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| | Dodson, Footnotes |
 | | John Rink, 197-216 (Cambridge: Cambridge University Press, 1995); Catherine Nolan, "Reflections on the Relationship of Analysis and Performance," College Music Symposium 32-34 (1993-94): 112-39; Richard S. Parks, "Structure and Performance: Metric and Phrase Ambiguities in the Three Chamber Sonatas," in Debussy in Performance, ed. |
 | | John Paynter, Tim Howell, Richard Orton, and Peter Seymour, 692-714 (London: Routledge, 1992), 709; Lawrence Rosenwald, "Theory, Text-Setting, and Performance," Journal of Musicology 11 (1993), 60-63. |
 | | George Hartmann proposed that "eidotropy" is a better translation of the word "Prägnanz," as it was used by the Gestalt theorists, than "precision." Eidotropy is the tendency of an image or representation to become typical or conventional. |
| www.societymusictheory.org /mto/issues/mto.02.8.1/mto.02.8.1.dodson_notes.html (3540 words) |
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