Performance: Along the Border (PAJ Books): Books: Johannes Birringer (Site not responding. Last check: 2007-08-20)
		by Johannes Birringer "Growing up in West Germany after World War II, I learned to understand history through the guilty silence that followed the horror of destruction..." (more)
		In Media & Performance, choreographer Johannes Birringer offers the first comprehensive critical study of the intimate relationship between dance and performance art and the new media technologies in contemporary culture.
		The book interweaves Birringer's recollections of his own work in the alternative culture along with commentary on contemporary artists, from Nam June Paik to Laurie Anderson and Madonna.
	www.amazon.com /exec/obidos/tg/detail/-/0801858526?v=glance (955 words)

	base (Site not responding. Last check: 2007-08-20)
		In July 2003 I will implant a laboratory of interactive performance in an abandoned coal mine in this region which has been in a permanent crisis for 20 years since the closing of the coal and steel industries which for 150 years had dominated and shaped the rural landscape.
		Independent choreographer Johannes Birringer is artistic director of AlienNation Co. (http://www.aliennationcompany.com).
		He has created numerous multimedia performances and installation video with collaborators in Europe and the Americas.
	www.subtletechnologies.com /2003/birringer.html (214 words)

	index.html (Site not responding. Last check: 2007-08-20)
		On the other hand, I will also admit to the many limitations of this pseudo-utopian concept of distribution, and focus on the small steps we are taking in understanding what we mean by intelligent space/slow space.
		Johannes Birringer is an independent choreographer/videomaker, and artistic director of AlienNation Co., an international multimedia ensemble based in Houston, Texas
		He currently also directs the Dance & Technology Program in the Dance Department at The Ohio State University, where he has conducted “Environments,” an experimental laboratory for dancers, visual and media artists focused on new processes of “folding” and “liquid architecture” to enhance the organic integration of live performance with interactive design and “distributed choreography.”
	www.subtletechnologies.com /2001/birringer.html (364 words)

	AOIR Toronto \| AOIR Toronto
		The presentation will show excerpts from a multi-site telepresence wrok I coordinated last November (see below), and it will address issues that involve the ecological and political implications of such online performances wth partners in different countries, including communications/network relationshios with artists in Europe/US and Brazil/Australia.
		A German-born performance and video choreographer, Johannes Birringer currently resides in Columbus (Ohio) and Houston (Texas) after 15 years of working in theatre, dance, performance art and video collaborations on both sides of the Atlantic.
		He began his directing career in the early 1980s while finishing his PhD at Yale University, and then moved to Dallas and Houston to work in the independent visual art/performance scenes.
	www.ecommons.net /aoir/aoir2003/index.php?n=196 (183 words)

	Radiator Festival (Site not responding. Last check: 2007-08-20)
		Digital Cultures Lab in Dance-Technologies - organised by Johannes Birringer
		Digital technologies challenge our techniques of performance, customary perceptions of culturally embodied knowledge and sensory processing, and assumptions about choreography, composition, and the relations between maker, performer, and audience.
		We shall ask: whether interactive performance and other systems of technology-based creativity have become an instance of collaborative culture, beyond aesthetic conventions of concert dance, and how interactive media blur distinctions between performer and audience/user, between performance, play, ritual, game and utility.
	www.radiator-festival.org /lab.htm (131 words)

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