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Topic: John Linnell (1792)

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Samuel Palmer

John Linnell

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William Blake

1792

Shoreham, Kent

	John Linnell - LoveToKnow 1911 (Site not responding. Last check: 2007-10-20)
		JOHN LINNELL (1792-1882), English painter, was born in London on the 16th of June 1792.
		His father being a carver and gilder, Linnell was early brought into contact with artists, and when he was ten years old he was drawing and selling his portraits in chalk and pencil.
		Linnell was able to command very large prices for his pictures, and about 1850 he purchased a property at Redhill, Surrey, where he resided till his death on the 10th of January 1882, painting with unabated power till within the last few years of his life.
	www.1911encyclopedia.org /L/LI/LINNELL_JOHN.htm (408 words)

	Midday - Sheep at Noon. by John Linnell, 1792-1882
		John Linnell made his reputation as a landscape painter, but he was also a very important patron to Blake.
		Linnell was bought up in reasonable affluence and he was able to study as a young man under Benjamin West.
		Linnell had always been an enthusiastic supporter of etching and engraving as media, but very few of his own prints express his pastoral vision, which was so close to that of Palmer.
	www.williamweston.co.uk /pages/catalogues/single/828/36/5.html (319 words)

	Bolton Museums, Art gallery and Aquarium - Art: John Linnell (Site not responding. Last check: 2007-10-20)
		John Linnell was born in London, the son of a woodcarver and picture dealer and started copying paintings when he was eight years old.
		Linnell became a brilliant sketcher and painted in both watercolours and oils, but gave up portrait painting to concentrate on landscape painting in 1847.
		In this painting Linnell presents his vision of country life and nature - as an ideal and sentimental vision unrelated to the harsh realities of a rural existence in the mid-nineteenth century.
	www.boltonmuseums.org.uk /html/art_oil_linnell.asp (164 words)

	ART; JOHN LINNELL: PORTRAITS AND LANDSCAPES - New York Times
		VISITORS to the John Linnell show at the Yale Center for British Art in New Haven might suppose initially that the artist is yet another star in the golden age of English landscape.
		But Linnell (1792-1882), being 20 or more years younger than Turner, Constable and the lesser stars and passing his formative years in an England cut off from the Continent by war, is really another proposition entirely.
		Linnell, says Miss Crouan, was a strong believer in ''the supremacy of the individual,'' and found ''the congregation of artisans and tradesmen a sympathetic social group and a large potential market for portraits.'' How it squared with the distaste for graven images (popery) central to hard-core British Protestantism can only be conjectured.
	query.nytimes.com /gst/fullpage.html?res=9B0DEEDC1639F935A35750C0A965948260 (680 words)

	[No title] (Site not responding. Last check: 2007-10-20)
		LINNELL, JOHN (1792—1882), English painter, was born in London on the 16th of June 1792.
		Linnell was able to command very large prices for his pictures, and about r85o he purchased a property at Redhill, Surrey, where he resided till his death on the loth of January 1882, painting with unabated power till within the last few years of his life.
		He gave him the two largest commissions he ever received for single series of designs—Lr5o for drawings and engravings of The Inventions to the Book of Job, and a like sum for those illustrative of Dante.
	encyclopedia.jrank.org /correction/edit?locale=en&content_id=40783 (400 words)

	York Museums Trust: York Art Gallery (Site not responding. Last check: 2007-10-20)
		John Linnell called his pictures "spiritual artistic facts".
		The Harvest Cradle - Noontide, 1859 by John Linnell (1792 - 1882)
		For Linnell, a British artist in the Romantic tradition, landscape painting was a way of depicting the spirituality of the natural world.
	www.yorkartgallery.org.uk /places.html (260 words)

	John Linnell (1792 - 1882) Artwork Images, Exhibitions, Reviews
		John Linnel was an English painter who made a good living as a fashionable portraitist, but preferred to paint landscapes.
		John Linnell, the Elder, Sheep at Noon (Windsor Forest), 1818
		John Sartain, Portrait of John A. Sutter, 1850
	www.wwar.com /masters/l/linnell-john.html (614 words)

