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Topic: John Debney


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In the News (Thu 16 Feb 12)

  
  USATODAY.com   (Site not responding. Last check: 2007-10-03)
John Debney: The London Voices was the choir group that was singing on the soundtrack.
John Debney: Well this is truly the ultimate question for me. I had been a catholic "light" for a while but through some personal trevails such as the death of my mom, I have gone through a reawakening of my catholic faith.
John Debney: Some people may find the brutality towards Jesus easier to digest on the small screen, yet seeing it with an audience is extremely powerful and uplifting.
cgi1.usatoday.com /mchat/20040330004/tscript.htm   (2457 words)

  
 The Passion of the Christ - John Debney
John Debney's involvement in "The Passion of the Christ" was not planned.
John Debney was not an obvious choice for this film since he was best known for family and comedy movies like "Elf" and "Bruce Almighty", although the latter may demonstrate a qualification of sorts.
John Debney has made a conscious effort to be different and surprising, but still true to the subject matter.
www.mfiles.co.uk /reviews/john-debney-the-passion-of-the-christ.htm   (763 words)

  
 John Debney - film and TV composer
John Debney is certainly part of the younger generation of film composers having pursued a career in films for little more than a decade.
Debney's latest challenge is quite surprising in some respects given his previous portfolio.
John Debney has now adapted his music for this film into a Symphony which was given its premiere in Rome on 6th July 2005.
www.mfiles.co.uk /composers/John-Debney.htm   (472 words)

  
 John Debney: Composing 'Passion'
Conductor/composer John Debney is well known for his expertise with comedies and family films.
John: [It was] very poignant for me, and I think for most viewers First time he heard that piece of music he cried.
John's painful loss gave him the artistic inspiration needed to musically convey the relationship between a mother and a son.
www.cbn.com /700club/Guests/Interviews/John_Debney032105.asp   (844 words)

  
 John Debney
Southern California native Debney is the second generation of his family to be involved in entertainment, and has a background in rock & roll and TV scoring and orchestration.
Debney is also among the industry's most in-demand composers, with several high profile projects on tap for 2003, including the forthcoming Jim Carrey film, Almighty Bruce, Garry Marshall's Raising Helen and the animated Disney movie, Chicken Little.
In my college years (John Debney studied at California Institute of the Arts where he received a degree in Composition), I became serious about music and also about drama -- I hoped to become an actor.
www.ascap.com /playback/2003/march/debney.html   (1904 words)

  
 John Debney - Wikipedia, the free encyclopedia
John Debney (born Glendale, California, 18 August 1956) is a prolific American film composer who received an Oscar nomination for his score for Mel Gibson`s The Passion of the Christ.
Debney has won three Emmy Awards for his work on television series The Cape, SeaQuest DSV, and The Young Riders.
John also composed Police Academy, A Pup Named Scooby Doo and Dink the Little Dinosaur and he wrote the theme song for the 1993 American version of Dennis the Menace for DIC Entertainment.
en.wikipedia.org /wiki/John_Debney   (188 words)

  
 Costa Communications - press release
John made my film 10 times better." Gibson lends his voice to the score's vocals and chants, performing with the London Voices.
With a diverse list of film credits, John Debney utilizes both his classical training and strong knowledge of contemporary sounds in order to adapt to any assignment.
Debney has embarked on a series of CD recordings of classical film scores for Varese Saraband Records, conducting works including "Superman," "The Seventh Voyage of Sinbad", Titanic with The Royal Scottish National Orchestra.
www.costacommunications.com /press/releases/092104_debneyDVDAVAIL.html   (277 words)

  
 Jesusfreakhideout.com: John Debney, "The Passion Of The Christ Soundtrack" Review
But on February 24th of this year, Debney's most crucial piece hit streets on the eve of the release of one of the most impacting films to ever grace the silver screen.
I'm sure when Debney took on this project, he never imagined he'd be in for the spiritual battle of his life, working on his toughest film yet.
Debney uses a wide range of tones musically throughout the soundtrack from somber and sorrowful to emotionally-fueled bursts from the orchestra.
www.jesusfreakhideout.com /cdreviews/ThePassionOfTheChrist.asp   (547 words)

