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Topic: Johannes Ockeghem

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	- Classical Music Dictionary - Free MP3
		Ockeghem was one of the most respected composers of the fifteenth century, and along with Guillaume Dufay and Josquin Des Prez, one of the most influential composers of the early Renaissance.
		Ockeghem was probably born in the current Belgium, in what was then the Duchy of Burgundy, estimates for the year of his birth vary from 1400 to c.1430, but written sources from the period indicate that he was a very old man by the time of his death in 1497.
		Ockeghem's surviving musical output is relatively small, comprising a mere handful of motets, several masses, and a couple of dozen secular chansons.
	www.karadar.it /Dictionary/ockeghem.html (433 words)

	JOHANNES OCKEGHEM, Biography, Discography (Site not responding. Last check: 2007-10-15)
		Ockeghem was one of the most respected composers of the fifteenth century, and along with Guillaume Dufay & Josquin Des Prez, one of the most influential composers of the early Renaissance.
		Ockeghem was probably born in the current Belgium, in what was then the Duchy of Burgundy - estimates for the year of his birth vary from 1400 to c.1430, but written sources from the period indicate that he was a very old man by the time of his death in 1497.
		Ockeghem's surviving musical output is relatively small, comprising a mere handful of motets, several masses, and a couple of dozen secular chansons.
	www.goldbergweb.com /en/history/composers/11702.php (446 words)

	Famous Belgians - Johannes Ockeghem (Site not responding. Last check: 2007-10-15)
		Possibly a pupil of the eminent composer Gilles Binchois (1400-1460), Ockeghem served as composer and choirmaster to three French kings: Charles VII, Louis XI, and Charles VIII.
		At his death, a Déploration (lament) was composed by his pupil (according to tradition), the French composer Josquin Desprez, and a lament by the philosopher Erasmus was set to music by the French composer Johannes Lupi (c.
		Ockeghem's masses, motets, and chansons (secular part-songs) show great skill at counterpoint based on melodic imitation.
	www.famousbelgians.net /ockeghem.htm (97 words)

	Ockeghem, Johannes (c. 1410 - 1497) (Site not responding. Last check: 2007-10-15)
		Ockeghem belongs to the dominant Franco-Flemish school of composers whose influence pervaded the rest of Europe in the second half of the 15th century.
		He was in the service of the Dukes of Burgundy and from 1452 came to occupy a position of importance at the French court, holding various church benefices and serving as a diplomat.
		Ockeghem left a series of chansons, generally for three voices, on poetic texts typical of the time.
	www.naxos.com /composer/ockeghem.htm (103 words)

	Johannes Ockeghem Biography \| Encyclopedia of World Biography
		Johannes Ockeghem was born in the Netherlands, possibly in Hainaut.
		Johannes Tinctoris, leading theorist of the time and active in Naples, dedicated his Liber de natura et proprietate tonorum (1476) to Ockeghem and Busnois and named Ockeghem as the most famous musician of his time in the prologue to his Liber de arte contrapuncti (1477).
		Ockeghem's output is better characterized by other works, which demonstrate his rhapsodical, asymmetrical melodic style and a general avoidance of pervading imitation.
	www.bookrags.com /biography/johannes-ockeghem (637 words)

	Requiem - Ockeghem (Site not responding. Last check: 2007-10-15)
		The death of the Franco-Flemish musician Johannes Ockeghem, one of the great composers of the 15th century, on 6th February 1497 brought a stream of poems and laments in his honour.
		Ockeghem's pupils, among whom apparently all the great composers of the period belong, Josquin, de la Rue, Brumel and Compére, were invited to compose laments for him and met this request, Josquin even with his absolute masterpiece.
		In spite of that here he stands among his singers, with glasses on his nose, the great, thin and consistently unerring master, reminding the observer that he was in his time almost as well known for his glorious, deep bass voice as for his unique language as a composer.
	members.optusnet.com.au /~charles57/Requiem/ockeghem.htm (444 words)