	Truman Temple Liebig - Hannah Linnell (Site not responding. Last check: 2007-10-20)
		Abigail Linnell was born on 24 Jul 1797.
		Elisha Linnell was born on 1 Jun 1658.
		She was married to John Davis on 15 Mar 1648 in Nocett, MA.
	share.geocities.com /Heartland/Ranch/8882/d239.htm (668 words)

	Original Oil on panel at The Leicester Galleries (Site not responding. Last check: 2007-10-20)
		John Linnell trained under the Royal Academy schools from 1805 where, although at this time he painted just portraits and watercolours, his true passion for landscapes is identifiable in the backgrounds of his portraits.
		Linnell was a friend and patron of Blake, and was one of the first to recognize his genius, but he also was, like Blake, strongly religious.
		Linnell's paintings are easily recognizable because of his particularly distinctive, and powerfully contrived style.
	www.leicestergalleries.com /provenart/dealer_stock_details.cgi?d_id=&a_id=13326 (265 words)

	Cleveland Museum of Art - John Linnell (British, 1792 - 1882)
		The precocious son of a Bloomsbury frame maker, John Linnell entered the Royal Academy schools in 1805 at the same time that he began studying with influential watercolor painter and drawing master John Varley (1778-1842).
		From 1807 Linnell was a regular contributor of landscape and portrait paintings at the Royal Academy, the British Institution, and the Society of Painters in Watercolours.
		Linnell's commitment to landscape painting as a spiritual art profoundly influenced the visionary early work of his pupil and future son-in-law, Samuel Palmer (1805-1881).
	www.clevelandart.org /Explore/artist.asp?searchText=realism&tab=1&recNo=5&bio=full&display= (389 words)

	JOHN LINNELL: biography
		John Linnell was brought up in an artistic environment.
		Young Linnell's artistic talents became apparent at an early age and his father was able to capitalise on them setting his son to work producing copies of George Morland (whose works were much in demand), which he was able to sell.
		Linnell was a very versatile artist, able to work in a number of mediums.
	www.fitzmuseum.cam.ac.uk /gallery/linnell/biography.htm (340 words)

	John Linnell (via CobWeb/3.1 planetlab1.tamu.edu) (Site not responding. Last check: 2007-10-20)
		June 12, 1959), musician, is known primarily as one half of the enduring pop/rock duo They Might Be Giants; In addition to singing and songwriting, he plays accordion, saxophone, and keyboards for the group.
		Linnell co-founded They Might Be Giants in 1982 with High School friend and musical collaborator John Flansburgh.
		Since 1994, Linnell has done some solo work: in that year he released the State Songs EP, which he expanded to a full-length album in 1999.
	john-linnell.iqnaut.net.cob-web.org:8888 (190 words)

	Nola.com's Printer-Friendly Page
		Though originally a portrait painter, Linnell, like other artists of his generation, was influenced by romantic philosophy that imbued simple country landscapes with spiritual power.
		The next step would be to find a match in Linnell's sketchbook records, or present the painting to a catalogue raisonne committee.
		Weathers said that many of Linnell's smaller paintings were done on boards instead of canvases.
	www.nola.com /printer/printer.ssf?/base/living-0/1111215685299120.xml (452 words)

	handprint : samuel palmer
		By 1822 he had met the wealthy, overbearing and hyperreligious oil landscape painter John Linnell (1792-1882), who took him to meet William Blake in 1824; Palmer was deeply impressed by Blake's woodcut illustrations to Thornton's edition of The Pastorals of Virgil.
		He married Linnell's daughter Hannah in 1837, and spent two years in Italy perfecting his drawing and painting in a topographical style; but on return to London he settled into a wearying and unremunerative routine as a drawing master to untalented pupils, relieved by trips for landscape painting to Devon, Cornwall and North Wales.
		The honeymoon served to distance the couple from the overbearing and quarrelsome Linnell, and also to afford Palmer the opportunity to perfect a new style of painting, based on intense naturalism and careful rendering of detail.
	www.handprint.com /HP/WCL/artist47.html (1215 words)

