
	Where results make sense

Topic: John Hubley

Related Topics

Animation

Joseph Barbera

In the News (Tue 14 Feb 12)

EXECUTIVE POWER

Iran

ANALYSIS

Pakistan

Family compact

	Independent Spirits.John Hubley \| PBS
		John Hubley was born in Wisconsin in 1914.
		John became an art director at Disney and designed layouts for Pinocchio, Bambi, Dumbo and the "Rites of Spring" sequence in Fantasia.
		John Hubley died during heart surgery in 1977.
	www.pbs.org /itvs/independentspirits/john.html (702 words)

	John Hubley Summary
		When the people who worked with animator John Hubley (1914-1977) spoke of him, they agreed that he was a creative genius, a designer who would push the envelope of his medium, a man of vision with the ability to follow a dream.
		Trudeau was a student of Hubley's in 1973, when he suggested that even though the strip was static (Trudeau had often been criticized for the copier-like uniformity of his drawing) the characters were strong enough to translate into motion.
		John Hubley (May 21, 1914 – February 21, 1977) was an animator and animation director known for both his formal experimentation and for his emotional realism which stemmed from his tendency to cast his own children as voice actors in his films.
	www.bookrags.com /John_Hubley (2054 words)

	John Hubley - Wikipedia, the free encyclopedia
		John Hubley (May 21, 1914 – February 21, 1977) was an animator and animation director known for both his formal experimentation and for his emotional realism which stemmed from his tendency to cast his own children as voice actors in his films.
		In 1935, he got a job as a background and layout artist at Disney, where he worked on such classic films as Snow White and the Seven Dwarfs, Pinocchio, Dumbo, and Bambi, as well as "The Rite of Spring" segment from Fantasia.
		He married Faith Elliott (September 16, 1924 – December 7, 2001) the same year, and they collaborated on nearly every film he made until his death in 1977 at age 62 during heart surgery.
	en.wikipedia.org /wiki/John_Hubley (314 words)

	John Hubley's Animation Revolution (Site not responding. Last check: 2007-10-14)
		In 1914, John Hubley was born in Wisconsin and we can only assume that he spent the long winters with pen and paper in his hand as it wasn't long (1935) before he found himself working on Snow White and The Seven Dwarfs.
		Hubley would often speak fondly of the way Jones used new animation techniques on a story of comedy on a human level, as opposed to the typical cartoon of comedy for comedy's sake.
		Hubley was not the only artist seeking the future and truth in the animated film at this time.
	www.digitalmediafx.com /Features/johnhubley.html (2720 words)

	Animation World Magazine (Site not responding. Last check: 2007-10-14)
		John Hubley, as most of you know, was one of the premiere names in animation in his time.
		Hubley became part of (and quite possibly led) a group of artists at Disney who became fed up with the traditions of literalism and sentimental representation that were the studio’s stock-in-trade right down to the musical scores.
		Hubley also hated the repressive political atmosphere at the studio, where personnel were discreetly but strongly urged to vote for Walt’s candidates of choice during elections.
	mag.awn.com /?int_check=yes&article_no=1012 (727 words)

	masters of animation: faith and john hubley (Site not responding. Last check: 2007-10-14)
		In the years since the establishment of their independent animation studio, Storyboard, in 1955, the Hubleys completed 21 films together, one a year until John Hubley's death, during heart surgery in 1977.
		The Hubleys' non-traditional techniques, a blend of watercolour, wax crayons, multiple exposures and lighting from beneath the camera, give their films a spontaneous appearance and emphasise their free-form graphic approach.
		Faith Hubley's final work, a lyrical visual poem to environmentalism that conveys the Inuit's deep attachment to the land and their remarkable ability to adapt to the natural world.
	www.acmi.net.au /930FB48D7F3C4B51BD80C71D172C60DA.jsp (380 words)

	Sody Pop Rides the Carousel: A Tale of Two Independents (Site not responding. Last check: 2007-10-14)
		Hubley was involved in an animated production of Finian’s Rainbow that never made it to the screen and twenty years later was fired from the movie Watership Down, most likely due to creative differences with producer Martin Rosen.
		John Hubley and John Kricfalusi, following virtually the same paths, managed to perform these feats in completely different ways and we are all the richer for it.
		A final note: When John Kricfalusi created one of his faux-commercials for The Ren and Stimpy Show, he illustrated a happy bunch of children playing with their indispensable toy "Log." One of the children is a dead ringer for another tyke featured in a series of commercials from the 1950s.
	www.awn.com /mag/issue5.02/5.02pages/goodmanjohns4.php3 (451 words)

	Cartoon Brew Films » Films » Flat Hatting
		John Hubley (1914-1977) was a seminal figure in the transformation of animation from “humanized pigs and bunnies” into an art form that was capable of expressing sophisticated ideas in a contemporary graphic language.
		Hubley was hired at Disney in 1936 as an assistant background painter on Snow White and the Seven Dwarfs (1937).
		John Hubley’s genius is one of the cornerstones of modern animation art with Flat Hatting an “elder statesman” of the genre.
	cartoonbrewfilms.com /flathatting (877 words)