  
 Filmtracks: Elf (John Debney)
Elf: (John Debney) In a project perfectly constructed for composer John Debney, Elf is a personality-driven urban fantasy film with plenty of fluff to go around.
John Debney seems to find himself involved in countless silly projects such as this, and his comedy skills would lend themselves well to the project.
Debney's Snow Dogs the previous year was the most recent adventurous activity for Debney in snowy climates, and his music for the setting is always complete with appropriate holiday percussion.
www.filmtracks.com /titles/elf.html   (1000 words)

  
 Janet Jackson ready to laugh at herself - Gossip: The Scoop - MSNBC.com
John Debney, who composed the music for “The Passion of the Christ,” says he did battle with Satan while scoring the flick.
Debney had written music for a number of movies such as “Liar, Liar,” “Spy Kids,” and “I Know What You Did Last Summer” — but he says he was visited by the devil while writing the score for the film about the last hours of Jesus Christ.
Debney claims that Satan’s image kept appearing on his computer screen while he was trying to compose music.
www.msnbc.msn.com /id/4375708   (564 words)

  
 Dick by John Debney
Thus we have this rare promo, which can be found at a few specialty outlets for the outrageous price of about $30, which, when considering its short 25 minute running time, seems even more expensive (over a dollar per minute!).
Debney forms an instrumental version of his "Skipping" theme here, for swing jazz ensemble.
In short, only die-hard Debney fans will want to spend the astronomical amount of money to get this, and, while the score is pleasant enough, it won't appeal to general film score fans, especially those who despise jazz and swing music.
scoresheet.tripod.com /Reviews/dick.html   (776 words)

  
 The Passion of The Christ by John Debney | Cinemusic.net Soundtrack Review   (Site not responding. Last check: 2007-10-03)
Debney says that he was given a great gift as an artist to be allowed to put music to such a powerful film and the score became very personal for him.
Debney composed a score for full choir and solo vocalists that stands up to the choral elements of the powerhouse scores of last year, Matrix Revolutions and The Return of the King.
I hope that Debney uses this project to move out of the comedy genre and step into the public conciousness, because he truly is one of the best film composers working in the industry today.
www.cinemusic.net /reviews/2004/passion_of_the_christ.html   (984 words)

  
 Filmtracks John Debney Tribute
As the second generation of his family to be involved in the Los Angeles entertainment industry, Debney is one of film music's citizen-advocates, immersed in the genre's history and concerned about film music's future.
Debney continues to utilize both his classical training and a strong knowledge of contemporary sounds in order to easily adapt to any assignment, making him the composer to watch in the next few decades.
Debney was the most productive Hollywood composer in the year 2002, with seven projects in that year alone, and the demand for his talents remains very high.
www.filmtracks.com /composers/debney.shtml   (1808 words)

  
 Adams, John Quincy on Encyclopedia.com   (Site not responding. Last check: 2007-10-03)
ADAMS, JOHN QUINCY [Adams, John Quincy] 1767-1848, 6th President of the United States (1825-29), b.
Quincy (then in Braintree), Mass.; son of John Adams and Abigail Adams and father of Charles Francis Adams (1807-86).
John Quincy Adams, La Amistad, and democracy in America.
www.encyclopedia.com /html/A/Adams-J1Q1.asp   (761 words)

  
 VARESE SARABANDE SUPERMAN RECORDING REVIEWS
Debney and his crew were faced with the difficult task of almost reworking the entire score -- it was not simply a question of remastering the old recordings or easily duplicating a few pre-arranged pieces.
This magnificent John Williams composition was conducted by John Debney and performed by the Royal Scottish National Orchestra.
Debney did not have access to the film for guidance, but surely he could have simply rented the WB home video, played it on a hi-fi VCR the night before the recording, and noted the original tempos accordingly.
members.aol.com /dsupermanc/rnsorevs.htm   (4804 words)