	Fitzwilliam Museum
		John Linnell, having studied at the Royal Academy Schools in London, prospered as a painter of portraits and landscapes.
		At least as significant and notable as Linnell’s own artistic work, however, were his activities as a patron and adviser to other artists.
		Although the two men later fell out, Linnell was an important influence on Palmer early on in his career, and he was later to record in a notebook “… by the time I had practised for about five years I entirely lost all feeling for art … But it pleased God to send Mr.
	www.fitzmuseum.cam.ac.uk /pharos/collection_pages/19th_pages/1490/TXT_BR_PDC-1490.html (338 words)

	1792
		Swedish king Gustav III is assassinated at a masked ball at the Stockholm opera house, is succeeded by Gustav IV Adolf.
		March 7 - John Herschel, mathematician, astronomer (+ 1871)
		April 23 - John Thomas Romney Robinson, Irish astronomer, physicist (+ 1882)
	www.ebroadcast.com.au /lookup/encyclopedia/17/1792.html (557 words)

	JOHN LINNELL (1792—1882) - Online Information article about JOHN LINNELL (1792—1882) (Site not responding. Last check: 2007-10-20)
		JOHN LINNELL (1792—1882) - Online Information article about JOHN LINNELL (1792—1882)
		Linnell was able to command very large prices for his pictures, and about r85o he See also:
		Linnell was one of the best See also:
	encyclopedia.jrank.org /LEO_LOB/LINNELL_JOHN_17921882_.html (556 words)

	[No title] (Site not responding. Last check: 2007-10-20)
		August 18 - John Russell, 1st Earl Russell, Prime Minister of the United Kingdom (d.
		March 10 - John Stuart, 3rd Earl of Bute, Prime Minister of the United Kingdom (b.
		May 10 - John Stevens, American delegate to the Continental Congress
	en.encyclopediahome.com /wiki/1792 (1317 words)

	John Linnell Online
		Fitzwilliam Museum at the University of Cambridge, UK John Linnell at the Metropolitan Museum of Art, New York City
		John Linnell at the National Gallery of Art, Washington D.C. Sailboats on Southampton River, 1819
		All images and text on this John Linnell page are copyright 1999-2005 by John Malyon/Artcyclopedia, unless otherwise noted.
	www.artcyclopedia.com /artists/linnell_john.html (283 words)

	Amazon.ca: John Linnell : A Centennial Exhibition, Fitzwilliam Museum, Cambridge and Yale Center for British Art: ... (Site not responding. Last check: 2007-10-20)
		John Linnell's career as a landscape and portrait painter lasted almost the entire nineteenth century.
		This book catalogues a centennial exhibition of Linnell's paintings and drawings held in 1982-3, first at the Fitzwilliam Museum, Cambridge, and then at the Yale Center for British Art, New Haven.
		She explains how at different stages in his career he fused his religious and artistic principles, producing latterly a popularly understood, morality landscape'.
	amazon.ca /John-Linnell-Centennial-Exhibition-Fitzwilliam/dp/0521247373 (331 words)

	John Linnell: View of Kensington Gardens (2000.238) \| Object Page \| Timeline of Art History \| The Metropolitan Museum ... (Site not responding. Last check: 2007-10-20)
		Linnell recorded this view at his most revolutionary moment: the period immediately following his move (in 1811) to an area of London surrounded by open fields, when he acquired a camera obscura, converted to a nonconformist Christian sect, and, influenced by William Paley's Natural Theology (1802), sought direct proof of God's creation in the landscape.
		For Linnell, the meticulous representation of nature became a moral imperative.
		To achieve it, he developed a distinctive technique, involving small touches of pure color, that anticipates the work of his protégé and son-in-law Samuel Palmer and, ultimately, the paintings of the Pre-Raphaelite Brotherhood.
	www.metmuseum.org /TOAH/hd/bwtr/hod_2000.238.htm (202 words)