	ECHO III/2: Marsh (Site not responding. Last check: 2007-10-15)
		Johannes Ockeghem was held in the highest esteem among fifteenth and sixteenth-century musicians, theorists, scholars, and humanists.
		Ockeghem was also likely present at various international political negotiations, and although any diplomatic role on his part would be highly speculative, his presence was certainly valued.
		In those instances where Ockeghem brings attention to cadences through a diminution of note values and punchy syncopated rhythms, The Clerks’ Group exerts a rhythmic clarity that is thrilling to the ear and stylistically revealing to the intellect.
	www.echo.ucla.edu /volume3-issue2/reviews/marsh.html (1652 words)

	HOASM: Johannes Ockeghem
		Ockeghem was born in the village of St. Ghislain (near Mons, Belgium) in the diocese of Cambrai, but his date of birth is unknown.
		The first appearance of Johannes Ockeghem in the surviving records is the year (1443-1444) that he spent as a vicaire-chanteur (an adult singer in the cathedral choir) at Notre Dame in Antwerp.
		Ockeghem's output was comparatively modest in size: ten complete Masses, some partial Masses and single movements, and also the earliest extant polyphonic Requiem, a handful of motets and 22 chansons.
	www.hoasm.org /IIID/Ockeghem.html (1037 words)

	Biography of Johannes Ockeghem (Site not responding. Last check: 2007-10-15)
		Ockeghem is considered the most important composer between Dufay and Josquin Des Prez.
		Although often thought to be Flemish, Ockeghem was born in Saint-Ghislain, in the provence of Hainaut (now part of modern Belgium), part of the Duchy of Burgundy.
		A strong influence on Josquin Des Prez, Ockeghem was famous throughout Europe for his expressive music and his technical mastery.
	biography-2.qardinalinfo.com /o/Ockeghem_Johannes.html (250 words)

	Ockeghem, Johannes (1410 - 1497) mp3 archive - full albums in mp3
		Ockeghem, Johannes (1410 - 1497) - Kyrie mp3
		Ockeghem, Johannes (1410 - 1497) - Epistola mp3
		Ockeghem, Johannes (1410 - 1497) - Sanctus (Antonius Divitis) mp3
	ockeghem-johannes-1410-1497.boatmagic.com (128 words)

	Johannes Ockeghem
		The leading composer of the day, Ockeghem was a prominent bass singer (which is part of the reason Lionheart's Johnson says likes singing Ockeghem's bass parts) and a key figure in the Burgundian school of choral music that filled cathedral vaults in Paris, Reims, Cambrai and Tours.
		In fact, Ockeghem (who didn't come of age until some years after Joan made her exit) didn’t need CNN to keep up with world politics.
		Ockeghem himself was part of the royal entourage to Spain that tried unsuccessfully to negotiate a political marriage between Louis’ brother and Isabel of Castile (Ferdinand of Aragon made her a better offer).
	www.angelfire.com /music2/davidbundler/ockeghem.html (884 words)

	Johannes Ockeghem's: Biography, Articles
		Ockeghem was a native of Saint Ghislain in Hainaut [3].
		Apparently, it was near the end of 1460, the last year of the reign of Charles VII that Ockeghem wrote the elegy on the death of Binchois [9].
		During his service for Louis it appears Ockeghem was also serving the king in diplomacy as he participated in the 1470's embassy to Spain, to discuss a royal marriage between the house of Spain and Louis's brother.
	www.geocities.com /Vienna/Choir/4792/ockeghem.html (2498 words)

	Johannes Ockeghem
		Ockeghem fue un compositor perteneciente a las primeras generaciones de la escuela franco-flamenca y uno de los más influyentes y respetados mvsicos de su época.
		Ockeghem poseía cierta “habilidad” para estos menesteres aunque a la hora de componer era bastante favorable a su propia voz.
		Ockeghem es un genio de la matemática, incluso más genial que Bach a la hora de conseguir rizar el rizo.
	members.tripod.com /~mundoclasico_archivo/antigua/ockenghem.htm (643 words)

	Johannes Ockeghem - A discography
		Ockeghem was one of the most respected composers of the fifteenth century, and along with Guillaume Dufay and Josquin Desprez, one of the most influential composers of the early Renaissance.
		Ockeghem was born in the French-speaking province of Hainaut, in the town of Saint-Ghislain, according to recent definitive research.
		Ockeghem: Missa Mi-Mi - Salve Regina and Alma redemptoris mater
	www.medieval.org /emfaq/composers/ockeghem.html (5847 words)