  
 5/5/04: Dominus Debney   (Site not responding. Last check: 2007-10-03)
To take Debney seriously, one has to believe first in the existence of spiritual powers, the real and individual person of the Christian devil as a fallen angel, and the ability of such a being to interact with the human race.
According to Catholic demonology, that Debney -- or any of us, for that matter -- should face such demonic persecution is a virtual given; that Debney should be able to perceive it is a matter of his personal faith and religious training.
Likewise, whether you share Debney's beliefs or not, his willingness to talk about his faith as it directly relates to his work is both brave and a valuable insight into the creative process of a talented artist.
www.filmscoremonthly.com /articles/2004/05_May---Dominus_Debney.asp   (1622 words)

  
 Cinemusic.net: Faith In John Debney -- An interview with the composer   (Site not responding. Last check: 2007-10-03)
John Debney is a major staple in modern film music about whom you may not know much.
John Debney himself is about the as nice a guy as one could meet.
If you type "John Debney" into the search engine at Amazon.com, less than 20 CD titles come up and many of them are recordings of classic film music you've conducted for Varese Sarabande.
www.cinemusic.net /composers/john_debney_2003.html   (4800 words)

  
 The Replacements by John Debney (Quick-Click Review)
While Debney's skills as a composer can hardly be doubted with scores like Cutthroat Island to his credit, it is difficult to reconcile works such as The Replacements with his obvious abilities.
Given the plot and environment of The Replacements, composer John Debney had a daunting task ahead of him.
Fittingly, his score for this film maintains the cheesy appeal of the film and there is little to no reason for one to bother with this release.
www.tracksounds.com /reviews/quickclick/reviews/qcreplacements.htm   (199 words)

  
 SoundtrackNet : Interview - John Debney   (Site not responding. Last check: 2007-10-03)
John Debney is probably one of the busiest composers working today.
I also composed the John Brown theme, which is stated quite often when Gadget is being very heroic.
John Debney's work can be heard in Inspector Gadget and Dick, both in theaters now.
www.soundtrack.net /features/article?id=41   (948 words)

  
 Costa Communications - press release
DIRECTION OF JOHN DEBNEY ON (Los Angeles, CA- March 9, 2004) "The Passion of the Christ" continues its miraculous momentum both as a film as well as the score.
The original soundtrack recording on Sony Music/Integrity (music by John Debney) is the #1 selling soundtrack in its first full week of sales, according to Billboard charts.
The score is written by Award-winning film composer John Debney (Elf, The Scorpion King, Bruce Almighty, Spy Kids).
www.costacommunications.com /press/releases/031504_PassionDebney.html   (333 words)

  
 The Replacements - John Debney   (Site not responding. Last check: 2007-10-03)
I've not actually heard of Font 48 who perform in many of the tracks composed by Debney, but they are an enjoyable soft (softer during their songs than instrumentals as far as I can tell) rock group who also perform a couple of their own songs.
While unusual for John Debney, the score isn't terribly surprising given the genre (American Football) of the film; a rock sensibility prevails during the action, with plinky plunky moments for the quieter scenes.
With this and End of Days, John Debney seems to be adding an interesting pop sensibility and element of collaboration to his music.
www.soundtrack-express.com /osts/replacements.htm   (327 words)

  
 The Passion of the Christ (John Debney) - scorereviews.com soundtrack review
Debney is probably one of the most typecasted composers working in Hollywood today, scoring mostly lightweight comedies like Bruce Almighty and Cats & Dogs.
Compared to Jeff Danna's The Gospel of John, another recent score for a film about Jesus, John Debney's score is a lot darker and much more dramatic.
Debney also uses ethnic instruments throughout the score, which at times creates a sound similar to Hans Zimmer's Gladiator score.
www.scorereviews.com /title.asp?id=422   (666 words)

  
 Movie Music UK - Cutthroat Island — John Debney
John Debney is arguably the only member of Cutthroat Island’s cast and crew whose career was not tarnished through their association with it.
Despite the excellence of the music which comes before if, Debney truly saved the best for last, and while it may sound like hyperbole, I would almost go as far as saying that this cue is one of my favourite tracks of all time.
Nevertheless, this one tiny criticism notwithstanding, Cutthroat Islands remains a spectacular effort from John Debney which every self respecting film music fan should add to his or her collection, be it the shorter original release or the new Prometheus version.
www.moviemusicuk.us /cutthrcd.htm   (1381 words)