	This Day in History: 1792
		John Montagu, 4th Earl of Sandwich, English statesman
		John Stevens, American delegate to the Continental Congress
		John Thomas Romney Robinson, Irish astronomer and physicist
	learningcalendar.com /this_day_in_history/year.cfm?year=1792 (405 words)

	Evening, Storm Clearing Off, Somerset by John Linnell, 1792-1882
		The picture Evening, Storm Clearing Off is referred to twice in Linnell's journals (now in the possession of a descendant of the artist), on 1 May 1818, presumably when it was begun; and on March 1819, when Linnell was still working on it.
		In this relatively early landscape by Linnell the balanced proportions of the landscape contrast with the spectacular and beautifully painted lights in the sky to create a fusion of classical and romantic landscape elements.
		Readers should consult the website of Peter Nahum at the Leicester Galleries to obtain information about recent exhibitions and to order their catalogues.
	www.victorianweb.org /victorian/painting/linnell/paintings/1.html (625 words)

	handprint : william blake
		Blake advertised these books and other engravings for sale in a prospectus of 1793, but at such low cost that he lived in near poverty during these years, suffering from chronic nervous anxieties, alternating bouts of irritability and grandiosity, and a growing reputation as a dilatory, unreliable worker and a religious crank.
		Linnell introduced Blake to John Varley and John Constable, and formed (with Samuel Palmer and other artists) a small brotherhood of Blake admirers called "The Ancients." Blake was working on Linnell's commission to illustrate Dante's Divine Comedy when he died at home in 1827, at age 70.
		Throughout his career, Blake used watercolors to tint the illustrations and text of his engraved books, which he made by etching away the whites of the copper plate rather than the inked areas (not unlike the method used in woodblock printing).
	www.handprint.com /HP/WCL/artist04.html (1383 words)

	Creative Quarters: The Art World in London 1700 to 2000 (Site not responding. Last check: 2007-10-20)
		John Constable, John Linnell, George Romney, Fredrick W. Watts, and William Blake sought the fresh air and quiet setting of the village of Hampstead.
		As a new neighborhood for artists including Benjamin West, Thomas Stothard, Augustus Egg, John Partridge, John Flaxman, John Russell, and William P. Firth, Marylebone served as a fresh and fashionable setting for members of the Royal Academy.
		Serving as an opposite setting from Chelsea, artists set up "exotic studio-houses" in Kensington and made the area a high society showplace to display their work to the public.
	www.museumnetwork.com /features/05_21_01highlightCreative.asp (1006 words)

	SingaporeMoms - Parenting Encyclopedia - 1792
		1789 1790 1791 - 1792 - 1793 1794 1795
		March 7 - John Herschel, mathematician, astronomer (d.
		April 25 - John Keble, British poet, professor (d.
	www.singaporemoms.com /parenting/1792 (943 words)

	Tyger of Wrath - William Blake at the National Gallery of Victoria
		Thomas Stothard (1755-1834) and John Flaxman (1756-1826) are fellow students.
		Violent confrontation with the soldier John Scolfield at Felpham.
		Meets John Linnell (1792-1882), his last great patron.
	www.ngv.vic.gov.au /blake/chronology_frame.html (543 words)

	Butchoff Antiques - antique furniture gallery in London, England, UK
		A naturalist, aware of the advances of the Industrial Revolution, and the passing of the bucolic life, the painting typifies the love Linnell held for the English countryside.
		Signed, LR., and dated 1862 John Linnell (1792-1882) the son of a frame maker, studied under Benjamin West and John Varley.
		Vollmer Mr Linnell’s work may be seen in the National Gallery of London, the Tate, National Portrait Gallery, the Metropolitan Museum of Art amongst others.
	www.butchoff.com /antique.php?cat_id=19 (811 words)

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