	Ockeghem Johannes - Search Results - MSN Encarta
		Ockeghem Johannes - Search Results - MSN Encarta
		The leading Netherlanders were Johannes Ockeghem, Jakob Obrecht, Josquin Desprez, and Orlando di Lasso.
		With the generation of composers after Dufay, most notably the Flemings Johannes Ockeghem and Jacob Obrecht, medieval principles of cantus-firmus...
	uk.encarta.msn.com /Ockeghem_Johannes.html (99 words)

	San Francisco Bach Choir: Johannes Ockeghem
		Alongside Binchois, Du Fay, Busnoys and Josquin, with whom his name is linked in documents of the time, he is considered one of the greatest composers of the 15th century.
		After his death, his music disappeared from daily use, and knowledge of his existence, and of his extraordinary contrapuntal skills, was somewhat distorted by later scholars until his rehabilitation in the 19th century.
		Although the number of known works attributed to Ockeghem is surprisingly small in view of the length of his life and the esteem in which he was held, his masses constitute an imposing repertory.
	www.sfbach.org /repertoire/ockeghemj.html (376 words)

	Classical Net - Basic Repertoire List - Ockeghem
		Ockeghem was one of the most respected composers of the fifteenth century, and along with Guillaume Dufay & Josquin Des Préz, one of the most influential composers of the early Renaissance.
		Ockeghem was probably born in the current Belgium, in what was then the Duchy of Burgundy – estimates for the year of his birth vary from 1400 to c.1430, but written sources from the period indicate that he was a very old man by the time of his death in 1497.
		Use of text, images, or any other copyrightable material contained in these pages, without the written permission of the copyright holder, except as specified in the Copyright Notice, is strictly prohibited.
	www.classical.net /music/comp.lst/ockeghem.html (571 words)

	Johannes Ockeghem (Site not responding. Last check: 2007-10-15)
		He is regarded as the spiritual forbear to just about every composer of the next generation, including Josquin Desprez, who composed a lament as a tribute to the elder master after his death.
		Despite his influence, Ockeghem's music resembles that of no other composer.
		Though the individual strands of his polyphony are "nearly equivalent to each other in speed, floridity, and function, individual lines are subordinate to the total effect of the interplay among all voices." The scholar Reinhard Strohm describes his "Alma redemptoris" as a "masterwork of pure vocal music, without any motivic, imitative or even modal artifice."
	www.ndceditions.com /Composer/Ockeghem.html (152 words)

	Johannes Ockeghem (c.1410-1497) : Library of Congress Citations (Site not responding. Last check: 2007-10-15)
		The Ockeghem chansons are Ma bouche rit, Mort tu as navrbe/Miserere, Les desleaux, L'autre d'antan, and S'elle m'amera/Petitte camusette.
		Uniform Title: Missa cuiusvis toni Title: Ockeghem's Missa cuiusvis toni : in its original notation and edited in all the modes / with an introduction by George Houle.
		Ockeghem's Missa cuiusvis toni Notes: His Ockeghem's Missa cuiusvis toni, c1992.
	www.mala.bc.ca /~mcneil/cit/citlcockeghem.htm (1885 words)

	Ockeghem by David Norman Bower
		Master Johannes Tinctoris, professor of law and arts, in one sentence cites sir Johannes Ockeghem as "the most celebrated teacher of the art of music", and "most illustrious man" but later goes on in the same letter to criticize him for wrongly using signs of proportion, "Proportionale Musices".
		On the other hand, of all the disciplines to which we might apply a deterministic approach, the theory and analysis of music has necessarily become more complex (and thereby it could be said that our methods are improving), and presumably we are able to discern more closely the structure and organization of composition.
		He may not have had as much depth as Ockeghem, nor Busnois's subtlety and taste for intricate polyphony, but the clarity of his writing is remarkable.
	homepages.nyu.edu /~dnb208/anachronism (1019 words)

