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| | Proportion, Scale, and the "Row" by Jin-Ho Park in the Nexus Network Journal vol. 5 no. 2 (Autumn 2003) (Site not responding. Last check: 2007-10-22) |
 | | Writing of the stretched string, Robinson observed that "the subdivisions will give the notes of the gamut: 1/2, 8/15, 3/5, 2/3, 3/4, 4/5, 8/9."[4] These terms give the ratios of the octave in the modern, intonation scale. |
 | | At the time that Robinson was writing it was understood that simple ratios 1:2, the duple, 2:3, the hemiolic, and 3:4 the epitritic, had been used by the Greeks in their architecture. |
 | | The distinction is illustrated using Robinson's and Schindler's example of 9/19, which is preceded by 8/18 and begins with the core value 1/11, the first ratio in the tenth row. |
| www.nexusjournal.com /Park-v5n2.html (3756 words) |
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