| |
| | Perfect Sound Forever: John Cale interview/overview |
 | | Cale, though he has consistently made braver choices and bolder, deeper, richer work than most of the rockers whose albums and myths he has helped fashion, seems to have decided long ago not to seek the easy respectability so many of his fellows currently enjoy. |
 | | A gifted pianist and composer, Cale was supposed to have been groomed for a life in conservatories, and his teachers at Goldsmiths’ scolded him for his baffling fascination with the avant-garde. |
 | | Cale had a hand in many of the best albums of the 1970's: The Stooges, Modern Lovers, and Horses, which he produced, along with Nico’s still-overlooked masterpieces The Marble Index and Desertshore; and his own Paris 1919, Fear, Slow Dazzle, Helen of Troy and Sabotage certainly rank among the very best rock albums ever made. |
| www.furious.com /perfect/johncale3.html (3030 words) |
|