	Distance-Educator.com's Daily News (Site not responding. Last check: 2007-10-14)
		John's role in the 1941 Disney Studio strike, and the eventual political fallout that participation in the strike had on the careers of many of the artists who took part in it.
		John's work on the animated version of Finian's Rainbow, a project which was summarily shut down when it was discovered that Hubley was working on it.
		John and Faith's twenty-two year collaboration, during which they made twenty-one independent films, won three Academy Awards (out of seven nominations) and andquot;violated all the rules,andquot; with their alternative style of animation and innovative use of sound.
	www.distance-educator.com /dnews/print.php?sid=6621 (1380 words)

	Homestat Farm (Site not responding. Last check: 2007-10-14)
		Hubley wanted the commercial to be something natural and truthful with a nonprofessional actor.
		In 1960, John Hubley produced a second Marky Maypo commercial but by that time, his relationship with the Heublein, Inc. was quickly deteriorating.
		Hubley felt that plastering Marky on packages and various items to promote Maypo was vulgar; after all, this was his animated son.
	www.homestatfarm.com /history_marky_maypo.php (573 words)

	PASSHE honors retired executive vice president (Site not responding. Last check: 2007-10-14)
		John E. Hubley, retired executive vice president of Shippensburg University, is the recipient of the Suzanne S. Brown Award from the Pennsylvania State System of Higher Education (PASSHE) recognizing outstanding professionals in the student affairs area.
		Hubley, of Shippensburg, began his career at the institution in 1958 when he served as acting dean of men and the assistant football coach.
		Hubley remains active throughout the Shippensburg community where he is president and fund drive chair for the Shippensburg Area United Way.
	www.ship.edu /~sunews/hubley.html (253 words)

	The Hubleys, a Family of Animators
		The late John Hubley and his wife and creative partner, Faith, have been responsible over the past three decades for bringing to the screen some of the most delightful, and challenging short films for both child and adult audiences.
		The voices of the children are unrehearsed and are those of the Hubley's daughters, Georgia and Emily, who were quite young when this film was made in 1973.
		The visual styles of the Hubleys are unlike what we're used to in cartoons -- Moonbird, for instance, is all done in blue watercolors and loose, impressionstic lines, without the sharpness that usually defines cartoon characters and landscapes.
	www.recess.ufl.edu /transcripts/2004/0512.shtml (279 words)

	Animatus Studio and the High Falls Film Festival
		Set within the context of six decades of American cultural history, the film looks at the careers of Academy Award-winning animators John and Faith Hubley, at their struggle to remain independent in a field that is largely commercial, and at their unique contributions to the development of animation as an art form.
		John's role in the 1941 Disney Studio strike, and the eventual political fallout that participation in the strike had on the careers of many of the artists who did so.
		John and Faith's twenty-two year collaboration, during which they made twenty-one independent films, won three Academy Awards (out of seven nominations) and "violated all the rules," with their alternative style of animation and innovative use of sound.
	www.animatusstudio.com /highfalls/hfindependent.html (1135 words)

	MoMA.org \| Exhibitions \| 1997 \| Hubley
		The myriad shapes and designs of her films have a delicate line, soft edges, and a subtle palette enhanced by her expert use of "underlighting"--a technique in which drawings on paper are illuminated from below, as opposed to conventional animation, in which paintings on celluloid are lit from above.
		Children of the 1950s may recall Mark Hubley demanding, "I want my Maypo!" in the animated commercial that was recently chosen as one of the twenty-five best commercials in television history.
		For all their artistry, the Hubley films exude the joy of the creative spirit, and the poignancy of being a parent (or a child) in the late twentieth century.
	www.moma.org /exhibitions/1997/hubley/hub_essay.html (862 words)

	C U R R I C U L U M V I T A E (Site not responding. Last check: 2007-10-14)
		Hubley JH, Mitton JR and Wilkinson JF The oxidation of carbon monoxide by methane‑oxidising bacteria Archives of Microbiology 95, 365‑368.
		Hubley JH Community development and health education ‑ the community development approach to health education in multiply‑deprived communities in Britain ‑ a review of methods and needs for further research.
		Hubley JH, Jackson B, Khaketla T The role of health education and communication in sanitation programmes ‑ a case study of the urban sanitation improvement programme in Lesotho.
	www.hubley.co.uk /hubleycv.htm (4799 words)

	Michael Sporn Animation - Splog » Hubley
		John, Faith and Gary spent many of their days at the studio recording while I started development of the film’s art from the storyboards.
		John Hubley’s involvment with the film and his treatment by Producer, Martin Rosen, was.
		Here’s a layout by John Hubley, given to Tissa David for a seminal scene in the film.
	www.michaelspornanimation.com /splog/?cat=10 (3618 words)

