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| | Movie Music UK — Sin City — Robert Rodriguez/John Debney/Graeme Revell |
 | | To this end, Rodriguez hired John Debney (who he worked with previously on Spy Kids) and Graeme Revell (who he worked with previously on From Dusk Till Dawn), and asked them to score the Dwight and Marv stories respectively, while Rodriguez himself would score the Hartigan story, and provide the film’s overarching main themes. |
 | | Debney, on the other hand, was to try to emulate the great film noir scores of the past, and specifically Bernard Herrmann, and as a result made use of a full symphony orchestra with solo parts for a moody, smouldering trumpet. |
 | | Debney’s music, by comparison, embraces the classic orchestral noir stylistics, notably featuring a lonely trumpet solo as a recurring leitmotif for Clive Owen’s unlikely saviour of the city’s hookers. |
| www.moviemusicuk.us /sincitycd.htm (1057 words) |
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