  
 The Rugged Elegance Inspiration Network: Jay Leno Hosts 'Passion' Composer, John Debney on 'The Tonight Show' Tonight
Three-time Emmy Award winner John Debney's score from The Passion Of The Christ is rich and deeply moving.
Debney's score brings an atmospheric texture that perfectly complements the Caravaggio-like cinematography of the film.
John Debney is also known for having composed the soundtracks for Bruce Almighty and Elf.
www.ruggedelegantliving.com /a/002435.html   (341 words)

  
 John Debney: The Passion of the Christ Symphony • • Classical Music • Travel to Rome, Italy
John Debney: The Passion of the Christ Symphony
Composer John Debney conducts the world-premiere performance of his new orchestral work, The Passion of the Christ Symphony in the outdoor “Cavea” at the Accademia Nazionale di Santa Cecilia’s performance complex in Rome, designed by architect Renzo Piano.
John Debney based his Passion of the Christ Symphony on themes featured in his Academy Award-nominated score to Mel Gibson’s film The Passion of the Christ.
www.culturekiosque.com /travel/item6822.html   (302 words)

  
 CatholicMusicNetwork.com - John Debney - Profile
To his success, Debney utilizes both his classical training and a strong knowledge of contemporary sounds in order to easily adapt to any assignment.
Debney was involved with two of the biggest hits of 1997.
That same year, Debney scored Columbia Pictures/Mandalay Entertainment's horror thriller I KNOW WHAT YOU DID LAST SUMMER with a screenplay by Kevin Williamson, whose previous project was the mega-hit SCREAM.
www.catholicmusicnetwork.com /profiles/251.asp?x=1   (294 words)

  
 Movie Music UK — Sin City — Robert Rodriguez/John Debney/Graeme Revell
To this end, Rodriguez hired John Debney (who he worked with previously on Spy Kids) and Graeme Revell (who he worked with previously on From Dusk Till Dawn), and asked them to score the Dwight and Marv stories respectively, while Rodriguez himself would score the Hartigan story, and provide the film’s overarching main themes.
Debney, on the other hand, was to try to emulate the great film noir scores of the past, and specifically Bernard Herrmann, and as a result made use of a full symphony orchestra with solo parts for a moody, smouldering trumpet.
Debney’s music, by comparison, embraces the classic orchestral noir stylistics, notably featuring a lonely trumpet solo as a recurring leitmotif for Clive Owen’s unlikely saviour of the city’s hookers.
www.moviemusicuk.us /sincitycd.htm   (1057 words)

  
 Costa Communications - press release
John Debney, who has also composed for such blockbusters as “Princess Diaries 1 and 2,” “Raising Helen,” “Elf,” “The Scorpion King,” “Bruce Almighty,” and “Spy Kids,” has quickly become one of Hollywood’s top composers.
John made my film 10 times better." Gibson himself even participated in Debney’s score by performing with famous recording choir London Voices for the score's vocals and chants.
Debney utilized an 80-piece London orchestra to record the powerful music.
www.costacomm.com /press/releases/092104_debney.html   (326 words)

  
 Film Score Monthly Message Board   (Site not responding. Last check: 2007-10-03)
Debney is my most favorite composer nowadays, and I am just wondering if anyone else thinks he is still underrated even after his immensely successful Passion of the Christ.
Debney has yet float my boat, Cutthroat Island has it's moments but I've yet to be blown away.
Some of John Debney's scores are great fun (CATS AND DOGS is a damn fine listen on disc, for example), but they don't bear any composer imprint (to me, at least).
www.filmscoremonthly.com /board/posts.asp?threadID=29727&forumID=1   (798 words)

  
 The Scorpion King - John Debney   (Site not responding. Last check: 2007-10-03)
I have no statistics to hand, but I would lay real money on bet that the average grosses for John Debney scored films are higher than that of the average grosses for Jerry Goldsmith scored films.
It would be unfair to suggest that Debney is anything less than an accomplished composer, at least technically, but here again displays a total inability to stand out from the crowd.
Yes it is written by a skilled composer, Debney undoubtedly knows what buttons to press and when, but it's frankly all a little bit incidental sounding.
www.soundtrack-express.com /osts/scorpionking.htm   (455 words)

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