	Frank R. Diffenderfer Collection, MG-166
		Kuhn, John Hubley, Michael Diffenderfer of Cocalico Township to Adam Bowers, Lancaster Borough, 1782.
		John Hubley and Michael Diffenderfer, Lancaster with John Wright, Cocalico Township.
		John Hubley and Michael Diffenderfer, Lancaster Borough and Philip Krieg of Cocalico Township.
	www.lancasterhistory.org /collections/archives/manuscrp/mg-0166.htm (3266 words)

	MovieMaker Magazine \| HOP Volume 2, Issue #4 \| Indie Movie Guide (Site not responding. Last check: 2007-10-14)
		John Hubley was a key member of the Disney team that created such animated classics as Snow White and the Seven Dwarfs, Pinocchio, Dumbo, Fantasia and Bambi.
		But when her husband, John, was fllisted from Disney, the two began a moviemaking partnership that created more than 20 films—and earned them three Academy Awards.
		Hubley’s mainstream recognition has no doubt been augmented with the success of John Cameron Mitchell’s Hedwig and the Angry Inch, a film in which her animated creations undoubtedly helped to further the story.
	www.moviemaker.com /hop/12/indie.html (807 words)

	The Cosmic Eye
		Husband and wife team John and Faith Hubley had made a long career of experimental, modernist animated movies from the 50's onwards, influenced by jazz and modern painting.
		John worked on all of the early Disney movies from 'Snow White' onwards until leaving in the wake of the Disney animators strike of 1941 and becoming one of the founders of UPA studios.
		John and Faith Hubley's animated shorts were nominated for seven Oscars between 1959 and 1977, winning three times.
	www.keyframeonline.com /kf.php?op=details&a=411 (254 words)

	Yale Bulletin & Calendar - News Stories
		Faith Hubley's current work-in-progress, "Beyond the Shadow Place," is an eight-and-a-half-minute film, with an original score by Don Christensen, which provides glimpses into the past and explores traditional symbols of death and renewal.
		Hubley, "is a festival of light, an affirmation of death and the renewal of life."
		Hubley has had several exhibitions of her work, including "Faith Elliot Hubley, Painter and Cineaste, A One Person Exhibition of Paintings, Watercolors and Films" at the Theater D'Annecy in France in 1980 and a similar showing the following year at the Animator's Gallery in New York.
	www.yale.edu /opa/ybc/v25.n22.news.04.html (671 words)

	Faith Hubley (Site not responding. Last check: 2007-10-14)
		She and her husband, the late John Hubley, established an independent studio, which produced films that broke new ground in the world of animation.
		The Hubleys employed a free-form visual style and often used improvised dialogue by their children and others, as well as jazz music by such artists as Dizzy Gillespie and Benny Carter.
		The Hubleys received three Academy Awards for their films, and their work has been celebrated at film festivals and exhibits throughout the country.
	theoscarsite.com /whoswho4/hubley_f.htm (276 words)

	Cartoon Modern :: John Hubley
		Hubley’s studio turned out one great spot after another, and even this one, which isn’t a classic by any means, is still an amazing piece of work.
		One of Hubley’s trademarks was his ability to integrate the product pitch into the storytelling which is what he does here; note how seamlessly Hubley tells us that Heinz 57 is made with 17 ingredients and that the sauce tastes good on a variety of meats.
		Hubley’s sensitivity to the movement of characters is even more remarkable considering that he was one of the few directors of the era who hadn’t been an animator prior to directing.
	cartoonmodern.blogsome.com /category/john-hubley (1998 words)

	John Hubley - Films as director:, Other films:
		John Hubley, a remarkable animator by any standards, is noted not only for creating a new and important image in the animated film, but also for being the basic influence on a whole new genre in world animation.
		These show the early roots of the Hubley influence through the use of crisp, sharp lines with bold, bright colors in the background as well as in the characters.
		Hubley was hired as UPA's creative head, and when the producer Stephen Bosustow bought UPA outright from his original partners, Hubley joined him as studio boss.
	www.filmreference.com /Writers-and-Production-Artists-Ha-Ja/Hubley-John.html (860 words)

	John Hubley « WordPress.com
		Produced and directed by John Hubley and written by Hubley and Bill Scott (of Jay Ward f … more »
		Of this tale is an animation legend born.
		: From 1958, another classic John and Faith Hubley cartoon … With the Oscar Peterson Trio and Ella Fitzgerald singing “Tenderly”.
	wordpress.com /tag/john-hubley (156 words)

	[No title]
		Faith Hubley and her late husband John (he died in 1977) founded a three-generational dynasty of animated filmmakers.
		In the midst of the early 1950s and the McCarthy era, John Hubley was fllisted.
		Just as her husband's memorable work for Disney was just the beginning of his career, so her work with her husband marked merely the beginning of Faith Hubley's long, illustrious string of motion paintings (a total of 50).
	users.1st.net /jimlane/2001arch/12-12-01.html (786 words)

Try your search on: Qwika (all wikis)