	Heinavanker - Loomiselaul (The Creation) - Sacred Music from Estonia
		The corner stone of Johannes Ockeghem‘s (1417-1497) inspiring and difficult to define music is an extraordinary balance between hidden mathematical constructions and the apparently spontaneous melody lines which they help construct, but which nevertheless remain unexpected.
		Ockeghem is a composer who brings to completion the musical thoughts of an epoch, leading to a counterbalancing by the following generation who preferred more transparent paths.
		For singers of today‘s discernment, Ockeghem‘s works make such unusual demands that their performance is considered a test of courage.
	www.kuk-verlagsanstalt.com /English/Maulbronn/SHeinavanker.html (958 words)

	AllRefer.com - Johannes Ockeghem (Music: History, Composers, And Performers, Biography) - Encyclopedia
		Johannes Ockeghem, Music: History, Composers, And Performers, Biographies
		Johannes Ockeghem[yOhAn´us ok´ugem] Pronunciation Key, c.1410–1497, Flemish composer.
		Ockeghem is thought to have been a pupil of Gilles Binchois and was definitely taught by Guillaume Dufay.
	reference.allrefer.com /encyclopedia/O/Ockeghem.html (200 words)

	Amazon.com: Ockeghem: Requiem; Missa Mi-Mi: Music: Johannes Ockeghem,Hilliard Ensemble (Site not responding. Last check: 2007-10-15)
		If, however, you think you would prefer female voices to countertenors, you may like to sample Ockeghem’s music in an interpretation by the Danish choir Musica Ficta, directed by Bo Holten (and published at budget-price by Naxos): their interpretation is not so strictly historical, but their singing is, in its way, also very beautiful.
		Requiem is not only Ockeghem's most famous work, it is also the earliest surviving polyphonic setting of the funeral mass.
		Scholars suggest that the work was not written all at once, and that, in fact, it may be a compilation of fragments from various Ockeghem's compositions.
	www.amazon.com /Ockeghem-Requiem-Missa-Hilliard-Ensemble/dp/B000005GNF (1114 words)

	Johannes Ockeghem Home Page
		N.B.: Much of the bibliographic data included on the Johannes Ockeghem Home Page as well as a substantial amount of research-related information contained in the author's revised doctoral dissertation is currently being updated and substantially augmented in order to be submitted for publication in monographic form.
		Gottwald, C. "Johannes Ockeghem: Bericht über den Erzavantgardisten." In Revolution in der Musik: Avantgarde von 1200 bis 2000, edited by A. Riethmüller, pp.
		Johannes Ockeghem en zijn tijd: tentoonstelling gehouden in het Stadhuis te Dendermonde, 14 November - 6 December 1970.
	library.ferris.edu /scott/ockeghem.html (9761 words)

	Josquin’s La Deploration de la mort de Johannes Ockeghem (Site not responding. Last check: 2007-10-15)
		We are, however, going to talk some about his chansons and the influence another musician named Ockeghem had on him.
		Johannes Ockeghem was one the greatest composers of the 15
		It was when Ockeghem died on February 6, 1497 that Josquin wrote this motet-chanson song in memorial of his life and his legacy.
	people.vanderbilt.edu /~adrianna.l.bond/mar4.htm (1891 words)

	Publication : Johannes Ockeghem: Masses and Models
		Johannes Ockeghem remains one of the most enigmatic figures in music history.
		His lofty individuality has both captivated and baffled generations of commentators, from whom Ockeghem's style traditionally calls forth a negative rather than positive terminology.
		Born in France and raised in Toronto (Canada), Fabrice Fitch studied composition at the Conservatoire National de Région de Bordeaux, obtaining his M. Mus from McGill University (Montréal) in 1991 and his Ph.
	www.cesr.univ-tours.fr /Recherche/publi.asp?numpubli=110 (205 words)

	Johannes Ockeghem - Classical music composer (Site not responding. Last check: 2007-10-15)
		Ockeghem's Missa Cuiusvis Toni: In Its Original Notation and Edited in All the Modes : Soprano/Alto/Tenor/Bass (Publications of the Early Music Institute)
		The Missa Prolationum of Johannes Ockeghem: A performing edition (Kent State University.
		Johannes Ockeghem and Jacob Obrecht: A Guide to Research (Garland Composer Resource Manuals, Vol 13)
	www.classical-composers.org /comp/ockeghem (907 words)

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